Monday, September 7, 2026
2005 Upper Deck Justice League of America VS System CCG Card DJL-188: Rallying Cry!
Both the sportscard and comic book markets started heating up in the 1980s, feeding off one another, so that your average comic shop carried sports cards and vice versa. A lot of this was Mom & Pop stuff, so everybody was learning how each business type worked as they went along, and you tended to value every investment. In the case of cards, you'd typically open up at least one box of a desirable set to see which chase cards you could score to display in a case, and to have common singles to sell or trade to help customers put together sets. Even when you weren't actively making money on those loose cards directly, you provided a service, and by being a resource brought people into the store. Even as the trading card market took a downturn, the rise of collectible card games heightened the value of singles. Game players needed multiple copies of the same useful cards in customizing decks for play, or even just to have enough duplicate cards to maintain multiple active decks for various strategies of gameplay. Just as your Beckett was cooling down, your Scrye was heating up, and games like Magic: The Gathering and Pokémon kept the lights on when other hobby businesses were closing down.
I myself played Overpower and Star Wars, and usually kept my decks in sleeves. Since I was a DC guy, the only box of Overpower that I ever bought for myself was the JLA expansion. Aside from starter packs (basic pre-built decks of first editions,) everything else I got from loose individual packs, or by buying/trading single cards through other players and shops. As was typical, I usually carried my cards in a prefab folded cardboard box that held a single row of cards on their side, and was about 10 inches long with a built-in lid. At the shops I ran and frequented, single cards were usually kept in a variant of these boxes, which I'd guesstimate were something like a foot & a half wide and maybe two feet long. These were more complicated to build, because they would hold multiple rows of cards with separate cardboard slats that were folded into the larger pre-cut template. Cards in these boxes were stood up, and you had a separate folding lid template that could be used to keep dust and debris out of the boxes, or to secure them for transport. That's how you could safely get them to shows/conventions, though being cardboard, you wouldn't want them to be hit with anything more than the lightest of rain sprinkles. At least here in Texas, we'd have stacks of these boxes in our shops, usually supported by wooden shelving behind the counter or in the back room. If you had the right build, you could also get comic book short boxes on those shelves, and because you valued all that stock that you'd put money into, there were often a lot of each type of box around. Of course, in the '90s, after the bottom started to fall out, everybody had overstock to liquidate. You didn't want to pay property taxes on product that wasn't moving. You had to cut your losses at some point, or drown in them.
Monday, March 17, 2025
Superman: The Man of Steel #92 (September, 1999)
Monday, February 17, 2025
Warner Bros Store DC Heroes Lithograph by Mike Deodato Jr.
I was always a bigger Mike Deodato Jr. fan than I was for either of the other print's artists, having appreciated how his Wizard-certified hot Image-style supercharged my favorite run of the Wonder Woman title. I mean, he also kind of ruined that title by turning it into a bad girl t&a book, but his earlier issues were much more story-dense. But more importantly at the time, Deodato finally got fans to take the Amazing Amazon seriously as a contender at DC Comics, rather than the annoying little sister that only had a title to lock in merchandising rights. It was sometime around this period tht DC finally bought all of the rights off the Marston Estate and began promoting the concept of a DC Trinity with their whole chest, and I felt that Deodato played a role in that. Plus, I was simply excited by his Chromium Age style, and bought a bunch of lousy Caliber Comics reprints of his old Brazilian work (in a much different art style) with hacked out new covers (plus "his" Thor run, which was probably more a product of the Deodato Studio.)
The hierarchy of power in the DC Universe is more status quo in the Deodato piece, with a huge Batman & Superman trailed by a considerably smaller Wonder Woman, though she is catching up. Instead of accursed Zauriel (so very Post-Zero Hour,) this one has the short-lived gestalt Hawkman with large wings spread right behind Diana. I adore the Atom sliding down the Batline. There's still a tiny pre-angel armor Zauriel deep in the background, plus a No Man's Land Batgirl and mix of Titans that leans hard into 1999 specifically. I'm tempted to call it on this blog post, but will hold back in hopes of future confirmation.
I got to the WB Store whenever I could in this period, and figure I'd have bought this if I'd seen it. That said, stuff giclée were crazy expensive, and I didn't have a vehicle for most of this period, so my access was limited. Still, there's a full body Deodato Sleuth from Outer Space dead center on this image, so I think I'd have at least remembered seeing it before. If you have more information, please leave a comment, and I'd also maybe be interested if you're selling one (but not at a crazy giclée price?)
Monday, October 7, 2024
2015-2017 Martian Manhunter Comrades Jam
2015-2017 Martian Manhunter Comrades Jam
- 2015 The Atom (Ray Palmer) Amazing Houston Comic Con Jam Sketch Detail by Atom Todd
- 2015 Bloodwynd Amazing Houston Comic Con Jam Sketch Detail by Oliver Banks
- 2017 Elongated Man Jam Sketch Detail by Isaiah Broussard
- 2015 Glenn Gammeron Amazing Houston Comic Con Jam Sketch Detail by Adrian Nelson
- 2016 Green Lantern John Stewart Amazing Houston Comic Con Jam Sketch Detail by Eddie Nuñez
- 2015 Gypsy Amazing Houston Comic Con Jam Sketch Detail by Brent Peeples
- 2015 L-Ron Amazing Houston Comic Con Jam Sketch Detail by Ali Morgainne
- 2015 Miss Martian Amazing Houston Comic Con Jam Sketch by Mark Bagley
- 2015 Oberon Amazing Houston Comic Con Jam Sketch Detail by Johnny J. Segura III
- 2017 The Ray Comicpalooza convention Jam Sketch Detail by Jason Scholte
- 2017 Roh Kar Jam Sketch Detail by Allen Bellman
- 2016 Steel (Hank Heywood III) Amazing Houston Comic Con Jam Sketch Detail by Allen Adams III
- 2015 Vibe Amazing Houston Comic Con Jam Sketch Detail by Brian Salinas
- 2015 The Vixen Amazing Houston Comic Con Jam Sketch Detail by Brad Garneau
- 2016 Zatanna Comicpalooza convention Jam Sketch Detail by Garrett Gainey
Wednesday, September 11, 2024
1986 FPC DC Comics Calendar Poster
It was produced by FPC, or The Federal Publishing Co. Pty. Ltd., who distributed black & white DC Comics reprints in the Down Under. In fact, the ad running, in the original U.S. comics, added the unusual shipping penalty of $1.50 extra outside Australia-- which is, y'know, all of us buying the original North American editions. Like, almost everybody on Earth is somewhere besides Ozzieland, which has less than 27M population, only 0.33% of the global population. I live in the state of Texas, with nearly 31M, and that's only one (admittedly populous) of 50 United States, and these things went to Canada, too (40M.) At $6.50 in 1985 dollars, that's $19.00 today, including shipping, which actually isn't that bad when I consider it. But it's pretty hefty for something expected to be thrown out on a year, which might be why I've never seen one in the wild. But also, it's a one-sheet poster, not a flip calendar, with the Marshall Rogers Batman & Robin crowding into four of the other images (molesting a small portion of the previously unobscured Titans portion.) Other characters revealed in the final release are Blue Devil & Amethyst by Paris Cullins, and... wait... that's it? A twelve month calendar with only eight images, because several months do double duty, and one triple. What a rip-off.
