Superman Sonderausgabe #6 - Superman gegen Mongul! (1981)

I never thought of Cologne as a must-visit locale for comic book fans. However, my second trip to Germany was going to be too brief to do anything substantial, so I Googled some nice looking shops within walking distance of where we were staying. As it happened, there were actually several very appealing and quite varied fandom-related stores in the area. Some were more geared toward Generation X nostalgia, like 1970s actions figures, lunch boxes, and such. One was a three story deal in the heart of the tourist section that gives Forbidden Planet a run for its money. My Gal found a vintage Playmobil from her childhood in their basement, while I hoarded a bunch of cheap '80s/'90s digest reprints of U.S. comics for "stocking stuffers." I was quite pleased to find Red Circle and First Comics representation in that department, although the condition on the latter was so poor that it's physically warped (while reprinting Warp.)

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Given the oft-noted fastidiousness of Germans, I was surprised to observe that they don't know how to store comic books. For instance, all of those digests were loose on a freestanding display rack, and some had been mauled to pieces by small children and clumsy adults (guilty.) They don't use standardized comic boxes either, with that mega-store I mentioned employing wooden shelves with dividing panels instead. Houston's own Bedrock City Comic Company has a similar set-up, with the key difference being that the Germans also don't use backer boards. Their vintage "floppies" are often on a thinner, glossier stock than their Bronze Age U.S. counterparts, and on top of that, they love sealing their comic bags with 3-inch-plus strips of tape. I over-zealously chanced opening them while on the road, and surely put some crimps in them spines, where a wiser man would have cut them free with scissors instead.

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I bring this up in part because there was one specific shop that I had targeted when getting the lay of the land. While on vacation in Europe, we saw plenty of modern style comic shops full of Panini reprints or North American imports, usually with at least some selection of more antiquated formats. This one shop in Cologne though was a proper Android's Dungeon hole in the wall. Mind, it probably still had more square footage and better bones than your average dusty old American dump, but it was still a dim and cluttered mess with treasures of yore. I could have easily spent a whole day there, and way too much money, but I had already punished my wallet and suitcase miserably at early stops. I needed to be as swift and objective-minded as I could be in the time allotted.

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This was tough because there were boxes everywhere, and again, random old repurposed and tape-reinforced cardboard of quite varied dimensions. Not knowing what else to do, I grabbed a smallbox small box (about a square foot) off of an eye-level but deep shelf, and set it on another chest-level box. A severe and socially disinclined shopkeeper that was already giving my gal hairy eyeballs just for taking up the limited space scolded me in Deutsch. Following his gestures, I was meant to take any given box to a cluttered wooden table nearby to peruse, since again, these comics were not held up by backer boards. I had been selfish in many of my prior purchases, but also, there wasn't that much representation of the Bronze Age DC favored in my blogging/podcasting circles. Here I had a good chance of digging up varied Silver/Bronze reprint floppies of their childhood favorites, and I did. Several nifty old numbers and a few more contemporary items that were reasonably inexpensive, so I didn't feel to guilty about it.

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There was one though that kind of broke the bank. The first Mongul story from 1980's DC Comics Presents #27 has been reprinted a bunch of times, thanks mostly to his being immortalized in "For the Man Who Has Everything." However, that introductory story arc by Wein & Starlin was pretty well regarded by Superman fans even before Moore & Gibbons got to him. I thought for sure I'd gotten the UK hardcover collection with the original Bolland cover at some point, but I guess not, so this German edition is my first oversized collection of DC Comics Presents #28 with Supergirl and DC Comics Presents #29 with The Spectre, plus unrelated bonus reprints. Despite his fallen posture, the Jim Starlin Martian Manhunter cover remains a personal favorite, so it's nice to have it on squarebound cardstock in a 9" x 12" presentation. The interiors are also on a heavier white stock, recalling the Baxter format, which is much more vibrant than the original comics without becoming glossy eyesores. The inside covers are plain white, and the random reprint stuck between the first and second Mongul chapters is a Supergirl serial that started in 1971's Adventure Comics #408. Mike Sekowsky is joined by inker Dick Giordano for a tale of green-skinned alien invaders that concluded in Adventure Comics #409. I feel this was worth my 25€, but I do feel a bit bad for not feeling the same about getting a similiar edition featuring Firestorm's induction in the Justice League of America (as advertised on the back cover) for my buddy Shag. Eh, he's well traveled enough to go get his own, plus I already got him other cool stuff.

