Friday, February 3, 2012

2010-2011 The Justice League of America 100 Project charity art by Doug Mahnke

Click To Expand & Enlarge


Awesome scene of Green Lantern (Hal? Kyle?) saving the world from a giant monster while the rest of the JLA has a bad case of Monday morning. Flash needs caffeine, and Batman looks ticked that Superman used up all the cereal. Meanwhile, Wonder Woman has to fight Krypto for breakfast sausage. At least J'Onn looks happy with his Chocos.

In late 2000, a consortium of comic publishers came up with the idea to create a financial safety net for comic creators, much in the same fashion that exists in almost any other trade from plumbing to pottery. By March of 2001, the federal government approved The Hero Initiative as a publicly supported not-for-profit corporation under section 501 (c) (3).

Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $400,000 to the comic book veterans who have paved the way for those in the industry today.

The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need. Hero creates a financial safety net for yesterdays' creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It's a chance for all of us to give back something to the people who have given us so much enjoyment.


ALL 104 JUSTICE LEAGUE #50 ORIGINALS…NOW ON DISPLAY!

Please enjoy this gallery of ALL 104 original Justice League of America #50 Hero Initiative covers!

Hardcover and softcover versions of a book collecting all the covers will be available in December, 2011. AND all the originals will be auctioned off according to the following schedule:

• December 3, 2011, Meltdown Comics, Los Angeles, CA: Display of all 104 covers and auction of first one-third
• Jan. 20-22, 2012, Tate's Comics, Lauderhill, FL (Miami/Ft. Lauderdale area): Display of remaining covers and auction of second one-third.
• Feb. 17-19, 2012: Orlando MegaCon, Orlando, FL: Display and auction of final one-third.

All covers will be sold via LIVE AUCTION on-site at the venues above. If you cannot attend but wish to bid, proxy bidding is available.
Contact Joe Davidson at: yensid4disney@gmail.com
Deadlines for each grouping are below, and each cover carries a minimum bid of $100.

Special thanks to Firestorm Fan for the notice!

Thursday, February 2, 2012

2007 "JLA basketball" art by Justin "Moritat" Norman

Click To Enlarge

"Colorist Marc Letzmann, threw down a challange at the end of Wizard world con LA.

He saw how exhausted I was and so being kind he said draw: the entire Justice League playing basketball. heheheh.

I got to a few of them before I ran off.

Colored by by Marc."

Wednesday, February 1, 2012

Women in Refrigerators, 13 Years Later



In 1999, Gail Simone made her initial name in comics through Women in Refrigerators, a web page devoted to listing all the violent indignities inflicted against female characters over the years. For some reason, Women Write About Comics decided to discuss the site as a meme at the curious thirteenth year mark. I figured I'd try my hand at a Manhunter-centric list, but it's pretty weak. The truth is, women didn't play a large part in the Martian mythos prior to 1988. Detective John Jones was occasionally partnered with rookie Patrolwoman Diane Meade, and even sorta-kinda dated her in an issue of Justice League of America, but Jones was really one of the most chaste mainstream heroes. J'Onn's mom showed up a couple of times in the Silver Age, and a grandmother cameo'd once in the Bronze. J'Onn seemed affectionate towards Bel Juz in 1972, but his first official girlfriend (J'en) didn't debut until almost three decades into his career (and for only one story arc!) Readers would be forgiven for assuming there was something to that "Manhunter" handle.



Women didn't truly impact on the character until his unnamed wife and daughter were revealed in a 1988 mini-series, turning the character from a confirmed bachelor to a widower in mourning for decades. This tragic-romantic element became firmly ingrained in the character, greatly enhancing his appeal to readers of both genders. J'Onzz's celibacy continued, but it was now somber rather than queer, and he finally began a string of short term, problematic relationships in the late '90s. Around the same time, the Manhunter from Mars' untold history was thoroughly explored, and it was here that most of the violence against women took place (often under writer John Ostrander and related to an evil twin brother, Ma'alefa'ak, soon to debut in cartoon form.)



Bel Juz (in limbo since 1984)
Bette Noir (enslaved by Dr. Trap, in limbo since 2000)
Cay'an (in limbo since 2007)
Cha'rissa (adulteress, in limbo since 2000)
D'Kay D'Razz (executed)
Melissa Erdel (permanent brain damage)
Rio Ferdinand (in limbo since 2007)
Gypsy (left for dead, psychically molested, in limbo since 2010)
J'en (in limbo since 1984)
M'yri'ah J'Onzz (mentally raped, killed with daughter by engineered plague)
Sha'Sheen J'Onzz (mentally assaulted by son, lobotomized, killed)
Kishana Lewis (in limbo since 2003)
Diane Meade (brother murdered, in limbo since 2000)
Miss Martian (dissociative personality disorder, homicidal, brutally assaulted, left in limbo)
Mongal (decapitated by brother)
Moon Maiden (retconned, in limbo since 2000)
Primaid (stripped of individual identity)
Scorch (left in coma by Fernus, in limbo since 2007)
Shrike (insane, dead)
Karen Smith (betrayed and murdered)
Tronix (stripped of individual identity)



