Okay, we're back on "stuff I could have posted eleven years ago." At least I had the foresight to feature one of Chris Foreman's two jam contributions in the year that it was produced, even though that one remains unfinished, whereas this was one of the first that I managed to have completed... so I could sit on it in it's entirety for no good reason. Maybe I was going to run it some October for Halloween because villains or maybe I wanted to do encyclopedia entries for each subject? Motivation lost to time and inertia, I'm afraid. It's a shame too because, on pure technique, this was my favorite of the Foreman pieces I had commissioned (or otherwise posted from online finds.) I just like the energy of the '90s Image feathering.
Anyway, I dubbed this character one of "The Vulture Monsters" when I did a write-up that probably also served as Foreman's reference, but they never had a proper name. When Enrique “Quique” Alcatena drew them, I just referenced the story title "The Manhunter Monster!" I figured to do the same here, referencing the monster's sole comics appearance in House of Mystery #169 (September, 1967.) As you can tell, this image was incorporated into a preexisting collaboration, third in a series, and I expect to get them all online this year. In the meantime, here's some more places on this site and beyond to see his work...
Chris Foreman
Monday, February 24, 2025
Monday, February 17, 2025
Warner Bros Store DC Heroes Lithograph by Mike Deodato Jr.
I've been saving this one for a rainy day/few months/whenever I could find more details on it. I think I stumbled upon it at an auction site, and swiftly downloaded the jpeg, but can't find it again. The best information I could Google was on a 2015 Legion of Super Bloggers post about a different DC Universe art print that made the rounds in the late '90s, which I'm confident was by Dan Jurgens and Jerry Ordway. As a side bit of business, they offered a tiny scan from a WB Store catalog and a larger black & white version of the Deodato print with their http branded over it. Given the featured line-ups, both pieces were probably produced in the late '90s, but maybe offered in the early 2000s? The Jurgens/Ordway one is very post-Zero Hour, which makes sense because they're the art team on that mini-series, and for all I know it was a spread within the book (but I'm probably confusing it with a more packed but also more pedestrian scene where the extended cast all show up in Metropolis.) J'Onn J'Onzz is also in that one, and just (lower) left of center, but also only a head peek out over Connor Hawke. It's a total cheat not to have the Alien Atlas a full head taller, with exposed Martian Man-boobs/cape/etc. It's also dull as dishwater, which is why I was in no rush to cover it here.
I was always a bigger Mike Deodato Jr. fan than I was for either of the other print's artists, having appreciated how his Wizard-certified hot Image-style supercharged my favorite run of the Wonder Woman title. I mean, he also kind of ruined that title by turning it into a bad girl t&a book, but his earlier issues were much more story-dense. But more importantly at the time, Deodato finally got fans to take the Amazing Amazon seriously as a contender at DC Comics, rather than the annoying little sister that only had a title to lock in merchandising rights. It was sometime around this period tht DC finally bought all of the rights off the Marston Estate and began promoting the concept of a DC Trinity with their whole chest, and I felt that Deodato played a role in that. Plus, I was simply excited by his Chromium Age style, and bought a bunch of lousy Caliber Comics reprints of his old Brazilian work (in a much different art style) with hacked out new covers (plus "his" Thor run, which was probably more a product of the Deodato Studio.)
The hierarchy of power in the DC Universe is more status quo in the Deodato piece, with a huge Batman & Superman trailed by a considerably smaller Wonder Woman, though she is catching up. Instead of accursed Zauriel (so very Post-Zero Hour,) this one has the short-lived gestalt Hawkman with large wings spread right behind Diana. I adore the Atom sliding down the Batline. There's still a tiny pre-angel armor Zauriel deep in the background, plus a No Man's Land Batgirl and mix of Titans that leans hard into 1999 specifically. I'm tempted to call it on this blog post, but will hold back in hopes of future confirmation.
I got to the WB Store whenever I could in this period, and figure I'd have bought this if I'd seen it. That said, stuff giclée were crazy expensive, and I didn't have a vehicle for most of this period, so my access was limited. Still, there's a full body Deodato Sleuth from Outer Space dead center on this image, so I think I'd have at least remembered seeing it before. If you have more information, please leave a comment, and I'd also maybe be interested if you're selling one (but not at a crazy giclée price?)
I was always a bigger Mike Deodato Jr. fan than I was for either of the other print's artists, having appreciated how his Wizard-certified hot Image-style supercharged my favorite run of the Wonder Woman title. I mean, he also kind of ruined that title by turning it into a bad girl t&a book, but his earlier issues were much more story-dense. But more importantly at the time, Deodato finally got fans to take the Amazing Amazon seriously as a contender at DC Comics, rather than the annoying little sister that only had a title to lock in merchandising rights. It was sometime around this period tht DC finally bought all of the rights off the Marston Estate and began promoting the concept of a DC Trinity with their whole chest, and I felt that Deodato played a role in that. Plus, I was simply excited by his Chromium Age style, and bought a bunch of lousy Caliber Comics reprints of his old Brazilian work (in a much different art style) with hacked out new covers (plus "his" Thor run, which was probably more a product of the Deodato Studio.)