DC in Germany

• Aquaman in Top Comics Wassermann Nr. 108 (1970)
• The Atom & Aquaman in Superman-Batman Heft 8 (April 1976)
• Wonder Woman in JLA - Die neue Gerechtigkeitsliga #31 (1999)
• GrimJack in Die Cosmic-Ranger Nr. 3 (1985)

1987 Cromy Super Amigos Match 4 Nueva Edicion Manhunter card #E3

"This Martian came to Earth as a result of a failed special experiment. Once here, he decided to ally himself with the forces of good."

There's definitely international representation for the Martian Manhunter in comics and merchandise, but not so much in the '70s and '80s. The Sleuth from Outer Space was largely out of print in the States, and a lot of overseas goodies were based on José Luis García-López's DC Style Guides, which did not substantially feature J'Onn J'Onzz. Solo Alien Atlas art was produced by persons unknown in 1984, presumably anticipating his inclusion in the Super Powers Collection. The Argentine company Cromy produced Super Powers licensed materials under the Spanish language Super Friends banner, carrying over from the long-lived TV cartoon, and serving as a catch-all term for super-heroes (Spider-Man gets mingled with this stuff, for instance.) Cromy produced things like small jigsaw puzzles and sticker albums in the '80s, but again, using art from earlier comics and the 1982 Style Guide. This included their 1984 match game, but later Super Powers additions were part of a "New Edition" offered three years later. Somewhat curiously, we did not get Detective Martiano, as was often the case in Spanish language territories, but instead simply "Manhunter." This despite the Goodwin/Simonson Paul Kirk having been previously trafficked in Argentina under that singular name. It was striking to see a relatively obscure '70s character in the mix, so I thought he must have been big down there. Not so much that he couldn't be supplanted by the Martian variety, who joined a refresh heavy on Gods and Teen Titans New.

History of the DC Universe (1987)

The first thing that you have to remember here is that Mars does not matter in the grand scheme of DC Comics continuity. Krypton does. Gotham City does. To a much lesser extent, Themyscira does. Casting a net more broadly, as has been mentioned in a couple of my podcasts, Atlantis matters to both Marvel and DC Comics. But Mars? I don't think rates all that highly anywhere, outside of Topps Comics. The 20th Century made a lot of dismissive mention of the Red Planet, and like the moon, the popular consciousness read it as a generic location of dubious value to fantastical comic book stories.


And so, the first half of the Post-Crisis on Infinite Earths revisionist history of DC published in 1986 is mighty concerned about Oa, prehistoric Earth, World War II... all those other places I mentioned. Without a comprehensive reread though, no mention of the planet Mars, or any of its denizens. Moving into the second half, they still devote a lot of pages to WWII, and a little bit of the post-war years. The one true Earth was still a cooling mass, however, so from there we leap to Task Force X and the conception of Aquaman. That famed rocket from a doomed planet had been launched in the first volume, and finally landed in a corn field near Smallville. A nigh-adolescent Bruce Wayne saw his parents gunned down, which gets a bit hinky with the relative ages of the DC Trinity. Phantom Stranger, Captain Comet, and the creation of Princess Diana arrive next. Well, one figure does fall between Comet and clay baby Wonder Woman...

Warrior J'onn J'onzz, exiled into the parched Martian desert, was teleported accidentally to planet Earth by the famous Professor Erdel. This Manhunter from Mars knew the time of heroes had not yet come, and so remained in hiding, disguising himself as a police detective until, at last, he could allow the world to know of his existence.

There's a lot to consider there. Firstly, that was two sentences. I choose to offer long, sometimes tortured sentences as part of my personal expression, so you might call me hypocritical for pointing that out-- but dang! Next, the fact that in a rare instance of DC offering mixed caps in a canon story, only the Js are capitalized. Okay, I might be "considering" too pedantically. How about how the late Silver/early Bronze status quo begun with"...And So My World Ends!" seems to still be in place, with that "warrior" bit in particular pushed back against by the 1988 retcon? We're also in a vague pre-heroic age, with the best marker being the conception of Raven on the next page. The creative team on this book had come up with that character to be a member of the New Teen Titans, and the book's artist was presumably working out how his Wonder Woman would also debut in her late teens/early 20s in her new history. Therefore, at the time of publication, it would be fair to assume Detective John Jones was around in the late 1960s. Couldn't be much further back than that, if we want to keep Superman and Batman around 28-30 years old. While a handful of stories alluded to a further period setting, it would be another eight years before parity with his initial date of publication was established in Zero Hour: Crisis in Time #0.