The image that I haven't discussed yet is maybe my favorite, though not without serious competition. Green Lantern John Stewart, Firestorm, Hawkman, Wonder Woman, and Martian Manhunter, drawn by Luke McDonnell and inked by Jerry Ordway! Wooo-we! That is quite the collection of choices cuts for ol' Frank-- enough for me to let my Texas (or at least my Slim Pikins) out just now. I really wish this art existed outside a sloppy, mangled sheet of paper. And it kind of does, as the original art is nominally available for trade or purchase. I'd miss that lovely Greg Theakston painted color, though I could overlook it wth those characters and that linework. But see, the seller doesn't actually post prices, and the listing is so old that for all I know it's part of the dead internet. I have enough trouble getting art and quotes from people face to face with me at conventions. I can't manifest the energy for "email me bro," so one of you can pursue it with my full blessing. I reserve the right to envy, however.
Sunday, June 30, 2024
The Weird #4 (July, 1988)
Page 16. The Weird kneels before the Macrolatts, speaking to the error of his ways and promising to tell his masters of potential threats to them in this realm. If there were any actual threats, they weren't shared with Batman, so we'll give him the benefit of the doubt that he played indignant before being slapped down by the Weird to help sell the lie. The Macrolatts are so arrogant as to be offended by the idea that anything could threaten them, and smack the Weird around before he fully surrenders, ostensibly to allow them to drain him of all his knowledge and power, ending on a twelve panel page of the possessed heroes slowly reaching toward Weird. Pages 22-24: The Weird reaches into Superman and Nuklon's chests with his variable density powers, pulls out a Macrolatt in each hand, and destroys them both. Well... that was a swift and convenient reversal of the story as told.
Oh, there's still 16 pages to fill? Super studies show that nothing can be done to save The Weird. He spends three pages building a small island as a monument to himself. Superman flies Billy Langley to the island across one page, and it's revealed in the opposing splash. Kind of looks like a sailing ship. Walter Langley's son is somehow meant to make it to this small personal island to play on a mostly barren rock whenever he feels lonely. The proposed logistics of that are the weirdest thing in The Weird. They hug, and then Martian Manhunter is stuck with the thankless task of flying this sobbing child back home to the mother that refused to visit, but was totally cool with allowing her son to fly off with Superman to parts unknown. I do wonder if there was some symbolism in the roles, but most probably J'Onn just got the **** detail, so Superman and Guy Gardner could fly off to unpopulated space to watch The Weird explode. I'd like to say Guy was the only Green Lantern dumb enough to risk it, but they're all so "confident" in their power rings, aren't they? The Weird does blow up a significant distance away, so I guess that explains why an energy bubble wouldn't have contained it. Superman, the Kevin Smith of super-heroes, sheds a tear at his passing. Even Guy looks a bit choked up, or maybe it's like how someone puking makes you want to puke, and Guy is just worried for his tear ducts. The final page is a somber distance shot of the island at sunset.
"...Armageddon" was by Jim Starlin, Berni Wrightson, & Dan Green. Well... that sucked. I liked Batman: The Cult when I got it a few years later, and almost ordered the new edition that's coming out, but I didn't like the production work on display. I mention that because I'm a lifelong Starlin fan, and I'm glad that he produced a script worthy of collaborating with Wrightson at some point, but this wasn't it. All the stuff with the father and son was unearned, because instead of developing that relationship to have any independent weight, they Zarolatted and punch-faced us. I can't remember if they bothered to name the wife/mother, but obviously the story didn't care any more about her than we did once it was done. This feels more like an outline than a complete narrative, and at least twice as many pages of art were produced than were needed to tell this basic of a story. Frankly, it was too obvious and unadorned to even earn its given name. The Lame would have been more honest. At least I got to see Wrightson draw the Alien Atlas, I guess?
Monday, June 24, 2024
The Weird #2-3 (May-June, 1988)
"The Jason" found his failed businessman father's body hanging when he was four. His mother turned to the bottle and maybe prostitution before Jason found her body in bed after one of her gentleman callers took a razor to her. Despite being an impoverished orphan who was academically lax and had no prospects, Jason's belief that he was better than everyone else held fast despite his poor social skills, being an incel, living on the streets, doing a stint in prison for the violent assault of a woman, and eventually ending up a garbageman. He was primed to turn on humanity, ready to believe anything the Macrolatts told him if it meant power, and using it to take murderous advantage of at least one woman victim. Although held captive for a time, The Weird eventually freed himself, and at great personal distress, determined that the only way to stop The Jason was to snap his neck.