As far as why women are so mistreated in genre fiction, I have a few theories. The first is that, in our culture, women matter more. Heterosexual men view them as objects of desire and damsels in distress. Failing to protect them is a failure as a man, which cuts deeper than most personal defeats. The dark side of that is that they are also objects to be taken from men, and their (often sexualized) abuse can be titillating or otherwise satisfying for some. In the case of homosexual men, until relatively recently, open relationships with women were the only deep emotional attachments accepted by society. Women seem to hold the opinions of other women in highest esteem, and as traditional gender roles have broken down, women seem to be most deeply invested in other women over the transitory presence of men. As for homosexual women, at least in my own experience, there seems as great a tendency as anywhere to sexually segregate from men entirely. For children, women are their mothers and their emotional nexus, the most important being in their lives.



By contrast, men are historically less emotional in general, and less likely to become attached. They are not as central to home life, with the expectation of being breadwinners in the workplace. Men tend to handle the material functioning of society, rather than nurturing. Biological and emotional bonds aren't as strong, as one man can impregnate many women without necessarily being responsible for any of the consequences. It is part of societal expectation for men to be sacrificed to protect and serve the tribe. As the physically dominant gender, they are the most likely to victimize the weak, coloring perceptions of the sex. Men are least likely to be victimized themselves, at least as adults, and their being sexually abused remains a taboo to be suppressed as thoroughly as possible. Violence is expected from and against men, so it lacks the sense of shock or transgression. It doesn't hurt the audience as much to hurt a man, and there's even a weird sort of valor taken from torture of the male. These views are changing, but it's still part of our culture.



One other thing I think is worth noting is that comic books shifted from short, unconnected action stories in the Golden Age to long form, character-based serialized tales ever since. In doing so, comics adopted many of the tropes of a feminine skewing genre, the soap opera. Perhaps because of the rapid changes in gender roles in the industrialized world and through the sexual revolution, women's entertainment has often struck me as sadomasochistic. Where men are more likely to prefer simple conflicts of good versus evil, the lowest common denominator in women's entertainment seems to be stories of manipulation and abuse. Comics' tendency to put women in harm's way, especially as executed since the Silver Age, seems derived from the conventions of the soap opera and wrenching feminine fiction as a whole at least as much as geeky white male writers working out their personal issues in a ghettoized medium. Just a theory, though...

Tuesday, January 31, 2012

Stormwatch #4 (February, 2012)



" Projectionist, this is the Midnighter. I hope you're listening in on my cowl mike-- because that monster that was sent from the moon--? It just absorbed all your teammates. The ground here is still erupting-- and the creature's using your team's powers-- including... the Manhunter's telepathy... trying to make me throw myself into that thing."

At the Eye of the Storm, the Projectionist offered to send a door to teleport Midnighter away. "--You're not one of us. You don't deserve this." Midnight argued that the scale was too big to walk away from, or leave to super-team "amateurs." As it happened, Apollo was falling like a meteor into the vicinity of the monster, which worked with the vigilante's plan.

Inside the monster, Adam One acknowledged his poor leadership had killed his team, the Engineer conducted futile analysis, Jenny Quantum wondered if a better self-understanding would have helped her save the day, Jack Hawksmoor prepared to die, and Harry Tanner remained an enigma. Martian Manhunter observed, "I cannot probe its diffuse mind. I must stop it using my mental powers-- even if that kills me."

Midnighter had the Projectionist hack his cowl sensors so that she could show him how Stormwatch's satellite headquarters worked, without either having actual knowledge. "I have an intuitive understanding of control systems. I think I know what I'm looking at." Midnighter sweet talked Apollo into trusting him (complete with cheek stroking,) then had the Eye fire a massive beam of collected sunlight at him.



Apollo felt more powerful than ever, blasting through the monster and freeing its undigested Stormwatch members. Manhunter went straight to checking on young Jenny. Somehow, Tanner knew that the ancient hidden city Hawkmoor had been trying to contact was named Alba Umbra, which allowed "the God of Cities" to finally established benign contact with its eternal spirit. The aged lady asked, "Are... the beasts back? They... killed all my people. I had to use the alchemy in me to... hide." Alba Umbra was convinced to unearth itself, sending the moon monster reeling.

