Monday, October 6, 2025
2025 Primaid Baytown Eastern Rim Funny Book & Vintage Con Commission by Pop Mhan
The other motivator was that despite maintaining a career since the '90s on heavy-hitting properties like The Flash, Batgirl, Masters of the Universe, Raven: Daughter of Darkness, Ghost Rider, and a mini-series of The Demon, Pop Mhan still charges perfectly reasonable rates for high quality work. I've dug him since at least The Impulse/Atom Double Shot in '98, plus he co-created Spyboy with the late, great Peter David. He was also a cool guy who talked about the demands of the licensing work that he's been doing more heavily in recent years. He's work on another creator-owned project that he's developing, a sort of younger readers Hellboy, and I hope to see that come to fruition.
More Art Monday
Monday, September 29, 2025
The Vile Menagerie: MARCO XAVIER
Occupation: Playboy; Sportsman; Crime Czar
Marital Status: Single
Known Relatives: None
Group Affiliation: Vulture
Base of Operations: The Mediterranean
First Appearance: House of Mystery #160 (July, 1966)
Height: Approx. 6"
Weight: Approx. 170 lbs.
Eyes: Dark
Hair: Black
History:
Little is know of the past life of the wealthy mystery man, Marco Xavier. Behind the high iron gates of his posh Mediterranean villa, he lived alone, with neither friend nor relative. Called by some a "very stubborn... lone wolfer," Xavier maintained his fortune by working with illicit operations, but never as a dedicated member. Still, his reputation of being reliable in performing "extra-legal chores" was "well known in underworld circles." The internationally famous playboy was eventually linked to such shady figures by a special security department, which in fact appeared to be their only lead in investigating the most sinister criminal organization on Earth, Vulture. Mr. Steele brought in J'onn J'onzz, the Manhunter from Mars, to pursue this lead. However, as soon as the Alien Ace began observing Xavier, he bore witness to a seemingly fatal car accident, as the playboy careened through guardrails on a winding mountain road and plunged to a fiery explosion below. Thinking quickly, the shapeshifting Martian assumed the guise of Marco Xavier, dangling from an outgrowth to be "saved" by local authorities.
Xavier appeared to have at least one named servant, a gentleman named Jeffers, who ushered in agents of Vulture to meet with "Xavier" the morning after the accident. Despite the assertions of Mr. Steele, Xavier had a highly desirable number of associates and friends, whom Xavier would be paid to spy upon or otherwise sabotage-- among them, notable magnates such as Apollo Magnus, Miklos Agar, Aldo Szuzi, and Pierre Carré. Marco Xavier appeared to have been quite the ladies man, often followed by a "bevy of beauties;" from doting socialites to dating secret agents, who he referred to frequently as "chicks." These assets seemed to help the faux Xavier maintain high value with the Faceless leader of Vulture, Mr. V.
After some time with J'onn J'onzz active under the guise of Marco Xavier, assisting Vulture in various plots, he received his final assignment. Manhunter/Xavier stole "the ultimate weapon" prototype pistol from The Carré Company, swapping it for a replica, but the deception was soon detected. Marco Xavier was finally wanted by the police for a specific crime, limiting his usefulness to Vulture, who still owed him a million dollars for the heist. After repeatedly evading authorities, Manhunter/Xavier was picked up by Vulture operatives, and taken to a tiny island on the opposite side of Mediterranean from his villa. This was a different location from where the pistol had been taken, and another high-tech underground Vulture base, which explained why the Manhunter had not detected it in prior surveys.
"Xavier" was led to Mr. V, who unmasked to reveal "Faceless" as Marco Xavier. Supposedly, one of Vulture's men had posed as the gendarme who had pronounced Xavier dead after the accident. It was declared that Vulture had been toying with the Manhunter from Mars the entire time, until they could deduce his secret weakness of fire. This Marco Xavier had continued the masquerade until he could lure Manhunter into "the perfect trap!" Rather than simply roast the Martian alive, and apparently "insane with power," this Xavier targeted Manhunter with the purloined prototype. It immediately exploded, wrecking the Vulture base, and presumably killing Marco Xavier before the Manhunter's eyes a second time.
Quote: "HA-HA! And now, while there still remains a breath of life in you, I shall test the ultimate weapon-- on my favorite target-- you!"