In another short-lived stand for this continuity, the entire World's Finest trio launches the modern heroic age, placing Robin ahead of the latest version of Flash, Green Lantern, the Atom, the Hawks, Aquaman, Captain Atom, Green Arrow, and Blue Beetle. We see Starfire as a child, Cave Carson, the Challengers of the Unknown, Adam Strange, the Sea Devils, and Dolphin. Curious chronology ahead of their key super-team revival...

This was now the Silver Age of heroes, and some of the greatest who ever lived banded together to fight evil on Earth and throughout the stars. Inspired by the wartime exploits of the famed All-Stars and the Justice Society, these young heroes took the name the Justice League of America.

Because John Byrne's Man of Steel had already rolled out, we knew that Superman would be excluded. Pictured as the core line-up were J'onn J'onzz, Aquaman, Barry Allen, Batman, and Hal Jordan. A scale Ray Palmer Atom was placed just outside the framing of this team inside the old badge logo of the JLA, with the floating heads of Oliver Queen and Katar Hol on either side. Not a bad guess, but this line-up was never properly executed in the comics. The Caped Crusader was eventually excluded, at least as a founder, though he inevitably engaged with the JLA early and often in this retcon. DC eventually settled on a quintet in 1988, capped by Black Canary.

Jemm, Son of Saturn got a mention as a contemporary of Firestorm, Firehawk, and the Warlord Travis Morgan, oddly predating the retroactive continuity armored Gardner Grayle Atomic Knight, as well as Baron Winters of Night Force. These were mostly continuity charity cases, only getting a nod here by proximity to publication date. Jemm was originally a Son of Mars, who played heavily in the fields of post-apocalyptic Bronze Age New Mars stories, and his Saturnians were eventually retconned into literal Martian clones by Ostrander/Mandrake. It's nice for us, since none of the solo Manhunter from Mars adventures rated a mention, nor his predecessor, Roh Kar. Instead, as ever, and another gift of the zeitgeist, the Alien Atlas is solely represented in this period through his affiliation with the mid-80s Justice League (generally appended with "Detroit" to define the line-up of Batman, Elongated Man, Zatanna, Steel, Gypsy, Vibe, Vixen, and Aquaman.

From there, we get into the weeds of para-Crisis on Infinite Earths material, with a heavy emphasis on developments during and spinning out of Legends, including the line-up of the first six months or so of the Justice League relaunch (soon-to-be-International.) So that's Dr. Light II, Captains Atom and Marvel, Mr. Miracle, Guy Gardner, Black Canary, Blue Beetle, and Dr. Fate. They're followed by the Suicide Squad and, ugh, Post-Crisis Wonder Woman. It makes my skin itch when people rave about the female leg of the DC Trinity arriving after freakin' EVERYBODY, just so Perez could treat his Simonson Thor retread as though it were a brand new shiny thing. And then from there is a toboggan ride through the potential futures, most especially the Legion of Super-Heroes 30th Century, that will be ripped to pieces to wipe the butt of every reboot from here through the next five decades and counting.

Amazing Heroes #156 (January 1st, 1989)

Amazing Heroes remains my all-time favorite industry magazine, despite (okay, partially because) being printed in comic book dimensions (while costing 3-4x as much as its subject averaged) and my only having bought a few editions while it was still being actively published. In fact, I've been actively working on an (economical) set for a while now, and my gaps continue to narrow. I have a lot of contempt toward Wizard specifically, because I saw the negative impact it had on the industry in real time, including its lowering of the overall discourse with hype and crass humor. But also, because I had a basis for comparison to much better magazines, including Comics Scene (even pricier for less content and way too much animation/media coverage, though still more value than the Wizard ilk.) A lot of it was just down to timing, since first generation comics fans were still active and vital at midlife, while the Boomer and Gen-X writing staff had collectively experienced all that North American comics had to offer up to that point. It was still possible to collectively know "everything" about what was available to their audience. Further, it spun out of The Comics Journal so that they could go full fart-sniffer about capital-A "art" releases. So you had a bunch of over-educated liberals getting out from under being brow-beaten by the Gary Groth crowd, but still took mainstream comics seriously enough for literary analysis, and the perspective of having read more ambitious and underground work. There's a reason why so many of its contributors went on to luminous careers of actually creating their own comics.