The Weird played hide & seek with Superman for fourteen continuous pages in one issue. The Justice League looked on throughout a couple of issues as The Weird had entanglements with other, more powerful beings. "Unbelievable! Not even J'Onn J'Onzz's incredible strength seems able to put a dent in that barrier." Nor Captain Atom's quantum energies, not Green Lantern Guy Gardner's power ring, nor Doctor Fate's mysticism, et cetera. Even after witnessing The Jason's execution, they mostly offer disapproving glares. Well-- that and an order from the Dark Knight to the green one. "It was just as you predicted, Batman. My powers of invisibility caught him completely by surprise." Unable to adapt in time, The Weird took two blows and a hard tumble. Unfortunately, two Macrolatts had escaped to possess Superman and... Nuklon? I guess for his variable density abilities, but yeah, not the guy you'd expect when you have all these powerhouses in Metropolis and Infinity Incorporated is all the way on the West Coast. Also, there was a whole bit about how The Weird had taken over a corpse rather than displace the life energy of a host, so by the rules laid out in the story, both these guys should have died.
"Questions" & "Confrontation" were by Jim Starlin, Berni Wrightson, & Dan Green. These single word narrative direction story titles speak to the reductive nature of the mini-series. Each issue has a few points to check off on a predictable agenda, and the rest is just vamping to fill out space. The art has its moments, but I think everyone involved would have benefited from the space being cut in half. It reminds me of when George Pérez quit Infinity Gauntlet midway through because he was sick of drawing fight scenes where a bunch of people gang up on Thanos and lose. So much of this series involves powerhouse DC heroes floating impotently outside energy fields or getting slapped around by what ultimately prove to be nothing characters, for clout more than narrative necessity. It's all so cheap, pointless, and passionless-- a purely commercial venture that nonetheless can't conceal its distaste toward its own existence. Anyway, I got through the second issue after coming home from HeroesCon, realized the Alien Atlas wasn't in that one, and decided we'd just double up on issues for the following week. This would keep, especially since I have to do my own scans on this thing.
Tuesday, June 11, 2024
The Weird #1 (April, 1988)
The small energy ribbon hovered in the sky above Metropolis, and Superman investigated. The energy had no atomic structure-- no mass-- but when the Man of Steel passed his hand through it, he was knocked back three miles. By the time he flew back, J'Onn J'Onzz and Captain Atom had arrived to observe the energy. An hour later, there was a military cordon and a No Fly Zone, then the new Justice League were on the scene. Examinations through varied disciplines were attempted, including a science team on The Bug aircraft consisting of Blue Beetle, Batman, Black Canary, and more. When Doctor Fate's mystics were stymied, Green Lantern Guy Gardner attempted to probe deeper with his Oan Power Ring. An energy surged knocked out Gardner and blacked out the Bug and city as a whole.
Two probes were fired off by the energy ribbon in opposite directions. One was pursued by Superman, as it passed immaterially through a genetics lab's fluid beakers and into its complex computers. The other was followed by Manhunter to a funeral parlor, where the Martian met repeated resistance in contrast to the immediate aid and trust conferred upon the Kryptonian. The energy went into a service in progress, and caused the body of Walter Langley to vanish as mourners looked on in shock and horror. The probes reunited with the core energy, and the gathered heroes watched as the borrowed elements slowly coalesced into a new physical body of a lanky adult male in a queer red and black garb. Super senses detected that this being was not quite right, a sort of cosmic Frankenstein made up of misfit parts that were not quite human. The being collapsed into unconsciousness from the effort, and was taken to S.T.A.R. Labs for testing. Super senses determined that the Weird being, as dubbed by Blue Beetle, was molecularly unstable to a degree that its energies threatened a detonation that could destroy the Earth.
The Weird awakened and assisted upon attending to tasks that "he" refused to take the time to explain to the super-heroes, who attempted by failed to detain him/it by force. The Weird had its vibratory patterns thrown off by the proximity of the super-beings during its maturation period, which had altered the form in unexpected ways. This allowed The Weird to unintentionally push the Alien Atlas across a room, although the Manhunter fared better in a follow-up physical altercation than most of the rest of the League with their varied abilities. Regardless, the Weird at least briefly laid low everyone but Batman, while Superman had left prior to the fight to correct a compromised passenger jet's flight elsewhere.
The Weird sought out "The Jason," the half-crystal man that had been conjuring earlier, but found only his empty apartment. It/he declared the Jason to have a "dark and twisted nature" that would see him pursue world domination. However, a misalignment of the harmonic vibrations in the apartment would prevent Jason Morgan from attempting another inter-dimensional bridge for 18 hours, so the former Walt Langley had some time to kill, The Weird retained some of Langley's memories and motivations, causing him to visit Walt's former home. His widow, Eva, bemoaned his fatal mugging and the scene at the funeral parlor. "I don't care what the police say, I'm sure it's all the doing of that terrible green man." Meanwhile, in the back yard, young Billy Langley recognized his visiting father, even in this altered form...
"Conception" was by Jim Starlin, Berni Wrightson, & Dan Green. Following by introduction to Justice League International with their eighth issue, my reintroduction to the Man of Tomorrow via John Byrne, and a broader exploration of the Post-Crisis landscape moving out from the Millennium event series, I was a target audience member for The Weird house ads. However, I don't know when I had access to individual issues, and do know that I only read the first issue at some point after the final one. Neither experience was satisfying, and I won't know if I ever bothered with the meat of that story sandwich until I move on to covering the second installment. One quarter of "The Studio" and the crown prince of cosmic comics were long time friends who would prove a formidable pairing... on Batman: The Cult. This excessively long warm-up session noodles for 38 pages of heroes impotently watching stuff, then getting trashed by the second in a series of very powerful but rather boring sci-fi/magical Mister Spocks based on the visual template of Syzygy Darklock. I do like though that both Starlin and Wrightson are clearly a more comfortable fit on the Sleuth from Outer Space over Superman. Wrightson seems to relish his dark, exaggerated features over an off-model Man of Steel, with a broad flat nose and thick lips suggesting a less Caucasoid interpretation of the Manhunter, with the strongly implied prejudice that goes with it. I do wonder if Grant Morrison was influenced in his views of J'Onn J'Onzz here (and I think that's the only name he's been referred to in the issue.) Also, Wrightson's horror background gives the takedown of the heroes a more ominous quality than the story would seem to dictate, a sort of accidental element of interest in what otherwise feels more akin to a Radio Shack rudimentary science edutainment giveaway. The issue is way too long to accomplish so little, and I do wonder if this was initiated as a prestige squarebound mini-series for more niche audiences that was either determined not to rate the expensive ask, or was diverted to take advantage of the JLI's building heat on the newsstand.