Created by Jack Miller & Joe Certa
Tuesday, August 12, 2025
2019 Protex Houston Comicpalooza Commission by Ramon Villalobos
Anyway, Villalobos hit Houston as part of a stable under a manager, one of the first years where I saw that really becoming a thing at comic conventions (and certainly contributing to the nosebleed rates being commanded these days.) That said, there are benefits to having someone besides the artist handling the workflow, which included encouragement to use screentones in commissions. Man, if I have a kink, it's Zip-A-Tone, which is how I ended up bringing home saucy/Not Safe For Work original manga art by Kimura Tomoe during my one trip to Japan, despite not really being a manga guy (and I really need to rescan those pages from the originals instead of Xeroxes now that I have an 11x17" scanbed.) Blame Paul Gulacy firstly, but I just really love the contrast between the organic line and mechanical precision the process offers.
It's taken me years to final set down the ultimate Hyperclan biographical entry with Protex, both leader and most visible member of one of the rare Martian threats that rates under JLA terms. The character was co-created by Howard Porter, and where on most of the Hyperclan commissions I've gotten, we went more retro, I liked the idea of revisiting Protex through a different Image-caliber Morrison collaborator, Frank Quietly. Obviously Ramon Villalobos has his own vibe, but also obviously, Quietly is an influence on both his style and on his assignments. Protex started out lean, and got mantis-like once he stuck to a purely White Martian form, so it's neat to see this husky take that looks a lot more believable as someone who could wrestle with Superman. Dig on the spaghetti bowl hair, the gleaming liquid paper highlights, those gorgeous hands, the Jim Morrison crotch, and the bonus slavering White Martian head to undercut Protex's posing at divinity. I love this piece so much-- it's one of my favorites-- and I'm just sorry the lengthy wait for the bio also meant sitting on this art. My other regret is that Villalobos did a second commission for me of one of my self-created characters that I'll be holding onto until my dreams of ever realizing published stories about them are fully crushed.
Ramon Villalobos
Tuesday, August 5, 2025
The Vile Menagerie: PROTEX
Alter Ego: Protex
Occupation: Alien Invader
Group Affiliation: The Hyperclan, White Martians
Base of Operations: Varied
First Appearance: JLA #1 (January, 1997)
Height: Variable, but presents at approx. 6'5"
Build: Variable, often slim but muscular
Eyes: Variable, presents as light brown or red
Hair: Variable, presents as strawberry blond
History:
Before humanity had come into being, the early life forms on Earth indicated the potential for super-humanity, an entire race of veritable gods. At the time, White Martians had colonized the planet, and saw fit to manipulate and abuse the indigenous life as they chose. Under Commander Protex, the White Martians conducted horrific experiments that ended in "a biological catastrophe" that caused the metagene to lay dormant in most humans. Seventy White Martians working out of the now infamous Antarctic base Z'Onn Z'Orr were tried for their crimes and sentenced to "The Still Zone," an extra-dimensional prison outside the normal rules of space and time. Lacking much if any land mass or resources, the convicted White Martians were allowed a mothership by their accusers, the Green Martians, whom they would long outlive. Across millennia of incarceration, most Martian life was wiped out by a plague, and Earth evolved to its current state. It was only then, through unrevealed means, that these primitive White Martians finally freed themselves.
Aware of both the threat of the metahumans that had managed to come into being, despite their best efforts, as well as the ready access to the Martian's greatest weakness of fire, the next course chosen was subterfuge. Protex was intent on reclaiming Earth for his people, but those twin threats needed to be addressed. Seven White Martians were chosen to join Protex in assuming a more humanoid form, and the group presented themselves first before the White House as extraterrestrials from far further out than Mars. This Hyperclan were the last survivors of their unknown planet, and had long journeyed to find a world that they could save from itself, as they could not prevent the ecological ruin that befell their home. The Hyperclan immediately began a campaign of "fixing" parts of the Earth, such as bringing precipitation and vegetation to arid deserts, to a cheering population. They did this without any formal request or authority, all the while asking questions as to why Earth's metahumans hadn't done this before. At the same time, White Martians disguised by armor destroyed the Justice League's orbital base, while the Hyperclan itself openly tried and executed metahuman criminals like Judgment. As the leader and spokesman for the Hyperclan, Protex was always the media-forward face of the team, as well as the one most likely to engage with any critics.
The JLA soon discovered that the Hyperclan were using telepathic broadcasts from their multiple watchtowers, including the unearthed Z'Onn Z'Orr, to turn humanity against the heroes. The Martians had also targeted metahumans with fire-based powers, while Protex attempted to entice the J'Onn J'Onzz into betraying the JLA and joining his fellow Martians. Once things escalated to open conflict, it was Protex who defeated and captured Superman, by presenting him the psychic illusion of kryptonite in his presence. With five members of the League captive, and one seemingly in league with the Hyperclan, arrogance was their undoing. Protex was so dismissive of the threat potential of a mere human that he allowed the Batman to turn the tide. Upon this upset, Superman saw through the kryptonite ruse, and directly attacked Protex. Across a protracted one-on-one battle, Protex was finally beaten when Superman managed to guide the battle into the Earth's molten core. The defeated White Martians were telepathically brainwashed by the Manhunter from Mars into believing that they were individual human beings, and they were compelled to work in trades that would routinely bring them into close contact with open flames.