For instance, Don Rosa was essentially their version of Bob "The Answer Man" Rozakis with his column "Info Center," before succeeding Carl Barks as the Eisner-award winning chronicler of DuckTales. Because he knew his stuff and communicated it well, instead of taking cheap shots like drunk Tony Stark jokes at every opportunity to fill space between price guides. And again, that multi-generational knowledge base would allow for a segment explaining that the original "Manhunter from Mars" was Roh Kar, not J'onn J'onzz. This was a time before ready, widespread reprints, and there were no databases to access this type of obscure information. The oldest Overstreet I have is the 21st edition covering 1991-1992. There's a line under Batman #78 noting "Roh Kar, The Man Hunter from Mars story-the 1st lawman of Mars comes to Earth (green skinned.)" So if you could find that line in a 548-page book of tiny print, regarding a book that hadn't carried the J'onn J'onzz strip, you'd have the barest idea that there was a so-called "Golden Age Martian Manhunter." You could also score a mint copy for $300, which is less than a CGC 1.8 on eBay as I type this. They're asking $1,645 for a 6.0. The best time to invest really was thirty years ago.

Anyway, I learned about Roh Kar from U.S. Navy Commander Adam Benson on the DC Message Boards a quarter century or so ago, because I didn't have this particular issue of Amazing Heroes to educate me. But having read the actual story many times over at this point, what I'm most interested in was how they got that Silver Age Manhunter image in there. Presumably they photocopied a comic that they had a copy of (clearly not Batman #78,) since J'onn is clearly covered in Ben Day dots,) so I figure they then went around that figure with liquid paper to white out the background. This sort of thing got so much easier once the Showcase Presents came out. Anyway, it's nice that a relatively minor character like the Sleuth from Outer Space got any kind of attention in a forum like this, likely because at least one staffer was probably reading the original Batman stories that the Martian Marvel was backing-up.

1986 FPC DC Comics Calendar Poster

Fellow children of the '80s likely longed for this swell looking calendar, featured in ads across various DC titles. It looked like a normal calendar, with 12 rectangular images of swell characters by top talents, incorporating the monthly calendar. There was a couple of cheats, in that the George Pérez New Teen Titans image was "zoomed in," obscuring six other partially visible sections, and obliterating a second. Further, all of those other images were barely more than postage stamps, and all of them were in black and white. It was a tantalizing tease though, including a Joe Kubert Sgt. Rock & Easy Company, a Gil Kane Sword of the Atom (featuring Princess Laethwen,) Keith Giffen Christmas with Ambush Bug & Cheeks, plus a very licensing on-model Superman (Ross Andru?)

It was produced by FPC, or The Federal Publishing Co. Pty. Ltd., who distributed black & white DC Comics reprints in the Down Under. In fact, the ad running, in the original U.S. comics, added the unusual shipping penalty of $1.50 extra outside Australia-- which is, y'know, all of us buying the original North American editions. Like, almost everybody on Earth is somewhere besides Ozzieland, which has less than 27M population, only 0.33% of the global population. I live in the state of Texas, with nearly 31M, and that's only one (admittedly populous) of 50 United States, and these things went to Canada, too (40M.) At $6.50 in 1985 dollars, that's $19.00 today, including shipping, which actually isn't that bad when I consider it. But it's pretty hefty for something expected to be thrown out on a year, which might be why I've never seen one in the wild. But also, it's a one-sheet poster, not a flip calendar, with the Marshall Rogers Batman & Robin crowding into four of the other images (molesting a small portion of the previously unobscured Titans portion.) Other characters revealed in the final release are Blue Devil & Amethyst by Paris Cullins, and... wait... that's it? A twelve month calendar with only eight images, because several months do double duty, and one triple. What a rip-off.

The image that I haven't discussed yet is maybe my favorite, though not without serious competition. Green Lantern John Stewart, Firestorm, Hawkman, Wonder Woman, and Martian Manhunter, drawn by Luke McDonnell and inked by Jerry Ordway! Wooo-we! That is quite the collection of choices cuts for ol' Frank-- enough for me to let my Texas (or at least my Slim Pikins) out just now. I really wish this art existed outside a sloppy, mangled sheet of paper. And it kind of does, as the original art is nominally available for trade or purchase. I'd miss that lovely Greg Theakston painted color, though I could overlook it wth those characters and that linework. But see, the seller doesn't actually post prices, and the listing is so old that for all I know it's part of the dead internet. I have enough trouble getting art and quotes from people face to face with me at conventions. I can't manifest the energy for "email me bro," so one of you can pursue it with my full blessing. I reserve the right to envy, however.