Sunday, May 19, 2024
Martian Manhunter Annual #2 (October, 1999)
Even the various assaults and forced conversions during JLApe: Gorilla Warfare could all be understood as repercussions of the assassination of King Solovar-- but by whom? Who stood to gain? After purging his recent gorilla hybrid-form from his "shape-memory matrix" and restoring his super-hero default, J'Onn J'Onzz traveled to the JLA Watchtower to collaborate with The Batman on this impenetrable mystery. Following Green Lantern Annual #8, "The Morphic Resonance Array was destroyed, but not before a significant portion of the world's population had been transformed into gorillas. Chaos currently reigns. In response to your earlier comments, I'd like to point out that Green Lantern's condition was the reason for my hasty departure from the U.N." [JLA Annual #3 (September, 1999)]
Despite The Dark Knight Detective's constant condescension and dimminishment of his abilities, The Sleuth from Outer Space had also deduced the identity of the mastermind behind this incident, but felt the need to build a case in order to understand where to locate and how to defeat the culprit. To this end, private investigator John Jones, and other alien alter egos, interviewed known associates like Bobo T. Chimpanzee, Monsieur Mallah, Sam Simeon, and William "Congo Bill" Glenmorgan for insights. Sam fanboyed over the Manhunter from Mars, asking him to pose for a sketch.
While John Jones was playing Simian Team-Up, the JLA were doing real stuff, like averting nuclear catastrophe and joining Grogamesh in evacuating Gorilla City as a precaution. It was here that the Sleuth solved Cluedo, explaining that it was Gorilla Grodd in the coup with the assassination. Envy was the motive, and thanks to having absorbed all the mental energy of the gathered gorillas and neo-simians globally, Grodd had the power of a god to blast Martian Manhunter, who reverted to his natural form. However, fully ascending to a deity seemingly meant Grodd being stripped of his identity, and when the Martian pointed this out while "worshiping" the Super-Gorilla for his sacrifice, Grodd recoiled and collapsed. This was done in a sequence of three double-page spreads, joining the many Image-style visuals for big annual storytelling that did thankfully help the pacing on these thickish books. A babbling, vegetative Grodd was locked away in an asylum, and Ulgo sought to normalize relations between Gorilla City and the human world.
"Fear and Loathing on the Planet of the Apes" was by Len Kaminski, Gus Vasquez, & Mark Propst. As I was suffering discontent about a year into the run of the 1998 ongoing series, I especially enjoyed this, the final ever Martian Manhunter/Magnificent 7 JLA solo annual. Which I largely lay at the feet of Ostrander/Mandrake, but that's an admittedly minority opinion. Kaminski was a writer that I always tended to enjoy, who should have had a better career, and who I thought had a really good handle on the Alien Atlas. He and fill-in writer John Arcudi were the guys I kept hoping would take over the series when Ostrander was done with it, only for the title itself to give out after three years. But it was so good, the DC Message Board lectured me. Here, I loved stuff like J'Onn inserting himself into non-human Earth populations, and I really appreciated the trend of pitting J'Onn against Grodd. He's best known as a Flash villain, but the mental powers and outsider perspective made their pairings natural. Obviously it would have been even better if these Silver Age revivalists had, y'know, revived actual Silver Age Martian Manhunter villains, but that's asking too much. Grodd's one of my favorite DC villains, going all the way back to Challenge of the Super Friends, so bring him on.
Vasquez has a rubbery quality that suits J'Onn in a way it wouldn't any other JLAer, and I felt it was more of a piece with the popular style of Howard Porter on JLA broadly and Don Hillsman III very specifically on the Martian Marvel in this time period. I especially liked his Natural Form Martian, which I digitally "cut out" in one of my first forays into Microsoft Paint, to post on my late '90s Web-TV site, so we go way back. For the artist, it was mostly just back-ups and one-offs going forward, though he was still kicking around as late at the 2010s. Kaminski did some more JLA work here and there, but was mostly out of comics after the turn of the century, and I understand is currently committed to a wheelchair in a nursing home against his will. That certainly puts things in perspective. But hey, sorry for the delay in wrapping up this coverage. It's been a lot of apes for a long time. Despite generally liking this storyline, I had misgivings about taking it on in the blogging medium, especially once I felt compelled to look at each book for my different venues. Well founded misgivings, hence the delay.
Tuesday, May 7, 2024
Green Lantern Annual #8 (October, 1999)
In a show of (increasingly limited) power, Zolog ordered the ape-ification of Honolulu, but had to deactivate cloaking to do so, allowing their detection by the Sleuth from Outer Space at the JLA Watchtower. I'm not sure who put it together, but the Alien Atlas has an unconventional team ready to go, made up of Golden Age Green Lantern Alan Scott, Warrior, and the Metal Men. J'Onn once worked with Scott in the 1970s, and of course had associated with him via the JLA/JSA crossovers. Guy Gardner of Justice League International was well familiar, and I was well pleased that he was played as his usual crass self, rather than the Beau Smith glow-up. The Metal Men was the curve ball, though they did go back to JLA: Year One.
Just as Gorilla Lantern engaged this force, he was teleported to the Watchtower, where he was greeted by a gorilla claiming to be part of a force that now occupied the facility. However, this ape slipped up in calling the Lantern "Kyle," rather than his ape name, and his power ring set tentacles upon the disguised Martian. However, J'Onn continued using Kyle's name, and helping him to remember who he truly was. The ring did the rest. "Thanks to my rather duplicitous efforts, Green Lantern was restored to normal, as have been the rest of the JLA." Kyle had initially been concerned for his ape comrades, and now for all of his friends, and rushed back into combat. Unfortunately, General Zolog was something of a simian Kissinger, willing and able to sacrifice many of his own men in a last bid for overall victory. Green Lantern helped mitigate the fallout, but still lost some of his former men, wounding hearts on both sides of this gorilla warfare.