The plan was not foolproof, as one White Martian briefly assumed the identity of Bruce Wayne. During "The Id Case," J'Onn J'Onzz unknowingly reversed the brainwashing of the White Martians, who spent the next several weeks regrouping and planning. Protex's Martians developed a means of altering the oxygen in Earth's atmosphere in such a way as to suppress combustion-- affecting the ability of some lifeforms to breathe, suffocating plants, choking engines, and eliminating the Martians' primary weakness. The Martians also began abducting human telepaths. "At first, we gathered them to fully safeguard any detection-- only to make a fascinating discovery. Ingesting their healthy human brainmatter, it seems, allows for the first step in a rather glorious genetic mutation-- one that can multiply our telepathic powers a millionfold-- over distances measured in light-years. That was our true goal all along-- to gradually extend our control and sovereignty over the entire galaxy... all without ever having to physically leave a planet-turned-citadel where we were utterly invincible... because its atmosphere cannot support fire."
The disappearances caught the attention of J'Onn J'Onzz and Batman, with the Martians moving to capture and torture the Manhunter. Key figures in the lives of Earth's heroes were momentarily prompted to injure the JLA in various ways. The naval port of Murmansk was nearly wiped out by a nuclear explosion, its citizens saved by a Green Lantern construct. With the help of Batman and the Atom, the Manhunter freed himself from and weaponized the "psi-spikes" that had incapacitated him, and then destroyed the Martian watchtowers that were suffocating the Earth. The seventy strong White Martians engaged the JLA directly, breaking Green Lantern's arm and nearly bisecting Plastic Man with Laser Vision. However, they were repeatedly bested by the Martian Manhunter's psychic illusions, causing them to chase after phantom "Leaguers," or see each other as Earth's heroes and engaging in mortal, self-defeating combat.
Still, the White Martians effectively countered Earths' other metahuman forces, such as the JSA, Titans, and Young Justice. Protex eventually captured the JLA at the Fortress of Solitude, and with a telepathic prompt from J'Onzz, banished them to The Phantom Zone. Once there, the League could finally plan a strategy without eavesdropping, and were released by The Atom. Finally, Protex and the White Martians were lured to the moon, which was then dragged into near Earth atmosphere and ignited. Given the choice between immolation and banishment, Protex ordered his Martians to take physical form to be cast into the Phantom Zone.
Later, most if not all of the White Martians were massacred by Fernus the Burning Martian, although Protex's specific fate has not be revealed.
Powers: Unlike most of the Hyperclan, Protex demonstrated a more or less full compliment of know Martian abilities, including Telepathy, shape-shifting, invisibility, intangibility, flight, longevity, Martian Vision, and superhuman strength/stamina/durability/speed/senses. He was particularly potent at manipulation, casting mental illusions and swaying even powerful, well-trained Martian and Kryptonian minds.
Weaknesses: Protex has a catastrophic vulnerability to fire, causing diminishment of his abilities, and eventual death with prolonged exposure.
Distinguishing Features: Protex presents with golden, almost illuminated skin, and was especially aesthetically pleasing to humans, with one remarking on his resemblance to The Doors' singer-songwriter Jim Morrison.
Weapons: Protex deployed a variety of Martian tools and technology, such as The Flower of Wrath.
Vehicles:
As the leader of the White Martians of Z'Onn Z'Orr, Protex had access to the wonders of that base during its existence, as well as other, seemingly much less durable Martian watchtowers. He lived on the White Martian mothership in the Still Zone, which contained numerous away vessels.
Quote: "How long has it been? How long since we stood here the first time? What was the human species then? No more than dormant potential in the genetic material of jellyfish! How little they have changed. But remember the barges heaped with spices and precious metals? Remember the music of the brass gongs and the toiling of the warmills? Life was good then. Life will be better."
Created by: Grant Morrison & Howard Porter
Tuesday, June 24, 2025
2014 Houston Comicpalooza Abba Sulkar, Shtarker, & Grosse Vulture Jam Sketch Detail by Isaiah Broussard
I'm confident that Isaiah Broussard drew Perkins Preston near the start of the 2014-2016 JLI, Saturnians, & Other Friends Artist Jam, which means Comicpalooza, and Elongated Man at or near the end of the 2015-2017 Martian Manhunter Comrades Jam, most probably at Charlotte HeroesCon 2017. I didn't think that I started this jam at the same show as the earliest attempts, so now I'm wondering if it was the 2015 Space City Comic Con, or maybe that year's Comicpalooza? But I already laid claim to the date/show on other posts, so...