1987 Amazing Heroes #161 fan art by Carl Taylor & Willie Blyberg

Detective Comics #557 (December, 1985)

During the Crisis on Infinite Earths, a multi-year storyline involving Nocturna drew to a close. She was a homeless orphan teenager, informally adopted by a criminal, until he was killed. Then she took up a romance with his adult son, and the pair turned to burglary to support their lifestyle. Nocturna had the incident that drained her of pigmentation, leading her to entanglements with the Wayne Foundation. For two years across two titles, Nocturna romanced the Batman, and became a surrogate mother to his young ward, Jason Todd. However, Batman was already involved in an ongoing relationship with Catwoman, causing violent conflict. Further, Nocturna had used and discarded her prior lover, the son of her initial benefactor, and left him to rot in prison. When he got loose, he adopted the guise of Night-Thief, and started stabbing all of their mutual associates to death on his way toward slaying Nocturna.

In this specific story, Batman was in the hospital watching over Selina Kyle after she'd been struck by Crisis Red Sky lightning. An exhausted Robin returned alone to the Batcave, where he received a transmission from the Martian Manhunter and the Justice League. "Nothing new to report on the bizarre weather phenomena, Robin-- just checking in to tell Batman to remain on alert-- and ready for action. Until this is cleared up, none of us can afford a moment's rest." This entirely random interaction convinced Robin that he was acting like a wimp, and needed to act in his mentor's absence to protect Nocturna and, if possible, stop Night-Thief. He couldn't, as Night-Thief beat on Robin, and nearly killed Nocturna, before Batman and a revived Catwoman intervened. That was mostly in the next issue of Batman, where Robin put the severely injured Nocturna in a hot air balloon, which seemed to get blown up by Crisis energy. Don't ask me "why?" It's all too messy to get into.

I wasn't reading Batman comics in these years, but some of my friends had copies that I'd toss through on occasion. I was always intrigued by that alabaster goth girl, but nobody in my circles to this day ever brings her up, and I rarely feel the need to cross the Crisis boundary on DC icons. These comics were selling less than 70K a month, an attainable number even today, and this interminable soap opera couldn't have helped. I've read biography pages on Nocturna several times, but my eyes always glaze over at the twists and turns, the finer details soon forgotten. Only the Psycho-Pirate could remember all this junk, which is probably why we don't talk about Nocturna. But boy, somebody really should reprint those Green Arrow & Black Canary back-ups with the Jerome K. Moore art. They're worth recollecting.

"Still Beating" was by Doug Moench, Gene Colan, & Robert Allen Smith.

Action Comics #595 (December, 1987)

Silver Banshee walked the streets of Metropolis, killing men indiscriminately as she searched a series of local bookstores. After one policeman under Maggie Sawyer's command was killed, and another nearly so, Superman finally showed up... only to die himself. Various parties, including members of Justice League International, mourned his loss. Black Canary and the Batman believed that someone should address the situation, while the Manhunter from Mars insisted, "Something must be done!"

Lying in state, Superman's ghost lifted from his glass encased body, stating "I have been cut down before my work was done! I must finish what I set out to do. Only then can I rest. Beware, Silver Banshee! Your time of judgment is at hand!" Jimmy Olsen had trailed the villainess to another bookstore, and nearly doomed himself when Spectral Superman showed. Once her powers failed to effect his immaterial form, she blew herself up trying to destroy him with her Banshee cry. Only after did a living Superman reveal himself, while his "ghost" resumed his nat-- er-- typical Martian form.

The Sleuth from Outer Space had deduced that there was a visual component to the Silver Banshee's powers that prevented her from killing someone that she couldn't accurately identify. The Kryptonian form held up better than human victims, but Superman was still placed in a deathlike coma state until the Aien Atlas jumpstarted his brain with undefined "mental powers." It's a huge stretch that doesn't stand up to scrutiny, since she'd killed multiple unidentified dudes, but Perry White lampshades it with "Well, I guess that's a satisfactory explanation... at least it'll have to do if that's all we're going to get." Still, they played fair by announcing J'Onn J'Onzz's presence earlier in the story, and allowing him a showcase for his detective skills.