"Grunts" was by Keith Giffen, Octavio J. Cariello, Jr., John Nadeau, Marcelo Campos, & Jordi Ensign. J'Onn's synopsis was written by Len Kaminski. Obviously, my coverage of "JLApril" is late and entirely prompted by the podcasting event that I linked to last week, but I wish I'd run even later, so that I could take advantage of the sharp digital scans in the newly released collection of these comics. The 1999 version were printed on lousy paper that gave everything a gray tinge and made the colors a drab mess. I don't always love the glossy sheen of modern printing, but trust that it's an improvement. Anyway, this was a nice read, my favorite of the satellite solo annuals (obviously not counting the bookends with our favorite Martian.) Giffen on his own doesn't sing like he did with his better collaborators, but his weary, cranky voice suits this material. Unfortunately, there's several instances of the editor blowing it, allowing dialogue balloons intended for one character to come out of the "mouth" of another. Thankfully, the dialogue is distinct enough for the reader to tell where the fault lies. Despite often being thought of as a funny guy, Giffen plays this one fairly straight, lending an unexpected poignancy. But also, he brings in JLI favorite Guy, who naturally plays well with our boy. Star Wars artist Nadeau leans into the grit, so that it's jarring when the style switches to more clean cut super-heroics mid-sequence. Further, Cariello demonstrated his own moody chops on Deathstroke, so maybe there was a heavy-handed inker? It all looks good, just different. Oddly enough, both pencillers moved out of comics and into painting after this. Man, it was so nice to see J'Onn working with people with whom he had a history, instead of whichever team-up tickled Ostrander's fancy on a given month.
Monday, April 22, 2024
JLA Annual #3 (September, 1999)
Martian Manhunter received a request at the Watchtower from Gorilla City to send a diplomatic envoy of JLA members to help mitigate the damage. Superman, Wonder Woman, Aquaman, and Dark Flash were openly deployed, while an invisible Alien Atlas followed along in secret. Before reaching Gorilla City, the party was ambushed, and exposed to a gas that turned the lot into gorillas. Worse, some form of mind control was exerted over them, causing them to turn on the "hu-mans." However, the Martian Manhunter retained his wits, if not his form, and used his telepathy to mostly restore the JLA's more human instincts. Back at the Watchtower, Green Lantern Kyle Rayner thought that he was being hazed by the more veteran members of "JLApe." Batman and the Martian Hu-Manhunter worked together on a cure for the "Gorillabomb," but the Simian Sleuth from Outer Space had to pursue help from Animal Man, who was disoriented by troubling memories of a "Coyote Messiah" and the like. Recognizing "I'm important to the plot," Buddy Baker helps J'Onn J'Onzz understand how to use the morphogenetic field to restore the team.
In his absence, the male JLApes began posturing for dominance to court Wonder Woman as a mate, and the Manhunter had to reassert their identity matrices telepathically. Unfortunately, Ulgo then deployed gorillabombs at the United Nations, transforming the entire body while adding Green Lantern to the apes. The intended cure was used to restore the U.N., but the JLA were still trapped in gorilla form. The JLA divided their forces to address various fields in play in the conflict with Gorilla City, while Batman couldn't shake the nagging suspicion that J'Onn was hiding something.
"Gorilla Warfare" was by Len Kaminski, Jason Orfalas, and Jordi Ensign. Aside from poor work-life-podcasting balance this month, my ambivalence toward covering this event (and its scale/page count) contributed to my low productivity this month. I needn't have hesitated, because this was a fun and relatively brisk read with a bunch of puns and two-page spreads (one of which was interrupted by a fold-out ad for a video game about monkeys and bananas, appropriately enough. I'm not wild for the artist's Semeiks-influenced humans, but his apes strongly reflect the Arthur Adams covers, which is surely a welcome sight. If you're interested, the recent podcast Dial F for Flanger - Episode 24 covers the issue in greater detail.
Monday, March 18, 2024
Green Lantern Corps #4-5 (February-March, 2012)
The planet Xabas. A team of Green Lanterns with depleted power rings led by John Stewart were surrounded by robot ninja dudes possessed of emerald energy weapons of their own. Said weapons were demonstrated as useless against the ninja dudes, thanks to DNA signatures. The head ninja dude saw the fire in Stewart's eyes, even in surrender. "We spit on all treaties, and surrender's abhorrent to you as it is to us... That's why I feel you still need... the proper motivation." Head ninja dude stabbed a bald Caucasian Green Lantern in the head, spilling conveniently purple blood.
On Oa, Guy Gardner was torturing a captured ninja dude for information. Without the standard issue black armor, he looked like Chemo on Slimfast with a skeleton floating inside. Six pages in, I learned the ninja dudes are called Keepers, but I still don't know the name of the executed GL. Gardner tried to play good cop/bad cop with Salaak, but the old alien was too much of a fuddy-duddy to go full Patriot Act on the Keeper. The Keepers were slaughtering whole planets full of people, but to Green Lanterns, that sounds like Tuesday.
Elsewhere, some big rocky Lantern named Kannu was beating up actual rocks and himself over leaving a fellow corpsman behind. Elsewhere elsewhere, the reptilian Isamot Kol was trying to work a power ring with his tongue in a training session, since his arms and legs were still regrowing. Sheriff Mardin recommended he switch to his tail, since the ring apparently tasted terrible. I think these guys had all escaped Xabas, unlike poor Unnamed Cannon Fodder, who shall long be mourned. After all, John Stewart needed something else to feel guilty about.
The GL POWs were teleported to a barren world pocked by power battery impressions. "Be prepared to lose your will and maybe your lives... as you cross the Emerald Plains."