Adam recognized the city, but couldn't recall details with the holes in his memory. Jack surmised that it had been attacked first because of its alchemical abilities, "changing the nature of stuff..." The Engineer dismissed Adam as leader, then sent Jack and Midnighter to find the city's power source. She would join Apollo and Harry in fighting off the monster, to which Midnighter replied, "Good. Finally! That's how I'd have called it." She didn't enjoy the mutiny, but "I'm an engineer. I fix things. And this was so not working... But I remember when we were a team. We could still be a good team"

Martian Manhunter followed Jack and Midnighter, then did something with his hands to analyze "this transformative crucible." He couldn't see its use, but Midnighter could, and had the also present Jenny activate it... explosively... knocking J'Onn for a loop. Harry pleaded ignorance about the moon menace as he watched Alba Umbra transform it into glass. Engineer noted "Once our team might have put all these jigsaw pieces together. But Adam just seems to like staring at what this chaos is producing."



The team marveled at their mess, then were suddenly whisked away by an emergency teleport door. A cosmic being was on the bridge of the Eye, stating "I represent the Stormwatch Shadow Cabinet. I'm here for Adam. He's failed as your leader. So it's time for him to die." Projectionist added, "He keeps saying that!"

"The Dark Side: Part Four" was by Paul Cornell and Miguel Sepulveda. Paul Cornell kept telling everybody that all the wack-a-doo b.s. going on in this book would amount to something. Apparently, that something was the readership's collective sigh that the dude bails after #6. Not one-- not two-- but three gods pop out of boxes to tell plotlines from the first three issues to talk to the hand. "Those sixty pages you read earlier? That 'plot?' Nope. Stops right here." They're really tired contrivances too, like "Let's fill the energy guy up with enough energy to shoot super-energy that'll wipe out the bad guys in one fell swoop" and "Our secret bosses show up to fix everything." GTFO. Midnighter coming on to Apollo was less like all those cynical, sarcastic British techno-thrillers they're known for and more like the sorts of panels from '60s Young Romance comics Roy Lichtenstein would have swiped from. The rest of the paper doll version of the Authority just goes through the motions of a post-Morrison team book as written by an incompetent acolyte. Also, artist Miguel Sepulveda shows a Rob Liefeldian hatred of feet. Lacking the common courtesy to offer spontaneous manifestations of fog or smoke or dust clouds, Sepulveda just draws toes like Charles Schultz drew Charlie Brown's hair. At least we're 2/3rds to completely done.

New 52's Day

Monday, January 30, 2012

2011 Yashuntafun Miss Martian "Casual Outfit" Cosplay Gallery

Click To Enlarge


Megan says "Hellloooo Megan! I’m a big fan of comics and love the show Young Justice! A friend of mine suggested I make this costume since I love the show anyway and I’m also named Megan. I was hesitant at first because of the need for green body paint, but then I decided why not? It was a great idea and I had a lot of fun with this costume, and it wouldn’t have happened without his support!"

In case you were wondering, "my alias Yashuntafun comes from the name of the road I grew up on. It’s a weird name, I know, but I’ve had to spell it out for people from as early as I can remember and its uniqueness has stuck with me. Luckily it’s pronounced exactly as it looks: Ya-shun-ta-fun."

See more photos from this shoot, including some with special effects, right here. It's a nice set, and it'll give bishōjo Trekkies an aneurysm.

Sunday, January 29, 2012

Superboy #200 (January-February, 1974)



Here's one I've been meaning to get around to for years, but a more current spark was lit by Jim Shooter in September, although it took a December Dork Review to finally get me to blow it out. I'm not going to go deep into details, as the book has already been thoroughly mocked by Steve Does Comics and Comics Bronze Age.

The gist is that in the 30th Century, lame Legionnaires Duo Damsel and Bouncing Boy got married, becoming the Reed and Sue of their era (complete with super-villainous gatecrasher.) Since the wedding took place on Mars, the artist thought it would be funny to have J'onn J'onzz in attendance. What sets this apart from most amusing non-canonical cameos is that a character legend identifying all the attendees explicitly names "J'ONN J'ONZZ, MANHUNTER FROM MARS." Of course, the Edgar Rice Burroughs character Tars Tarkas also showed up, "who has apparently hidden two of his four arms." A couple of decades later, Tom and Mary Bierbaum were inspired by this throwaway moment to insert the Martian Manhunter into legitimate continuity as part of a Mordru arc, and other creators have drawn connections between the properties since. Given J'Onn's tendency to be an extant Superman Family member by virtue of his similarities to the Man of Steel, it feels appropriate.

"The Legionnaire Bride of Starfinger" was by Cary Bates & Dave Cockrum. As I understand it, DC's refusal to return the art for this two page spread led to Cockrum's quitting the title and co-creating the All-New, All-Different X-Men. Hope it was worth it to whoever at DC made off with it.