"The Ghost of Superman" was by John Byrne, with Keith Williams. Crisis on Infinite Earths had ended with 1985, but it took until June of the following year for "Whatever Happened to the Man of Tomorrow?" to wipe the board clean of Pre-Crisis Superman. Then another four months later, John Byrne used the oldest but "spare" of his two Man of Steel titles to continue the team-up format of the recently canceled DC Comics Presents, beginning with #584. I'm fuzzy on when I started picking the title up, but most probably it was with this issue, so it would have been nice to already be familiar with Martian Manhunter for the reveal. It was apparently the first appearance of Silver Banshee as well, though I could have sworn she'd made an earlier one. Obviously she was super cool, and a fairly strong addition to the rogues gallery, so it's disappointing that she's been more or less relegated to a second hand Supergirl foil. Kal-El's so powerful and so visible that he really can't spare someone so formidable, just because neither Banshee or his cousin possess a y-chromosome.

Booster Gold #22 (November, 1987)

Michelle Carter, the sister of Booster Gold, was tooling around in the Goldstar super suit when she was blasted out of the sky by aliens. These were invaders from Dimension X, who had tangled several times with the Teen Titans in their early days. The aliens and would-be heroine had only happened upon one another, but the aliens saw an opportunity to drain her suit as a power source to help them transport their armies to Earth. Booster Gold soon set about tracking her down, but while getting the lowdown from Wonder Girl, refused the help Titans to hog any glory for himself. However, once he encountered the aliens, he was faced with the choice of either saving his sister, or 38,000 spectators at a Minneapolis baseball stadium (Google tells me... Twins?)

Booster Gold sent his flying robot companion Skeets to free Michelle, then called on his new teammates in the Justice League International to stop the giant gray horned monster in Minnesota. Booster griped about how long it took for the JLI to arrive, and they countered with basically "what part of International did you not understand?" Plus, y'know, the Titans could have already gotten there, y'feeb. The giant is an artificial construct made out of a doughy, energy-resistant substance, so direct attacks were fairly useless. At one point, the team is saved by Booster's force field, and another time Mister Miracle helps them escape. It's very weird to see Miracle carrying Martian Manhunter to safety, and in fact this whole debacle relies on tying the JLI's hands behind their backs to make the hoary aliens and Booster look better. Green Lantern Guy Gardner's recent brain trauma is used to keep him out of the action entirely, while Captain Atom's quantum powers are unusually limp against Dimension X, conveniently. The Alien Atlas is reduced to strength, eye beams, and flight (when not being held by Aero-Discs?) and generic teamwork lines. As least as leader, J'Onn J'Onzz comes up with the decisive play: Captain Atom burns a small tunnel, Manhunter holds it open with his regular, non-elongated hands, and Booster Gold flies into the cavity. Once inside, Gold expands his force field until the creature bursts into goo sprayed all over town.

It feels like word came down while the issue was being worked on that the title had been cancelled. For reasons, the JLI vacate the story, Booster Gold returns to his sister, and those pesky reasons also meant that Michelle Carter's very life force had also been drained with the independently powered super suit. The siblings have to team-up to stop the alien invaders, but a stray power line hits Goldstar and disintegrates her. Then the JLI attend her cliff side funeral, and Doctor Fate sends her tombstone to a dimension where it will be untouched by time. That was... abrupt. "Tortured Options" was by Dan Jurgens & Ty Templeton. I bought the first issue of this book because an ad promised me a free button with purchase, not realizing that the offer wouldn't be honored at a Circle K. He had an okay costume, and it was nice to get in on the ground floor with a new hero, but I basically hated the guy from jump. Materialistic narcissist showboat is a good mixer for a shared universe or super-team, but I don't want to read a whole book about that guy. I didn't realize it then, because the whole package was so bland an unappealing, but that issue would be the start of my long time disdain for Dan Jurgens. He's done good work, I won't deny, but on average I find reading his stuff to be a tedious chore. This story was a perfect example, strongly recalling his own mostly miserable run on Justice League America, as a bunch of characters he has no feel for make too many utterances in a chaotic fashion that is supposed to have some sense of humor or characterization that is absent. Just overeager placeholder balloons that never got needed revisions. I needed to skim through a few issues around this one to get a better sense of what was going, but planned to read this one cover to cover, and just couldn't. I quit trying partway through page 14, when the JLI exits for some contrived reason, and I couldn't tolerate the lame dialogue anymore.