Guy Gardner continued his brutal interrogation, but not drugs nor violence nor threats could break the Keeper. From out of nowhere came the Martian Manhunter, with whom the Green Lantern apparently has no prior history in the New 52. J'Onn J'Onzz informed Gardner of his identity and position with Stormwatch, fully intending to wipe the Lantern's memory after extracting all relevant information from the Keeper's mind. As it turned out, what they kept were GL power batteries, on the plain where Lanterns could send their power sources to keep them from being left otherwise unattended. That situation turned sour, and now the Keepers were headed for Oa to claim the Central Power Battery...
"Prisoners of War" & "Mean Machine" was by Peter J. Tomasi, Fernando Pasarin and Scott Hanna. Remember that old Stan Lee saying about how every comic is somebody's first? Tomasi doesn't. See, this was my first issue of GLC since the Mongul arc from volume one. I don't think many of the corpsmen here who were in that story. I don't know these guys, and I don't feel like I got much of an introduction. Guy Gardner playing Jack Bauer was in character, but Martian Manhunter came right out of Tomasi's poop chute to get all mindrapey. You know what kind of comics I don't need to read? Vague ones with nothing new or interesting to say except to tell me that all my funny JLI issues don't count anymore. I've got a few longboxes of that good stuff, and they're the only reason I bought this book... once.
Here's a fun fact-- if the previous text came off as coarse or flippant, there's a reason for that. It was written in the time period of the comic. The draft was last updated in late January of 2012, over a dozen years ago, art and all. I never got around to buying the second part of the story, and this was also in a period where I was overburdening myself trying to do New 52 posts across all my DC blogs at the same time. No wonder I burnt out. I do not missing scanning comics, either. So yes, I was in a much different head space in the moment, rather than looking back on the ambiguities of a then-new continuity that has become increasingly irrelevant. I mean, this was so early on that they were still coloring the New 52 costume dark blue, and honestly, I miss that. Also, I used Pasarin's art for my April Fool's 2012 New 52 Wave 3 Martian Manhunter #1!, which got a lot of views at the time, so maybe I didn't want to step on that action. Man, I really liked his art, and still wonder why he didn't have a better career. Where's his Ghost Machine title? As much as I enjoy Eddy Barrows, I wish they'd gone with "my" book instead of the Rob Williams' series that I didn't finish reading.
Anyway, I never bothered completing my coverage before because J'Onn is barely in the next issue, and absent entirely from the finale. After giving Guy the information outright torture wasn't yielding, the Manhunter also inspired Gardner to pull together a group of rebel Lanterns to help save their comrades. Also, John Stewart snapped the neck of one of his own men to prevent his weakness from giving Oa over to the bad guys, because Tomasi can too grimdark as hard as Geoff. Oh, and the Alien Atlas did all this because it was out of Stormwatch's scope, and he apparently mindwiped all the Lanterns so they wouldn't remember his involvement. No wonder I was such a pill back then.
Monday, January 29, 2024
Brightest Day #24 (Late June, 2011)
The ultimate purpose of the events involving our heroes post-resurrection is revealed to be making a new Swamp Thing out of the reanimated corpse of Alec Holland. The elementals are absorbed into the new giant Swamp Thing so that they could… make it breathe fire once and then swiftly kill the new giant Black Lantern Swamp Thing? Which was made out of… whichever version of Swamp Thing had been in continuity since 1972? There were obscure continuity barriers between the stories published by mainstream DC and the mature readers Vertigo imprint, but seemingly whichever Swamp Thing fans had supported across hundreds of solo comic issues and forty-odd years was hand-waved away in a handful of underwhelming panels? Plus, the multiple-artist approach that worked for an anthology series buckles when forced to illustrate one continuous narrative and they can't even keep the Swamp Things straight. Immediately after reintroducing the 80s/90s comic model Swamp Things, they revert to the '70s/first movie design. It could have been interesting (and meta) to have the two versions fight, but this is simply editorial incompetence and cognitive dissonance. And if you don't agree-- didn't we just have a mega event by much of this same production team that introduced and established Black Lanterns as unkillable outside of exposure to energies from the emotional spectrum? And Black Lantern Swamp Thing had a climactic… stabbing with a sharp stick? Yeah, yeah, preceded by fire and White Lantern energy, but the splash page finale is all about being stabbity.
With the primary threat resolved in something like 15 story pages, with about 5 devoted to the actual fight (depending on how you count splashes,) this extra-sized conclusion has Lord of the Rings-level coda action. The re-deadened Deadman's undying romance with Dove. Hawk's being the sole failure among all the resurrected with vague unresolved consequences. A missing Hawkwoman with a raging, inconsolable Hawkman. Nods to all the lame, tenuous tie-in comics. The weak Aquaman thread that the same creative team won't bother with during his relaunch. Swamp Thing executing the board of an oil company. The longest surviving Vertigo mature readers series put down so a neutered John Constantine can team-up with Batman and join a freakin' Justice League. A ticking time clock toward the Firestorm Matrix detonating to destroy the entire universe.
One of the defining aspects of this era of DC Comics was reverting the status quo of its heroes to a modernized version of the Silver Age. Swamp Thing didn't exist until the Bronze Age, but this appears to be the same approach. Telling though that Geoff Johns, whose major successes at DC were often dependent on expanding upon concepts originated by Alan Moore, was not involved in a relaunch of Swamp Thing that would seem to reset the character to a point before Moore's influence. There's also the whole "mass murderer of corporate polluters" angle, which had been done at times in Swamp Thing comics, but never took as a sustainable method. The Eco-Punisher take didn't survive the follow-up mini-series, what with the immediate reboot for the New 52 ongoing series. Actually, that may be one of Johns' greatest legacies in comics-- year+ long maxi-series spanning a dozen or more issues involving top shelf talent intended to guide the future of the DC Universe that are immediately cut off at the knees in some form of line-wide reboot that negates the intended effects.