Saturday, January 28, 2012

2010-2011 The Justice League of America 100 Project charity art by Tom Mandrake

Click To Expand & Enlarge


Tom Mandrake is still the only ever ongoing artist on the only ever ongoing Martian Manhunter series, and it seems like he never got sick of drawing Darkseid, either. He's also arguably the best (and certainly the most devoted) Spectre artist, another understandable inclusion. To better cover the JLA base, and because he's likely a big fan with brief brushes of work in the past, there's also the Batman.

By the way, evoking the Ostrander/Mandrake era, Scott Kolins may have offered Darkseid as an official Martian Manhunter villainous parallel to the JLA, alongside Lex Luthor, the Joker, Cheetah, Captain Cold, Sinestro, and Ocean Master. Alternately/more likely, he also just felt like throwing in a portrait of the Lord of Apokolips on the back cover.

JLA 100 Project

In late 2000, a consortium of comic publishers came up with the idea to create a financial safety net for comic creators, much in the same fashion that exists in almost any other trade from plumbing to pottery. By March of 2001, the federal government approved The Hero Initiative as a publicly supported not-for-profit corporation under section 501 (c) (3).

Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $400,000 to the comic book veterans who have paved the way for those in the industry today.

The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need. Hero creates a financial safety net for yesterdays' creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It's a chance for all of us to give back something to the people who have given us so much enjoyment.


ALL 104 JUSTICE LEAGUE #50 ORIGINALS…NOW ON DISPLAY!

Please enjoy this gallery of ALL 104 original Justice League of America #50 Hero Initiative covers!

Hardcover and softcover versions of a book collecting all the covers will be available in December, 2011. AND all the originals will be auctioned off according to the following schedule:

• December 3, 2011, Meltdown Comics, Los Angeles, CA: Display of all 104 covers and auction of first one-third
• Jan. 20-22, 2012, Tate's Comics, Lauderhill, FL (Miami/Ft. Lauderdale area): Display of remaining covers and auction of second one-third.
• Feb. 17-19, 2012: Orlando MegaCon, Orlando, FL: Display and auction of final one-third.

All covers will be sold via LIVE AUCTION on-site at the venues above. If you cannot attend but wish to bid, proxy bidding is available.
Contact Joe Davidson at: yensid4disney@gmail.com
Deadlines for each grouping are below, and each cover carries a minimum bid of $100.

Special thanks to Firestorm Fan for the notice!

Friday, January 27, 2012

2010-2011 The Justice League of America 100 Project charity art by Fred Hembeck

Click To Expand & Enlarge


Hembeck! kicks it Maguire style with an old school twist. The entire founding Justice League of America, including early inductees Green Arrow and Hawkman, plus Snapper Carr. "Remember us?" Well, I kind of remember the Atom joining between Ollie and Carter. How about that, Fred?

In late 2000, a consortium of comic publishers came up with the idea to create a financial safety net for comic creators, much in the same fashion that exists in almost any other trade from plumbing to pottery. By March of 2001, the federal government approved The Hero Initiative as a publicly supported not-for-profit corporation under section 501 (c) (3).

Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $400,000 to the comic book veterans who have paved the way for those in the industry today.

The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need. Hero creates a financial safety net for yesterdays' creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It's a chance for all of us to give back something to the people who have given us so much enjoyment.


ALL 104 JUSTICE LEAGUE #50 ORIGINALS…NOW ON DISPLAY!

Please enjoy this gallery of ALL 104 original Justice League of America #50 Hero Initiative covers!

Hardcover and softcover versions of a book collecting all the covers will be available in December, 2011. AND all the originals will be auctioned off according to the following schedule:

• December 3, 2011, Meltdown Comics, Los Angeles, CA: Display of all 104 covers and auction of first one-third
• Jan. 20-22, 2012, Tate's Comics, Lauderhill, FL (Miami/Ft. Lauderdale area): Display of remaining covers and auction of second one-third.
• Feb. 17-19, 2012: Orlando MegaCon, Orlando, FL: Display and auction of final one-third.

All covers will be sold via LIVE AUCTION on-site at the venues above. If you cannot attend but wish to bid, proxy bidding is available.
Contact Joe Davidson at: yensid4disney@gmail.com
Deadlines for each grouping are below, and each cover carries a minimum bid of $100.

Special thanks to Firestorm Fan for the notice!

Thursday, January 26, 2012

Legion Lost #5 (March, 2012)



I never read the original 2000 Legion Lost mini-series, using it instead as a jumping-off point from five and a half years of buying two LOSH titles. I also haven't picked up an issue of the DCnÜ Lost series, since the only Legion of Super-Heroes stories I've enjoyed in the past eleven years were during Jim Shooter's truncated run. However, I will probably buy the sixth issue, since it will feature an unannounced guest appearance by Stormwatch. I was alerted to this fact by friend of the blog Anj of Supergirl Comic Box Commentary. As I understand it, a bunch of the Bronze Age Legionnaires are stranded on modern day Earth and are trying to contain a virus from the 30th Century called "Hypertaxis."