I also can't recall if Broussard was the first or second contributor to this one, but given the other subject, probably second. Anyway, I dug what he did with Abba Sulkar and his minions, and having the lot of them helped a lot with the ultimate scale of the piece. Sulkar is a normal-sized dude, while Shtarker & Grosse were Martian Manhunter-sized. When you start putting characters in front or behind them, it shows just how titanic most of these menaces were. Looking forward to you folks seeing the final two(?) characters, but I'll probably start offering segments from another jam in the lead up to the blog's 18th anniversary in September, when I do the full reveal of many/most of these long-mothballed pieces. And with any luck, by October I can get to the last of my Broussard commissions, although that one's not even comics related.
Isaiah Broussard
Tuesday, June 3, 2025
The Vile Menagerie: SULKAR
Alter Ego: Abba Sulkar
Occupation: Spy
Group Affiliation: Vulture
Base of Operations: Taurus Mountains, Turkey
First Appearance: House of Mystery #161 (September, 1966)
Height: Approx. 5'8"
Eyes: Light
Hair: Brown
History:
Abba Sulkar was the leader of a Vulture base in Turkey. Among his operatives were the towering brutes Shtarker and Grosse, as well as the lovely double agent Marie Fouchere. Sulkar was tasked with kidnapping a pair of scientists to drain their brains for evil purposes. Without clear motivation, Sulkar had Fouchere use her past romantic history with international playboy Marco Xavier to lure him to Sulkar for the same treatment. Successful, Sulkar explained his actions to Vulture's leader, and despite being ordered by Mr. V to set the tape of Xavier's stolen memories aside for his personal viewing, Sulkar wanted any secrets Xavier held for himself. Discovering Xavier was secretly Vulture's great enemy, the super-heroic Manhunter from Mars, Sulkar set about killing the mindless "Marco Xavier" while he was vulnerable in human form. However, Marie Fouchere double-crossed Sulkar to free the Manhunter, and Sulkar was killed in the resulting confrontation.
Weapons:
Aside from his advanced hidden mountain base, Sulkar utilized a pair of novel weapons. He possessed a large computerized device that could project a ray capable of extracting all memories from a victim. Aside from basic motor skills and autonomic nervous function, the victims did not appear to possess any meaningful thought processes or capabilities. The stolen memories would then be recorded onto some form of magnetic tape before being processed for permanent record storage and retrieval. The memories could then be restored to the victim, if so desired. Next, stolen memories could be reviewed on a monitor screen to exploit the subject's knowledge. The Disintegrator Weapon was Sulkar's other key asset, capable of nigh-instantaneously rendering a human being into a small pile of ash. The weapon came in the form of a handheld pistol, bulky but still operable with one hand. While the weapon was utterly ineffective against the Manhunter from Mars, it made short work of Sulkar, when he accidentally fired upon his own person.
Quote: "Sorry Mr. V-- but this is my show-- and I shall play it my way!"
Created by Jack Miller and Joe Certa
Monday, May 26, 2025
2014 Houston Comicpalooza "The Martian Double-Cross!" Robot Vulture Jam Sketch Detail by Chad Townsend
Chad Townsend
Tuesday, May 20, 2025
The Vile Menagerie: MANHUNTER'S DOOM
Occupation: "Suitable Opponent"
Group Affiliation: Vulture
Base of Operations: Europe
First Appearance: House of Mystery #170 (October, 1967)
Height: Approx. 15 ft.
History:
After Mr. V had compiled an extensive photographic dossier of Vulture's run-ins with the Manhunter from Mars using hidden cameras, he paid international playboy Marco Xavier to analyze the material to determine Manhunter's weakness. Concluding that Faceless would inevitably come to the same conclusion, the Manhunter, in his Marco Xavier guise, revealed his Martian vulnerability to fire. Within a month, Mr. V tasked his scientists to construct a warrior that would end the threat of the Martian Marvel to his criminal organization. It was then deployed to the estate of Baron du Marchal, a friend of the Manhunter's, whom Xavier had confirmed would host the Martian that week. After a brief struggle, the Alien Atlas disabled the opponent by dumping it into a pool. Despite never managing to seize the Manhunter or use its flame, Mr. V. dismissed his construct and assumed Xavier's conclusion as to the vulnerability was in error.