Doctor Fate #1-4 (July-October, 1987)

Doctor Fate is sort of like if you combined Merlin with Lancelot for the super-hero set, as the wizard/knight battles the forces of capitol-c Chaos from the Golden Age to the present. However, the toll has prematurely aged the human host of the Lord of Order, Nabu. Kent Nelson is dying, his wife Inza is already dead, and the other Lords of Order have decided to write-off the current existence to speed up the cycle of waxing darkness eventually turning back to light. Nabu refuses to comply, and has already picked his next host. As with Kent Nelson, Nabu has prepped a preternaturally mature and mystically adept 10-year-old boy for the role. Things debatably go awry for Eric Strauss, who is insta-grown into an adult, but captured and institutionalized by bad guy Typhon and his own human host, Doctor Benjamin Stoner. It does serve his stepmother Linda well though, as she'd felt "demented" over her romantic feelings toward the boy-turned-man, and that had led her to team-up with Kent Nelson to rescue the now strapping young lad. The experience also made Eric finally ready to embrace his new role (though not yet his-- er-- mama? In the '70s jive sense?)

The connection to Justice League International is modest, and takes place in the third issue. The Helm of Fate was compromised, and donned by Stoner as he created barely elaborated upon global havoc in service to Chaos. The Phantom Stranger aims to address the matter of this "Anti-Fate," using JLI members Batman, Green Lantern Guy Gardner, Mister Miracle, and Martian Manhunter as pawns against the new, evil Dr. Fate. The front half of that line-up appeared to die violently in the attempt, but Martian telepathy knew otherwise, and urged Mr. Miracle to relent in further pursuing the matter. Before being teleported away, the Sleuth from Outer Space assured, "We haven't failed. We're doing what we're supposed to do." Spoken like a career jobber. The Phantom Stranger served similarly, seeming to perish while biding time for Eric, Linda, Kent, and especially Nabu to get their acts together. Eventually, a gestalt entity of the Strausses is required to form a new Doctor Fate, who reclaims their mantle, and exorcises Typhon from Stoner. Kent Nelson moves on to the afterlife, but Nabu retains use of the body, to mentor the Strausses.

Without doing any research, my guess is that Doctor Fate was given a mini-series mostly as a "bold new direction" spin-off from Legends, with a side benefit of supporting and expounding upon the Justice League relaunch (arriving between #'s 3-4.) My first significant exposure to both Fate and Keith Giffen was in a back-up from The Flash #308, the only issue of that volume that I bought new, owing heavily to the novel parallel narrative of the lead feature (with wildly enhancing inks of the little-remembered Dennis Jensen over the usually repellent Carmine Infantino.) My uncle was a big Doctor Strange fan who'd left me dozens of his non-Brunner/BWS issues, so it was kind of neat seeing that type of metaphysical action rendered in a style owing more to Kirby than Ditko. Not enough to get me back for more, but I did buy the Super Powers Collection action figure with its own mini-comic. Doctor Fate is one of those characters that DC sees no inherent appeal in, despite the original version having a lot going for it, so they've spent most of my life selling me lesser variations on the basic premise. I certainly count this incarnation under that heading, despite a very different incarnation of Giffen's involvement-- more or less my favorite version of Keith. David Hunt's inks are fine for the most part, but leave something to be desired at times. J.M. DeMatteis would continue solo into an ongoing series, ditching the more ominous quality here to be a quirky companion title to JLI. I'm glad to have finally knocked this one out after all these years of putting it off, and it was quite easy compared to The Weird, but neither are staying in my collection now. I did like Giffen's visual take on the Alien Atlas, though.

The Weird #4 (July, 1988)

The Weird was aroused by Batman, who was looking for a way to stop Superman; who was laughing off being double-teamed by Martian Manhunter and Doctor Fate; and Nuklon; who was taking on everyone else (including Guy Gardner, whose head will apparently be wrapped in gauze for 75% of this mini-series.) As one would expect in a Starlin book, The Weird recaps the prior issues of the mini-series, which offers the Dark Knight no clues as to how to defeat the Macrolatts that have possessed his super friend, and also Nuklon. So that's 7 pages of 38 down. The duo of possessed metahumans defeated the rest of the present heroes and lay waste to just enough of Metropolis to look like something out of Akira, but somehow not enough to rate any future mention or leave any trace that won't be cleaned up by the next Superman comic. Also, The Weird had a big speech about how the only way to save this reality was to prevent the Macrolatts from ever reaching it, so The Weird won't waste the remainder of his existence (measurable in hours) on a futile gesture. The Caped Crusader chided, "You may look like a man, Weird. But you've got a lot to learn about actually being one."