Most of the team fought a battle against the villainous Alastor in this issue, while the proto-Wolverine Timber Wolf got stuck carrying the virus victim Chameleon Girl around on his back. Off on their own, Timber Wolf caught the scent of a new aggressor, and snarled as the figure hovered over his head...

"Your presence here is extremely dangerous. And the Martian Manhunter intends to get answers."

"Under Pressure" was by Fabian Nicieza and Pete Woods. The "Martian Manhunter" part of that speech incorporated his 1988 logo, which I've seen more than once amidst the New 52. It amuses me that while every other hero got a new logo this year, J'Onn finally returns to what works after several years with his blah 2006 one. If you'd like a more in depth look at the issue, Anj will provide, and I'll thank him again for offering the above scan!

Wednesday, January 25, 2012

Duffy



Alter Ego: Duffy
Occupation: Former police officer
Marital Status: Single
Known Relatives: Unnamed father
Group Affiliation: None
Base of Operations: Denver, CO
First Appearance: Showcase '96 #9 (October, 1996)
Eyes: Blue
Hair: Strawberry blond

History:
The Duffy Family formed a "glorious blue line," as they "proudly served the Denver citizenry for two hundred years..." That was, until the latest generation of police officer was stripped of his uniform in disgrace. Duffy was convicted of an unnamed crime by jury trial thanks to the testimony of fellow officers. Abandoned by his own family, Duffy conceived a revenge plot involving murdering the "traitorous witnesses" against him and stealing their eyeballs. Eight officers had been beaten to death and mutilated before drawing the attention of former Denver Police Detective John Jones, including his old friend Thomas Lappas. Uniformed officer Sergeant Phillips had been assigned the case, so Jones established a telepathic link with him. Jones then used his shapeshifting powers as the Martian Manhunter to assume the role of a local beat cop, hoping to serve as bait for the serial killer.

A technique Duffy employed was to play a tape recording of a "victim's" screams in an abandoned apartment to attract officers' attention, blind them temporarily with a bright light, then permanently by gouging out their eyes. This was what he used against Sergeant Phillips, who managed to defend himself despite his traumatic injury. Duffy escaped Phillips' gunfire by running up a fire escape, but dropped one of the sergeant's eyeballs while running across rooftops.

Alerted by his telepathic link, the Martian Manhunter arrived to help Phillips. Pulling a latent image from the officer's amputated eye, Jones identified Duffy. After taking Phillips to the hospital, the Manhunter confronted Duffy in his home. Duffy was unable to resist as Jones dunked his head into a fish tank of severed eyeballs he had been collecting, and was soon carted off to jail.

Powers & Weapons:
Duffy wore a Denver Police uniform while committing his crimes, and had a substantial collection of firearms. Through unknown means, Duffy came into possession of an intricate device which could remove an eyeball whole with surgical precision.

Quote: "That sniveling coward got blood on my uniform! But that's all right, father, I fixed him-- I fixed him good."

Created by Peter J. Tomasi and Eduardo Barreto

Tuesday, January 24, 2012

2011 Martian ManHunter art by Timothy Green II

Click To Enlarge

"Such a cool character, I might do another one."

To date, he hasn't. It occurs to me that it's ironic how few artists named "Green" have drawn the Martian Manhunter in comics-- or the Hulk, or Green Arrow, or Green Lantern. Think it's an editorial mandate against puns or something?

Timothy Green II

Monday, January 23, 2012

Comrades of Mars: R'ell



First Appearance: Detective Comics #311 (January, 1963)
Height: Approx. 7'0"
Eyes: White
Hair: Black

History:
R'ell is in some way involved with law enforcement on a parallel world from Earth in another dimension. R'ell pursued a pair of criminals who had stolen plans for a powerful weapon to a remote lab. R'ell learned from an injured scientist that the fugitives had fled through a temporary space warp that he had accidentally opened. R'ell feared that with the plans in their possession, the criminals could end up controlling whichever planet they had escaped into. Taking the chance that he could end up trapped forever in an alien land, R'ell followed the crooks. Unarmed, R'ell's pursuit quickly turned against him, as the twin hoodlums fired on him with their energy rifles, driving him into hiding.

R'ell was spotted in a forest by the Manhunter from Mars, who had already encountered and arrested the fugitive aliens. R'ell cleared his own name by explaining his circumstances, then warned that no simple jail could contain his fellow aliens. R'ell's assumption was correct, so he joined the Martian Manhunter in relocating and confronting the escapees. With the assistance of the mischievous animal Zook, another exile from R'ell's dimension, the criminals were apprehended. J'onn J'onzz flew R'ell and the captives through the space warp before it closed. R'ell thanked the hero, and bid him farewell.

Powers & Weapons:
Although R'ell carried a holster on his belt, he exhibited neither the weapons nor the powers displayed by his fellow visitors from the space warp.

