Monday, November 20, 2023
Snaking her body around J'Onn's and taking advantage of the fear and dread being experienced by those Earthlings in the midst of unknown calamity, D'kay swore that she would never stop coming for J'Onzz... that she would use and destroy each and every life on his adopted world in her pursuit of his eventual companionship on their red planet. The Alien Atlas believed her... that she was an existential threat to multitudes on Earth, and that her menace would only end with her demise. The Manhunter from Mars flew himself and D'kay D'razz into the sun, where their flesh cooked off their bones, and those bones exploded into dust.
"Mars Attacks" was by writers Peter J. Tomasi & Geoff Johns, with art by Patrick Gleason & company. Beyond the stupid title, the belabored conflict, the average art, the impossible astronomy, and maybe the ultimate instance of Martian Manhunter jobbing himself-- dying twice in one comic to addresses menaces he should have been able to beat with regular old powers and a little brain work-- this one was alright. And yes, the rare Green Martian survivor living secretly in isolation until reemerging well into the Manhunter's career before J'Onn kills them and nearly himself by diving into Earth's sun was already done to Ma'alefa'ak in the Pete Tomasi-edited Martian Manhunter #9. If you're going to be a second-rate Johns, might as well plagiarize from his second-favorite source, John Ostrander.
Monday, November 13, 2023
The Outlaws try to go legit -- and fail spectacularly. The Justice League has issued a challenge to DC’s Dark Trinity, forcing Red Hood, Artemis of Bana-Mighdall, and Bizarro to try and replace their goody-two-shoe counterparts as the heroes the world neither deserves nor needs. In this original series, the Outlaws will battle some of DC’s biggest Super-Villains and Super Heroes -- but their biggest battles are among themselves. Can this team last? And can they find their own identities separate from Batman, Wonder Woman, and Superman?Per Wikipedia, WEBTOON is "a South Korean webtoon platform launched in 2004 by Naver Corporation, providing hosting for webtoons and compact digital comics. The platform is free, and is found both on the web at Webtoons.com and on mobile devices available for both iOS and Android." DC Comics has apparently farmed out some of their IP to the company, including the New 52's Red Hood & the Outlaws, under the recenty "Dark Trinity" model of wannabe bottom shelf Bat-Supes-WW. While doing research, I stumbled upon the project, and then suffered through it. I readily admit myt biases: I am an old. I like "Modern Age" North American comics, except most generations of readers are maybe fifteen years long and "modern" starts more or less in 1986, so it's an unweildy conceit. To be more precise, I like a combination of late Bronze Age world building/aesthetics but with "Dark/Chromium Age" mature and subversive elements. It would be especially ignorant and prejudiced to say that I don't like "manga," but I can say that I'm not big on stereotypical Asian storytelling tropes like massively decompressed storytelling and cutesy banter/romcom elements. I especially don't like when American super-heroes are forced into this model without regard for continuity. As an added bonus, the episodes are infinite scrolls optimized to be read on a phone, but I read on a desktop. This is not my jam. The story is that the Outlaws are mercenaries hired by the presumed deceased mobster Franco Bertinelli to recover a stolen family heirloom on Dinosaur Island. Yes, that's the name of Huntress' father, and he looks the part, but this is just the sort of superficial nod to continuity that only serves to confuse and frustrate the kind of people that will catch the reference. Besides facing dinosaurs, the Outlaws also run a Raiders of the Lost Ark gauntlet of boobytraps to capture the "heirloom." Did I also mention that I hate overt references to obvious pop culture sources? here