Powers & Weapons:
The robot's body was made from the same heat-resistant compound as rocket shields, containing a jet burner at its core capable of melting a steel wall. In its head rested a transistorized computer, preset to hold the Manhunter against its body and release the internal flames.
Created by Jack Miller & Joe Certa
Monday, March 10, 2025
2014 Houston Comicpalooza Crime Goliath Monster-Man Vulture Jam Sketch Detail by Johnny J. Segura III
Johnny Segura 3rd
Monday, March 3, 2025
The Vile Menagerie: MONSTER-MAN
Alter Ego: Joe
Occupation: Henchman
Marital Status: Unknown
Known Relatives: Unknown
Group Affiliation: Vulture
Base of Operations: United States
First Appearance: House of Mystery #166 (April, 1967)
Height: Approx. 9'-10'
Eyes: Dark
Hair: Dirty Blond
History:
Once, Vulture developed a molecular-ray that could temporarily transform normal men into hulking man-monsters. The most highly visible subject was an agent simply called Joe, who used his new power to rip open an armored car with his bare hands. Mr. V sought to make the process permanent, and scientists at one of his international labs developed a cylinder that could potentially do the job. However, authorities were aware of the Monster-Man's crime spree and Vulture's plot, so they were on high alert to intercept the cylinder when it entered the United States. Mr. V paid the globe-trotting playboy Marco Xavier for the task, as he would be above suspicion. However, the real Marco Xavier was presumed deceased, and his identity assumed in recent months by the Manhunter from Mars.
The Sleuth from Outer Space raided the hideout where "Xavier" had taken the cylinder, but soon determined that this was but one safehouse, not the location where Vulture was keeping the ray. The Alien Atlas traded blows with Monster-Man for a bit, then feigned defeat in a bid to follow the Vulture agents back to their true headquarters. The plan was wrecked when the Manhunter's former partner Zook crashed the scene, and when his own powers faltered before Monster-Man, the Manhunter blew his ruse to save his other-dimensional pet. Just then the ray wore off, leaving Joe just another Vulture bum taking a concussion nap until the police arrived. Manhunter did eventually find the base, and destroyed the molecular-ray before any more Monster-Men could be produced.
Powers:
Monster-Man displayed incredible strength and durability, especially to Zook's deep freeze power. Yet, it wasn't seemingly in the same class as the Alien Atlas, who easily overcame Monster-Man when so inclined.
Weaknesses:
The Monster-Man is a limited time offer of undefined length, and will swiftly and spontaneously fade once its charge dissipates.
Quote: "I'll take care of this little monkey!"
Created by Jack Miller and Joe Certa
Monday, February 24, 2025
2014 Houston Comicpalooza The Manhunter Monster Vulture Jam Sketch Detail by Chris Foreman
Anyway, I dubbed this character one of "The Vulture Monsters" when I did a write-up that probably also served as Foreman's reference, but they never had a proper name. When Enrique “Quique” Alcatena drew them, I just referenced the story title "The Manhunter Monster!" I figured to do the same here, referencing the monster's sole comics appearance in House of Mystery #169 (September, 1967.) As you can tell, this image was incorporated into a preexisting collaboration, third in a series, and I expect to get them all online this year. In the meantime, here's some more places on this site and beyond to see his work...
Chris Foreman
Sunday, February 9, 2025
2016 N'or Cott Houston Comicpalooza Commission by Tommy Duy Nguyen
Tommy Duy Nguyen
Sunday, February 2, 2025
2015 The Cobra-Beast Space City Comic Con Jam Sketch Detail by Mark Nasso
So here's a new scan taken directly from the original art (though I did leave the bag on it.) I used to see Mark at most local comic shows, but even before COVID, Houston cons started to stink so bad that it was easy to stop going. On the rare instances when I reaffirm that bias personally, I haven't seen him around. But a lot of the guys I used to get pieces from have drifted away. Probably sitting on their stuff for a decade doesn't help.
Mark Nasso
Monday, September 30, 2024
The Manhunter From Mars #106 (Nov.-Dec. 1969)
Upon setting down on Phobos, J'onzz was greeted not by his loved ones, but the humanoid sentries of Duke Dorna. The Manhunter's Justice League of America compatriot Wonder Woman had once rescued her love Steve Trevor and Duke Dorna from a coup perpetrated by Ghurkos. Though Duke Dorna wasn't as clearly corrupt, the Plutonian legal system presumed guilt against any accused, and J'onn J'onzz was declared suspect in the immolation of Mars by The Blue Flame. Further, his fate would be determined through trial by combat, as was the Plutonian way, on penalty of death.