This isn't a problem for J'Onn J'Onzz. The entire purpose of his arc was to permanently sever the connection of the Manhunter from Mars from… um… Mars. His whole thing in comics. So the Alien Earthen Atlas (everyone's elemental powers of five minutes went away) has fully committed to his adopted world, and uses his intangibility to remove the inoperable splinter from Melissa Erdel's brain. Sure she's lost nearly sixty years of her life and is still a badly scarred elderly woman with mental issues near the end of her life who was left in that state until now by an incurious Sleuth from Outer Space Colorado's negligence, but I guess it's never too late to make amends? Like how Melissa apologized for kidnapping J'Onn, and he just smiled and said, "You didn't steal my life. You and your father gave me one." Sure. Melissa was part of this one story that was mostly about creating and building up a new villainess that doesn't survive the story, and The Denver Manhunter is the one lead who has no set-up for a follow-up, essentially acknowledging that it had the least creative and audience support. But now J'Onn can hang out at Mount Hope Senior Home with an old lady mentally stunted in at most her twenties with a decades old frame of reference going into her twilight. What a life.
This untitled thing was by writers Peter J. Tomasi & Geoff Johns, with art by Patrick Gleason and Ivan Reis on the Mile High Marvel, and a bunch of other dudes on the rest.
Monday, January 22, 2024
Brightest Day #23 (Early June, 2011)
"Rise and Fall" was by writers Peter J. Tomasi & Geoff Johns, with art by Ivan Reis, Joe Prado, & company. I tried to get back to this over the holidays, but every time I went to log into the blog or read the last chapters, I heard a cracking sound in my soul. Sorry folks, but I'm feeling better now (despite actually being sick in bed for much of this weekend.)
Monday, November 20, 2023
Brightest Day #21 (Early May, 2011)
Snaking her body around J'Onn's and taking advantage of the fear and dread being experienced by those Earthlings in the midst of unknown calamity, D'kay swore that she would never stop coming for J'Onzz... that she would use and destroy each and every life on his adopted world in her pursuit of his eventual companionship on their red planet. The Alien Atlas believed her... that she was an existential threat to multitudes on Earth, and that her menace would only end with her demise. The Manhunter from Mars flew himself and D'kay D'razz into the sun, where their flesh cooked off their bones, and those bones exploded into dust.
The White Lantern J'Onn J'Onzz emerged from the inferno, once again restored by the Life Entity. Asked to choose his home, the Martian Manhunter returned to Earth. Star City was aflame, and the forest imperiled. The Martian Marvel rescued innocents for a moment, but was swiftly drawn by the White Power Ring of Deadman. Recently, the Hawks and Aquaman had been disintegrated by its power, and now it seemingly threatened J'Onzz's newborn reincarnation. "Your heart is no longer divided, J'Onn J'Onzz... Your sense of devotion and duty is now pure and singular in purpose." Deadman protested that the recent "killings" of Manhunter's fellows was the Lantern's doing, and that he couldn't stop it from using him as a vessel for its wishes. Manhunter had read Deadman's thoughts, not only absolving him of guilt, but also the White Lantern itself. In the belief that it was necessary to surrender himself to halt the new menace to the Star City Forest and beyond, J'Onzz allowed himself to be swallowed into the earth
"Mars Attacks" was by writers Peter J. Tomasi & Geoff Johns, with art by Patrick Gleason & company. Beyond the stupid title, the belabored conflict, the average art, the impossible astronomy, and maybe the ultimate instance of Martian Manhunter jobbing himself-- dying twice in one comic to addresses menaces he should have been able to beat with regular old powers and a little brain work-- this one was alright. And yes, the rare Green Martian survivor living secretly in isolation until reemerging well into the Manhunter's career before J'Onn kills them and nearly himself by diving into Earth's sun was already done to Ma'alefa'ak in the Pete Tomasi-edited Martian Manhunter #9. If you're going to be a second-rate Johns, might as well plagiarize from his second-favorite source, John Ostrander.
Monday, October 16, 2023
Brightest Day #19 (Early April, 2011)
"Aquawar Part One" was by writers Peter J. Tomasi & Geoff Johns, with art by Ivan Reis & company. A White Power Battery obsessed with "purity" against the darkies? Are our heroes headed to the GOP primaries? Also, by the end of this two part micro-series, Aquaman will be "dead" too. Not looking good for Martian survival...
Monday, October 9, 2023
Brightest Day #15 (Early February, 2011)
Of course it's an imaginary story. Doi. I'm certain the writers did not expect the readership to be utterly clueless to this fact by the third page, and yet the story keeps on belaboring asserted facts that any experienced comics reader would dismiss on sight. It's hard not to get antsy reading pages of nonsense filler while waiting for the matter to resolve. So yeah, giant statue in Martian Manhunter's honor. J'Onn's family alive and expanded, with daughter K'hym herself now a Manhunter. Keeping the homicide witness family dog from earlier in the series as a pet, despite feeding it a steady diet of sandwich cookies, likely to cause daily severe stomach upset, pancreatitis, and chocolate poisoning. Batman feeling the need to list the ways in which every Leaguer but him is not entirely human, but failing to explain in the same panel why his head is in 3⁄4 but his mouth is a front view. I didn't know you could get punched that hard.
Getting shot with "pearl bullets" is actually what did Batman in, because a pearl necklace wasn't suggestive enough. Wonder Woman was hung from her lasso by a finger of the Manhunter statue. Aquaman drowned on Martian sands. They ran out of ironic deaths for Green Lantern and the Flash, so they just get dismembered, though Flash continued running like a chicken with its head cut off. Hardy-har. After invading the minds of all Martians simultaneously in search of clues, the yet surviving Superman was found in "the underground security bunker where our most powerful enemies are kept captive." A brief history of Martian imprisonment: In the Silver Age, they'd strap this flying belt thing on crooks and leave them floating at a stationary point in the atmosphere. Morrison stuck the White Martians in the Still Zone, a formless white void outside space/time. Malefic was held a gem-type thing. Here we have... Sciencells, but red. I guess it's a good thing that this is a Green Lantern story, then. Oh, and so many great Easter Eggs in the cells, with classic Martian Manhunter villains like Despero and... Starro... Johnny Quick? Various unidentifiable squiggles, though one is a girl, so, like, Bette Noir?