Distinguishing Features:
R'ell has red skin and large eyes which appear to spiral. Though his hands are humanoid, his large, webbed feet have only three toes each. These features appear to be racial, as they were shared by the criminals and scientist R'ell encountered.

Quote: "...There is no time to lose! I must find those criminals and get back before the warp closes!"

Created by Jack Miller and Joe Certa

Saturday, January 21, 2012

Martian Manhunter: American Secrets #3 (November, 1992)



Dr. McNider proceeded to tell Detective Jones that there were no Lizard-Men, and that his group were victims "of the strangest mass hallucinations of our very strange times." McNider and Director Hoover agreed, "that we 'heroes' had somehow sprung from and embodied a spirit of national terror... and summoned up a dark side, in the bodies of our foes, that enabled us to exorcise a nation's terror through bizarre and repetitive combat... And the Director's wisdom was borne out by what happened when we chose to continue after the war. Hysteria. Suddenly Americans were seeing flying saucers. Fearing the breakdown of this magnificent society. Imagining a 'mafia.' Director Hoover is very explicit about that: There is no 'mafia.' Just as there are no 'communist conspiracies' in our government. That's the fear that our enemies want us to suffer." Detective Jones was incredulous. "I just met an agent of the F.B.I. He turned into a lizard... What enemies?" McNider responded, "The Communists."

"But you just said..." noted an increasingly irritated Jones. "That's the point! 'Red Scare' hysteria is a Communist ploy! And demagogues like Senator McCarthy were communist dupes!" Jones sat silently for a moment, staring daggers at the former Dr. Mid-Nite before scowling and leaping from his chair. "This is insane! You come here promising explanations and you talk in circles! Our fears are false, created by the people we fear so we won't fear what we should fear-- which is them? This is hog-wash! You just don't want us to trust what we see!"



"No detective! I just want you to serve the right side. Your government needs you. It needs all the Martians it can get." McNider's enhanced vision could see through J'Onzz's human form, as he claimed the JSA's "retirement" in protest of congressional red-baiting was a cover for their enlistment in the F.B.I., a role they wanted Jones to share. "That was a calculated little blow against the Red Scare. In truth, we've all been serving our country in quiet, invisible ways. The way every good American should. Beating our super-powers into tract homes, as it were. Why, heck, if the government couldn't find a use for powers like ours, they'd probably have to kill us! Ha ha... The F.B.I. is on its way, Jones. If you don't help them, they'll do what they have to do. Do you understand? Well then... ZOPRBETIE!" Jones seized McNider at that, demanding the meaning of his parting word. A little joke phrase old pal Melvin Keene used to toss around, someone that now had to be protected from trouble at times because of "that silly magazine of his."

McNider left, and Detective Jones considered his words. "Lies. But lies so big and ugly that he had to know I'd spot them. 'No mafia.' The kind of lies only a government could try to pull off... I thought I could trick them, negotiate something with them. But their negotiations could make prisoners of us-- slaves of us!" Perkins Preston believed McNider, to which Jones angrily protested, "You believed your A&R man. You believed in Leavitzville. Both nearly got you killed!"



The F.B.I., Whitey Bright in tow, came calling. Perkins Preston let them in over Jones' continued objection. "They won't hurt us, Patty Marie! They're the government." Patty Marie hugged Jones around the waist. Inspector Anole quickly led Preston into the outside hall, promising, "we'll discuss what you can do for your F.B.I." With the entertainer out of sight, the feds circled the resistant pair remaining. The returning Inspector Anole drew his flame pistol, but Jones snatched up Patty Marie and headed for the window. Whitey "Skeeter" Bright lunged for the girl's feet. "I've got plans for this little girl!" They likely did not include his losing his grip and being tossed through the window to his death. The fugitives followed after to make their escape. Inspector Anole declared, "No more subtle gestures."

Edwards Air Force Base scrambled an assault against the flying Martian. J'Onzz took evasive maneuvers, riding alongside a fighter as a means of cover. Another pilot was ordered to fire on his fellow, in order to "hit the target at any cost." The explosion that followed set Patty Marie afire while separating her from J'Onn J'Onzz. "Help me! Catch me!" she cried. "Fire. Even this far from her, it burns me. Closer it could kill me." Closer he came, cradling the child in his arms as his powers failed him. The pair landed on the desert floor with a heavy thud, lying all too still until the sun rose. J'Onn J'Onzz reverted to his human guise. Patty Marie could no longer do anything at all.



"I have been here before. Somewhere before I've seen children killed and been left alone on a dead world. Seen children devoured on a funeral pyre and learned to fear the flames. Again I'm a speck in the desert. Blood on the snow. With the fiery eye of the world looking down on me. Is there anywhere to run? With all their eyes trained on me? Their eyes see everything. And ours? They see lizards. Is this your 'prize-to-be,' Patty? You might have been better off with the lizards. I'm sorry, Hon. Maybe this is just what comes for the ones like us. The ones who can see... Do we see what the rest don't? Or are the others just happier with their mouths shut?"