The accused was briefly jailed, sharing a cell with his old foe, B'rett, thanks to a safety feature in his Guard Belt that flew him to the moon when Mars perished in flames. Their reunion prompted a history lesson, recalling ancient myths of the Roman Gods having moved out into the solar system to claim worlds as their own, as was the case with Mars. Not content to reign over a planet that bore his name, Mars also sought to destroy any terrestrial gods, such as those worshiped by the green-skinned Desert Dwellers. The Albino Polar People embraced the gospel of Mars, which is why they assumed more humanoid appearances than the greens. Mars set the Martian tribes against one another, for sport and to assert dominance, aided by the lesser deities that served him. Lord Conquest oversaw a particularly ruthless band of Polars, who forced assimilation upon captive Desert Dwellers, from which B'rett's yellow-skinned race arose. Treated as lesser beings by the white-skinned Martians, the yellows came under the sway of Lord Conquest's rival, the Duke of Deception. The Duke so loved his people that he crafted a moon of their own to live upon, and led them to Deimos. Later, following a clash with Mars, Lord Conquest took his most fanatical followers to their own moon, Phobos, from whom the even more humanoid and Roman-influenced people of Duke Dorna were descended. Neither Green Martian nor Yellow Deimosian were welcome among the Phobosians, but only B'rett had the patronage of his personal deity in this foreign land. Not only had he declared that B'rett would survive his trial, but that he would also be free to leave for Earth aboard the soon-to-be deceased J'onzz's space ship. It was Duke Deception who had caused J'onzz to lose the trail of the Martian ark, and cast the illusion of J'onzz's family being stranded on Phobos.
All this caused the Sleuth from Outer Space to beg the question, what does God need with a starship? The Alien Atlas and the Xanthic Bandit competed in a series of Olympic-style challenges, as was the Phobosian way, each claiming an equal number of wins. Finally, the pair had to traverse perilous ground, and one wrong step meant a miles deep drop from atop a lunar plane where they had no special powers to save them. Through treachery, B'rett sent J'onzz falling to his apparent doom, while he succeeded with the aid of his still-active guard belt, giddily anticipating his rocket-powered exit from this satellite. However, Phobos could not sustain life without resources from lost Mars, so Duke Dorna and his favored would be taking the vessel for themselves, and allowing Brett to "live" for however long Phobos would keep him. Not only was B'rett enraged, but so was Duke Deception, himself trapped on Phobos by yet another rival, the Earl of Greed. Deception and B'rett joined forces against Dorna, but then the entire moon careened out of orbit.
The Martian Marvel had a history lesson of his own. Not only hadn't any of these false Roman deities of Earth "given" their followers moons, but there were never any Martian moons to begin with. 50,000 years earlier, the genius scientific survivalist Thas Bakkus had created the two miles-wide satellites during an earlier catastrophe on Mars when the rivers dried up and oxygen disappeared. While Thas Bakkus lay in suspended animation, Martian society evolved to adapt to the atmospheric changes, and in 1955 the Manhunter from Mars was teleported to Earth. Professor Erdel's experiments had also caused Thas Bakkus to awaken from his long slumber, and after studying Earth with his cosmic rays, attempted to conquer it as a replacement for his home world. Just after John Jones had captured “The Man of 1,000 Disguises”, Thas Bakkus caused all the humans on Earth to become his type of unevolved Martian, and obey his will. J'onzz was unaffected, but Thas Bakkus' having arrived near Earth aboard the Deimos satellite was causing gravitational calamity to the planet. While the Alien Atlas investigated Deimos and set it on a return course for Martian orbit, the human Jim Croft had thwarted Thas Bakkus himself. The Sleuth had recognized Thas Bakkus' handiwork on Phobos, and had programmed the satellite to carry its citizens to orbit a world that could sustain them. In the confusion, the Manhunter from Mars reclaimed his space ship, and made off, leaving B'rett and Duke Deception to drift through space, with only the guard belt between them...