The hierarchy of power in the DC Universe is more status quo in the Deodato piece, with a huge Batman & Superman trailed by a considerably smaller Wonder Woman, though she is catching up. Instead of accursed Zauriel (so very Post-Zero Hour,) this one has the short-lived gestalt Hawkman with large wings spread right behind Diana. I adore the Atom sliding down the Batline. There's still a tiny pre-angel armor Zauriel deep in the background, plus a No Man's Land Batgirl and mix of Titans that leans hard into 1999 specifically. I'm tempted to call it on this blog post, but will hold back in hopes of future confirmation.
I got to the WB Store whenever I could in this period, and figure I'd have bought this if I'd seen it. That said, stuff giclée were crazy expensive, and I didn't have a vehicle for most of this period, so my access was limited. Still, there's a full body Deodato Sleuth from Outer Space dead center on this image, so I think I'd have at least remembered seeing it before. If you have more information, please leave a comment, and I'd also maybe be interested if you're selling one (but not at a crazy giclée price?)
Labels:
1990s,
Atom,
Batman,
Flash,
Green Lantern,
Hawkman/Hawkgirl,
JLA,
Martian Manhunter,
Merchandise,
Superman,
Wonder Woman
Sunday, February 9, 2025
2016 N'or Cott Houston Comicpalooza Commission by Tommy Duy Nguyen
I was trying to deduce why I sat on this peachy piece for a bit shy of a decade, besides my usual being a certified idiot. At first I figured that it was too good a piece to throw out cold, so maybe I was waiting on a spotlight month, or it got pushed out by a series of jam piece sections? The best conclusion I could come to is that, like Rick Hoberg's Armek, I was squirreling it away for a second volume of Who's Who in Martian Manhunter that I'll certainly never get around to. That's a shame, because he was a promising comic artist who would have probably appreciated what little exposure this sad little blog of mine could have offered. He even gave me a free Stranger Things print as a thank you for getting two pieces from him that year. Oh yeah, at least I did something right and posted his Michael Biehn as Corporal Dwayne Hicks Space City Comic Con Commission in a timely fashion for the 30th Anniversary of Aliens, which also turned out freakin' sweet! Anyway, I really dig this take on N'or Cott, who maybe cleared the low bar of being J'Onn's greatest any of the 1970s, with the only competition being his partner in war crime R'es Eda or I guess The Thythen. Of the three, I certainly wish N'or Cott had more life in him, especially as rendered by Tommy Nguyen (and of course, Michael Netzer!)
Tommy Duy Nguyen
Tommy Duy Nguyen
Labels:
1970s,
2010s,
Martian Manhunter,
Pin-Up,
Vile Menagerie (Rogues Gallery)
Sunday, February 2, 2025
2015 The Cobra-Beast Space City Comic Con Jam Sketch Detail by Mark Nasso
As I work through the bottleneck of my comic art commissions, some of these lengthy deferrals make zero sense to me, this one being a prime example. I had an encyclopedia entry for The Cobra-Beast written in 2014, a year before I got this art, using that entry's image as the artist's reference. Speaking of, I've gotten a bunch of stuff from Mark Nasso, so he's not one of those unattributable creators that I can't track down. Even though I couldn't find it tonight, I'm confident I have a scanned jpeg of this portion somewhere, it's on an unpublished draft life of un-posted art, and I started drafting this post on 9/27/2018. Finally, while there are still contributions to this jam that do fall under some of these categories, this was one of the first such large scale collaborations that was finished years ago, so I've had plenty of time to track down the details. I guess my sorry excuse is that the pencil parts didn't 100% photocopy? Gah-- I suck.
So here's a new scan taken directly from the original art (though I did leave the bag on it.) I used to see Mark at most local comic shows, but even before COVID, Houston cons started to stink so bad that it was easy to stop going. On the rare instances when I reaffirm that bias personally, I haven't seen him around. But a lot of the guys I used to get pieces from have drifted away. Probably sitting on their stuff for a decade doesn't help.
Mark Nasso
So here's a new scan taken directly from the original art (though I did leave the bag on it.) I used to see Mark at most local comic shows, but even before COVID, Houston cons started to stink so bad that it was easy to stop going. On the rare instances when I reaffirm that bias personally, I haven't seen him around. But a lot of the guys I used to get pieces from have drifted away. Probably sitting on their stuff for a decade doesn't help.
Mark Nasso
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