Superman was wearing a Kryptonite mask, and K'hym wanted to mentally probe his unconscious form for answers, as he was among the few beings capable of killing the League. J'Onn refused her, prompting a tirade about how he was okay with probing every Martian but not a single outsider, and how his loyalties are ever with Earth over Mars. A justifiable concern, but also D'Kay D'Razz's hand being tipped. More so when they line up all the corpses in a morgue, and all the cross slashes supposedly spell out the Martian words for "love" and "hate." Also, despite saving Superman's life, Manhunter randomly stabbed him to death with an undetected Kryptonite spike or especially powerful ring construct? Also, K'hym was inexplicably absent. And despite using heavy shadows as a handicap throughout the issue/run, the artist channels Ed McGuinness cartoon hyper-muscularity to depict Superman getting shived under lighting so bright that the only shadows cast on the entire pages were to highlight said inflated muscles. Being a sloppy second rate Doug Mahnke had gotten him this far, so is it too much to ask that we keep the artist we're deriving from consistent from panel to panel?
So, yeah, all of Mars burned again and M'yri'ah was unmasked (de-gloved?) as D'Kay, ending on the distasteful note of her on her knees being choked by our standing "hero" while the bones of Martian children were ghoulishly arranged in the background. D'Kay accused J'Onn of giving up on Mars. "I do not fight for lies of the mind, D'kay... and I never will!" How relatable. So inspiring. Smash cut to two pages of Scott Clark teasing the ongoing Firestorm story (which, remember, will ultimately be abandoned for the New 52.)
"Whatever Happened to the Manhunter from Mars?" was by writers Peter J. Tomasi & Geoff Johns, with art by Patrick Gleason & company. It is perhaps the worst Martian Manhunter story. You might dismiss that as hyperbole, and it's certainly not true at the level of raw craft, but bear with me. "For the Man Who has Everything..." and "Whatever Happened to the Man of Tomorrow?" are considered to be two of the greatest comic stories ever told, a pair of Alan Moore's most well regarded tales, and typically at minimum top 10 Superman yarns (though both lose impact the further perception moves past the Silver Age model, into the ongoing Byrne Man of Steel period.) Martian Manhunter is widely considered to be mint-flavored Superman. Blatantly cribbing from major Superman stories, much diminished in length and talent, on a highly visible maxi-series that eclipses any audience the Sleuth from Outer Space ever commands on his own, conforms the bias held by many that the Alien Atlas has nothing more to offer than being a stand-in or jobber for the Man of Steel. Plus cynical ultra-violence, which is itself reheated '80s Moore. Plus the story just stinks, and the artist can't maintain quality or character from panel to panel. Plus, all those wardrobe changes, and they're all Green Lantern costumes. There may be objectively worse stories, but few more harmful to the Martian Marvel.
Monday, October 2, 2023
Brightest Day #22 (Late May, 2011)
"The End and the Beginning" was by writers Peter J. Tomasi & Geoff Johns, with art by Scott Clark & company. A White Power Battery obsessed with "purity" against the darkies? Are our heroes headed to the GOP primaries? Also, by the end of this two part micro-series, Aquaman will be "dead" too. Not looking good for Martian survival...
Friday, September 29, 2023
Blackest Night: Batman #1 (October, 2009)
Monday, September 25, 2023
Brightest Day #12 (Late December, 2010)
So what does the Alex Forrest of the Red Planet have in mind? A candlelight dinner with a whole cooked turkey, white wine, and... a stacked pyramid of Chocos on a silver platter? I quit. This was a mistake. I never should have started this blog. Martians dining with cookies beside an open flame atop a transparent coffin? ████ you! ████ this! I'm out.
Just as I'm trying to reconsider, we learned that the ritualistic scarring on D'kay D'razz's body was the Martian symbols for love and hate. You know, like in the 1955 Robert Mitchum noir flop The Night of the Hunter, involving a preacher with the words tattooed on his knuckles? Who are you trying to kid? More like the Simpsons' Cape Fear parody with Sideshow Bob stalking Bart. I've seen both, but trust that this third time held no charm, just an exhausted groan. The single person I hold most responsible for Martian Manhunter's inviability as a solo character since his big breakthrough opportunity in the wake of JLA is Pete Tomasi, because whether as an editor or creative, his hand is always at play when it comes to stupid ████ like this. What is D'kay D'razz but Malefic with ████, and what is this story but repeating oneself and expecting different results? Dc Comics ran a fan poll while this book was running, and I recall the Manhunter storyline ranking at or near the bottom (I think the Hawks were the only competition.)
D'kay tried to seduce J'Onn by offering to carve on his own body, completely misinterpreting his "straight edge" aesthetic. D'Kay told her origin story, which again, only diverges from J'Onn's brother's in ways that make her the less interesting, and I used to call Ma'alefa'ak "Green Venom" in his prime. D'kay declared them "the two loneliest beings in the universe," and tried to beat J'Onn mentally and physically into submitting to her "love." D'Kay revealed that it was she who had sent the first psychic image of green hands choking Erdel, and that in connecting with J'Onn learned that the Mars which had tormented her was no more. So, they're both idiots. D'Kay kept trying to merge with J'Onn, and tried to batter him with images of his friends declaring him a traitor. The Alien Atlas rebelled, eventually pummeling D'Kay into the ground, then using his new White Lantern powers to revival all the lost souls of Mars. Predictably, this was actually a delusion created by D'Kay, masquerading as J'Onn's wife M'yri'ah J'onzz.
"All This Useless Beauty" was by writers Peter J. Tomasi & Geoff Johns, with art by Patrick Gleason & company. I didn't take time to mention that a punch of Pat's page were lousy, with wacky proportions and an over-relience on shadow. Obviously he perked up when the fake Justice League showed up, and his Martians toward the back were quite good, but I think the J'Onn/D'Kay stuff bored him. Same. Also, the Black Lantern Martian Manhunter simulacrum flew around. I dunno. Whatever.




