Wednesday, September 25, 2024
2014-2023 Martian Manhunter Foes Convention Sketch Jam
2014-2023 Martian Manhunter Foes Convention Sketch Jam
- 2019 A-Mortal convention jam sketch by Robert Henry
- 2014 The Conjurer Comicpalooza convention head sketch by Shane Davis
- The Conjurer convention head sketch inked by Kevin Conrad
- 2014 King Zeus Comicpalooza Commission by Thom Zahler
- 2014 Porto Comicpalooza convention sketch by Herbie Rivera
- 2014-2015 Porto Comicpalooza convention sketches by Herbie Rivera and Antoine Mayes
- 2023 S'vor Fan Expo New Orleans convention sketch by Ian Chase Nichols
- 2014 Scorch Comicpalooza convention head sketch by James O’Barr
Monday, September 23, 2024
2023 S'vor Fan Expo New Orleans convention sketch by Ian Chase Nichols

One trick that's helping me as my aging mind fails is to take pictures with my phone of commissions at a given con, so that I can later recall more details of the when/where/who. I wanted to get commissions for celebrities appearing at that year's Texas Frightmare Weekend, plus this looked like a last convention run with one of my best friends before he was going to have to settle down. NOLA seemed like a reasonable drive from Houston, so we loaded up the car, rented a shotgun shack, and headed out for the weekend. You typically have to adjust your expectations for a show taking place right after the holidays, but there was top quality talent at there. I seriously considered laying down the $3K asking price for another Arthur Adams, and would have if they'd taken the cash at the show, but I hate dealing with online negotiations, indefinite waiting times, shipping concerns, et cetera...
I wasn't as familiar with Ian Chase Nichols, who's done work on IDW TMNT, Dynamite Red Sonja, and seems to pal around with The Tick's Ben Edlund. I liked what I saw at the show though, and was very happy with a Dawn of the Dead Charlie Peters piece he did for me. We had the time and money for another go (because Art didn't take it,) so he was kind enough to help finish another jam piece. He chose Jupiter's least favorite son, S'vor, an appropriate name for the porcine foe. I'd never gotten anything done with S'vor, and there was a decent anount of space yet, so Nichols did me a solid by filling it out. The Jovian looks to have gotten on Ozempic since we last saw him in the '60s, and he cuts a man figure. A love the energy radiating from our boy!
Ian Chase Nichols
Tuesday, September 17, 2024
The Conjurer convention head sketch inked by Kevin Conrad
Tuesday, September 10, 2024
2016 Armek Commission by Rick Hoberg
For instance, I approached Rick Hoberg at a convention. I'm pretty sure that it was in Houston, but I don't think it was Comicpalooza. Both Space City Comic Con and Amazing were still operating in town in 2016, the date on the finished piece, but it was a take-home that ultimately got to me later. For all I know, we might have first talked about it the previous year. I'd been getting 1950s-1980s characters done in modern styles, so I thought it would be fun have a comparatively recent (1996?!?) character created in the post-Image school done by a more classical Bronze Age veteran. There was an added layer of irony, because Hoberg is likely best known for his work on DC's Golden Age heroes in All-Star Squadron, but I mostly associated him with the Ultraverse's Image-adjacent team book The Strangers. I dug his clean line, and I think I gave him a choice of characters (I usually do,) with him picking the Hyperclan's robot member, Armek.
It turned out great, and I think you can tell that he had fun working on something outside what was expected from him. This poor guy probably never wants to draw another archer or old-timey mystery man again. His Armek reminds me of Geoff Senior's Death's Head, with all the armor layers and battle damage. There's another blog I could have threatened. Anyway, the same year as the art arrived, I was working on the first volume of Who's Who in Martian Manhunter, making a bunch of mistakes with it while chasing a stupid self-imposed deadline. That project was a ton of work, but I had every intention of getting back to it, and "saved" Armek for the first page of Vol II. Eight years later, I wouldn't hold your breath over that happening. So here I am, poorly serving Hoberg's efforts by sitting on them and forgetting most of the finer points behind the piece's creation. John Cassaday, twenty years Hoberg's junior, died today, and I'm still playing around with time like it's infinite. Sorry, Rick. The piece came out awesome. Thank you!
Tuesday, September 3, 2024
2014 Martian Manhunter Villains Comicpalooza Jam
2014 Martian Manhunter Villains Comicpalooza Jam
Monday, October 3, 2022
2019 The Osprey color commission by Adrian Nelson

Twenty-two years ago, I had the opportunity to attend San Diego Comic Con, which spoiled me for not only conventions, but for life as a comic shop retailer. I had such a blast on my meager personal funds and through the generosity of others that I realized that I didn't want to commit to continued impoverishment. It took a couple years to come out of a depressive state, make that realization, and fully act upon it. I still struggled in the aughts, and certainly had my lows, but I never truly regretted that decision. It was the right call.
In 2010, while visiting a comic shop during a work break on a job where I was making something like twice what I had at the comic shop, I saw a flier for a local convention called Comicpalooza. I wasn't exactly flush, and we only managed to make it to one day of the show, but I picked up several of my first ever art commissions that day. I was so excited by the prospect, and thoroughly hooked. The following year, I giddily pounced on the second full scale Comicpalooza (the very first show in 2009 was a piddly thing outside a mall movie theater, so I don't count it.) I had carefully vetted all the artists announced for the show, and shopped for new art accordingly. Adrian Nelson was not among those who had been advertised, merely sitting at the table of one who was, but I liked his samples and took a shot. The result was my first Bloodwynd piece.