Checking the corpse of a downed pilot, John Jones found documents regarding himself and several JSAers. Further, he discovered an extra-terrestrial fungus wrapped along the pilot's nervous system. "Why? So he won't see? Or so he'll catch fire if he tries to talk?" Using the pilot's knife, Jones performed an autopsy on Patty Marie, and found her body to be fungus free. Going over the new and old information, J'Onzz realized where all the clues were pointing. Prize To Be. Beto EZ Rip. Zoprbetie. All letters found in "PTO. Iberez" in Cuba.



"A long drift down the Colorado River, then flight through the hills of Mexico and a stint as a Cuban sailor across the Gulf. Where I find the strength to keep going I don't know, unless it's the rum and the conga." Making his way to Havana, Jones learned about the American gangsters' stranglehold on Cuba. "I ask questions. Not too direct to bring the lizard-dogs sniffing, but direct enough to get quick answers... There are rebels in the hills, between here and Puerto Iberez... Mr. Gioconda's men are running weapons for the government troops. 'Strange weapons,' I'm told."

Jones met a poet who's book of verse was identical to the one he heard at the start of this all in New York. "The truth is written by many people in many places... Poetry be easy. But it's as near as we can get." The fungus held the poet's tongue, so he spoke cryptically at first of Latin America and "people who crossed a vast gulf, came like gods to colonize, to plant... to shape... Cuba is an island, isolated and alone. So we reach to cross our ninety miles of aloneness. Agriculture and horticulture link Cuba to the world. In her dark interior valleys the horticulture is rich." Jones noted, "You're all islands on this planet." Less one, as the poet reckoned, "And now, I'm afraid I've talked to much. It's time for me to burn for that ancient communion with the night!" His eyes bled, his face bubbled, and then he combusted. Jones fled the scene invisibly.



"I am with you in Cuba, and on the roads of America and the streets of New York. I am with you, and Melvin Keene, and all of you who see the truth but cannot speak it because of that terrible horticulture of your conquerors, that fungus in your brain. I am with every one of you who has been burned alive, and every one who risked that burning by sending coded messages of the truth. The truth of the shape-shifting conquerors who came to Earth during the terror of war, who used that terror to infiltrate governments and communications cartels, to spring the sleep of sameness over this boiling, fertile world. The truth bent into strange new shapes by profiteers and power-handlers, willing to lie down with lizards whether they could see them or not. I am with you, the defenders and the victims of the truth. I am with the murdered, and the frightened and the fooled."

J'Onn J'Onzz was with Perkins Preston, who happened to be playing at the Club Mona Lisa for Mr. Giaconda, who alerted the Master Gardener. Most notably, he was with Fidel Castro and Che Guevara, who he spurred into a raid on Puerto Iberez against the invading aliens. Perkins Preston was in turn with J'Onn J'Onzz, after learning the aliens had been using his songs to distribute subliminal messages, but he still had reservations. "These folks... they're not communists, are they, Detective Jones?"

"Communists. And what are they? Beings who live through the group-- and not themselves? Is this baseball playing warrior, this self-assigned savior a communist? There are no communists on this world. There were on mine. They're all dead now."



Perkins Preston confronted a lizard horticulturist in his garden of domination with what he had learned. "If you know this much, you must be one of the chosen. And that means I don't dare kill you. What do I do with you? What would the Master Gardener want?" The concern was taken out of the lizard's hands by the Manhunter's own, in the form of a fist. The Martian then assumed the horticulturist's likeness, and led Preston past troops with saurian-dogs. "But I am something they can't see inside. Why? Why have they failed to catch me... even now? Even here?"

The pair walked into the cavernous den of those engaged in "the cultivation of human culture." Strange organic television monitors displayed various aspects of media currently in circulation, their hidden messages made clearer as they overlapped. The concealed Martian tried to use Perkins Preston to access the Master Gardener when his vizier appeared. "The Master Gardener knows of this human, as he knows of everything. You will follow me, horticulturist... along the canal." This river teemed with the organisms that spawn the fungus. "It calls to me, strangely. Like these dark, cool chambers of sentient fungus call to me. Like an echo of my lost life."



The pair were presented to the Master Gardener in his throne room. "The human... He should show me his gratitude... that I crossed the starry gulf to bring his competitive, conflict-ridden world together... in perfect peace, serenity, equality, and order. I've given you Leavitzville! I've given you Skeeter! I've shown you how to keep your children! All I ask in return is that you give me a place to end my lonely wanderings through the stars... a place to call home."

The still incognito J'Onzz responded, "...we undermine their faith in the truth! Our quiz shows reduce truth to bits of entertaining information! We teach them to memorize rather than think!" The Master Gardener responded, "... you know how easy it is to train the masses. The artists are harder. And the heroes. They had to be manipulated. Deals had to be made, with subversives like Keene... But heroes can be tamed! ...And you can serve better than any!" The horticulturist asked, confusedly, "Me?"

Perkins had previously proven himself able to see even an invisible Martian Manhunter, and this held true when he become conscious of the fact that the Master Gardener was not what he appeared to be. Before the duo's eyes, it changed into a natural form Martian! "Haven't you wondered why my people have been reluctant to kill you? I was the Master Gardener of Mars!" He explained how he came to power among the Lizard Men, then offered J'Onzz the chance to join him in resurrecting Mars on Earth. "Join me, brother! I don't know how you came across space and time to find yourself here-- but it can't be accident! Destiny brought you! Destiny placed you among Earthlings, so that you could understand their souls better than I! Help me save our new children! From themselves! Help me give birth-- to a Mars regained!"



"I know your pain, brother. But I won't pervert a world to ease it."
"You believe what they believe! Forget what Earth taught you! Remember MARS!"
"Mars is dead."

Attacking the Gardener both with ideology and fists, it wasn't long before J'Onzz attracted lizard guardsmen. Firing their flame projectors, the lizards scored a direct hit against their ruler. "But master...the fire doesn't hurt us!" The Master Gardener chuckled as he fell to an immolation-induced apparent death; "Do you hear that...brother? The fire...doesn't hurt...'us.'" J'Onzz swept the lizard guard off its feet, then ordered the Lizard forces to bomb the valley using the Gardener's communications equipment. He next succumbed to another blast of flame.

"I hear through the flames the wailing of my family. Then not that, but a deeper sound. The thunder of bombs. I am lifted and carried away. By the Fire-God, I think, to his Parlor of Red Death. But it's the canal I feel. So cool. So dark. It calls me strangely." J'Onzz was seemingly carried into the safety of the canal by Perkins Preston.



Back in the States, John Jones read a newspaper announcing Preston's death in a plane crash over Cuba. At his side was Charles McNider, who noted, "I suppose we won't be able to discuss the truth behind recent events for a long time. So long as our nervous systems are bearing our little... 'guests'..." Jones promised to finish apprehending the loose bands of directionless Lizard Men, affirming, "...eventually, this world may pour forth its 'great individuals' again." The former Dr. Mid-Nite asked if John was tempted by the Gardener's offer. "I might have been, McNider. Until that moment in the desert. When I was truly alone. And I could finally see the truth. By the time I met him, McNider, he and I were strangers to each other.
You see, he was a Martian. I'm a beatnik."

Book three of three was by writer Gerard Jones, artist Eduardo Barreto, colorist Steve Oliff, letter Pat Brosseau, and editor Brian Augustyn.

Friday, January 20, 2012

2010-2011 The Justice League of America 100 Project charity art by Ken Lashley

Click To Expand & Enlarge


Aquaman, Superman, Green Lantern, Wonder Woman, Batman and Martian Manhunter with the Flash running underneath. Whenever Ivan Reis leaves Aquaman, Lashley would be an ideal replacement,

In late 2000, a consortium of comic publishers came up with the idea to create a financial safety net for comic creators, much in the same fashion that exists in almost any other trade from plumbing to pottery. By March of 2001, the federal government approved The Hero Initiative as a publicly supported not-for-profit corporation under section 501 (c) (3).

Since its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $400,000 to the comic book veterans who have paved the way for those in the industry today.

The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strictly to helping comic book creators in need. Hero creates a financial safety net for yesterdays' creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It's a chance for all of us to give back something to the people who have given us so much enjoyment.


ALL 104 JUSTICE LEAGUE #50 ORIGINALS…NOW ON DISPLAY!

Please enjoy this gallery of ALL 104 original Justice League of America #50 Hero Initiative covers!

Hardcover and softcover versions of a book collecting all the covers will be available in December, 2011. AND all the originals will be auctioned off according to the following schedule:

• December 3, 2011, Meltdown Comics, Los Angeles, CA: Display of all 104 covers and auction of first one-third
• Jan. 20-22, 2012, Tate's Comics, Lauderhill, FL (Miami/Ft. Lauderdale area): Display of remaining covers and auction of second one-third.
• Feb. 17-19, 2012: Orlando MegaCon, Orlando, FL: Display and auction of final one-third.

All covers will be sold via LIVE AUCTION on-site at the venues above. If you cannot attend but wish to bid, proxy bidding is available.
Contact Joe Davidson at: yensid4disney@gmail.com
Deadlines for each grouping are below, and each cover carries a minimum bid of $100.

Special thanks to Firestorm Fan for the notice!