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The following year worked out much the same, with my stumbling upon Nelson as he sat with the Austin collective CCP Comics at the ill-fated Space City Con. This show yielded Malefic, and I felt bad by messing him over by showing up a day early to pick up his intended color sample of Ma'alefa'ak. Sorry, Adrian.
I think Nelson dropped out of shows for a couple years to work on some commercial art projects and try to develop his own comic for publication. When he turned up at Amazing Houston Comic Con in 2015, I made sure to include him in a friends of Martian Manhunter jam featuring Glenn Gammeron. That turned out swell, and when I needed someone to pull together the J'Onzz Family Portrait Artist Jam, he came through for me again on the Martian deity H'ronmeer. The next year, I was singularly focused on gathering pieces for the Aliens 30th Anniversary reunion at Comicpalooza. I had intentionally avoided artists from whom I'd previously acquired commissions for this project, but with the deadline looming, a reached out to Nelson on Twitter as someone I knew I could rely on to deliver a home run Private Ricco Frost. We met up at a McDonald's parking lot, and chatted for a bit. He wasn't doing shows that year either, as I recall working on something of a vanity project for a well-heeled foreign patron. Not sure if anything substantial ever came of that, but I sincerely wished him the best.
Work In Progress Sketch

In 2017, I reached out to him again for a project via Twitter, this time a banner for the Rolled Spine Podcasts blog. I don't recall if Mac had designed our logo yet after a couple of misses soliciting letterers, including one I still bear ill will toward when I see him credited. I had a complicated idea for the banner, and I think it may have overwhelmed Nelson, but he also had a lot going on in life. I don't know which con we met at in 2018, but I finally decided to get a piece of the super-obscure Martian Manhunter villain The Osprey. Like the Ricco Ross piece, this was a take-home, something I generally avoid. I knew Nelson would make it worthwhile though, and I really liked his initial sketch.
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Nelson disagreed though, and halted work partway through. He said "Sorry, man. I've been making sure I give each commission a bit more because I feel like I'm turning a corner in my style and the pressure of wanting to "wow" people is really in my head." He started again, and sent me the work in progress. "I want to change what I originally put down. I sat with it and then it stopped working for me. Also, I finished the second issue and that was another reason. I'll scan it once I have it at a stage I think you can really see what I'm doing."
I didn't hear from Nelson again that year, but I saw him for the last time in 2019 at Fandemic. That year, I had begun work on a series of piece related to George A. Romero's Dawn of the Dead, with the intent to have the pieces signed by the actors that portrayed the characters. There were also a variety of technical people available, so I thought I might do a jam piece of actors that were no longer with us and include them there. David Early had portrayed the talk show host Sidney Berman in 1977, and appeared in many other genre favorites before his death in 2013. Nelson offered him a memorial rendition. Later that year, Nelson reached out to me on Twitter with another work in progress...
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"I decided to do a new one again since I didn't like what came before. I've gotten a bit more comfortable with my traditional stuff now. it's almost done, I just wanted to update you and find out when you want to meet up to get it." Unfortunately, my car was totaled in a flood, so I wasn't meeting anyone for the immediate future. Once I had that sorted, he was without a car while his wife was helping her mom recover from surgery. Early the following year, we went on vacation to the U.K., and then I was busy attending my final convention of 2020 in February. That was the same month as Nelson's final tweet, related to a Paypal plea. "I've recently fell ill and could use help paying for some of the now weekly trips for treatment. Any amount will help. Thank you!" I think we all remember how things went that March, and I was pretty disconnected from everyone but my most immediate circle for quite some time. I never considered Nelson's absence, even though we occasionally liked and retweeted one another. I was doing research for a podcast today when I stumbled upon a tweet from Antarctic Press in 2021. "We published 1 issue of B.A.D.A.S.S. by writer/artist Adrian Nelson who died after the first issue went to print. He was an amazingly talented creator and a good friend to all who knew him. R.I.P." That was actually a reprint of his original small press edition, which I bought a copy of at Bedrock City. I don't remember if I ever told him that. Adrian Nelson was obviously one of my favorite and most frequently engaged local artists, and I always hoped that I'd get to be that wealthy patron having him draw a comic for me someday. Click To Enlarge



