Page 16. The Weird kneels before the Macrolatts, speaking to the error of his ways and promising to tell his masters of potential threats to them in this realm. If there were any actual threats, they weren't shared with Batman, so we'll give him the benefit of the doubt that he played indignant before being slapped down by the Weird to help sell the lie. The Macrolatts are so arrogant as to be offended by the idea that anything could threaten them, and smack the Weird around before he fully surrenders, ostensibly to allow them to drain him of all his knowledge and power, ending on a twelve panel page of the possessed heroes slowly reaching toward Weird. Pages 22-24: The Weird reaches into Superman and Nuklon's chests with his variable density powers, pulls out a Macrolatt in each hand, and destroys them both. Well... that was a swift and convenient reversal of the story as told.

Oh, there's still 16 pages to fill? Super studies show that nothing can be done to save The Weird. He spends three pages building a small island as a monument to himself. Superman flies Billy Langley to the island across one page, and it's revealed in the opposing splash. Kind of looks like a sailing ship. Walter Langley's son is somehow meant to make it to this small personal island to play on a mostly barren rock whenever he feels lonely. The proposed logistics of that are the weirdest thing in The Weird. They hug, and then Martian Manhunter is stuck with the thankless task of flying this sobbing child back home to the mother that refused to visit, but was totally cool with allowing her son to fly off with Superman to parts unknown. I do wonder if there was some symbolism in the roles, but most probably J'Onn just got the **** detail, so Superman and Guy Gardner could fly off to unpopulated space to watch The Weird explode. I'd like to say Guy was the only Green Lantern dumb enough to risk it, but they're all so "confident" in their power rings, aren't they? The Weird does blow up a significant distance away, so I guess that explains why an energy bubble wouldn't have contained it. Superman, the Kevin Smith of super-heroes, sheds a tear at his passing. Even Guy looks a bit choked up, or maybe it's like how someone puking makes you want to puke, and Guy is just worried for his tear ducts. The final page is a somber distance shot of the island at sunset.

"...Armageddon" was by Jim Starlin, Berni Wrightson, & Dan Green. Well... that sucked. I liked Batman: The Cult when I got it a few years later, and almost ordered the new edition that's coming out, but I didn't like the production work on display. I mention that because I'm a lifelong Starlin fan, and I'm glad that he produced a script worthy of collaborating with Wrightson at some point, but this wasn't it. All the stuff with the father and son was unearned, because instead of developing that relationship to have any independent weight, they Zarolatted and punch-faced us. I can't remember if they bothered to name the wife/mother, but obviously the story didn't care any more about her than we did once it was done. This feels more like an outline than a complete narrative, and at least twice as many pages of art were produced than were needed to tell this basic of a story. Frankly, it was too obvious and unadorned to even earn its given name. The Lame would have been more honest. At least I got to see Wrightson draw the Alien Atlas, I guess?

The Weird #2-3 (May-June, 1988)

Smarmy TV news reporter undermines heroes and wonders aloud about The Weird. The remains of Walter Langley show off "his" powers for "his" son, then explains the basic cosmology of the story. Macrolatts are oppressive energy vampires who seek to expand their empire to our reality. Zarolatts are passive beings who are fed upon unto nonexistence by Macrolatts. Going straight from one reality to another means destruction, so the Macrolatts seduced homicidal narcissist loser Jason Morgan into transforming into a being capable of creating a bridge that would allow them safe passage. The Weird's proximity to these events while being fed upon gave it access to these events and a means of escape through the initial bridge, and its growing power is in service to its conviction toward the newly learned concept of freedom. Returned home, Billy Langley keeps all this from his mother.

"The Jason" found his failed businessman father's body hanging when he was four. His mother turned to the bottle and maybe prostitution before Jason found her body in bed after one of her gentleman callers took a razor to her. Despite being an impoverished orphan who was academically lax and had no prospects, Jason's belief that he was better than everyone else held fast despite his poor social skills, being an incel, living on the streets, doing a stint in prison for the violent assault of a woman, and eventually ending up a garbageman. He was primed to turn on humanity, ready to believe anything the Macrolatts told him if it meant power, and using it to take murderous advantage of at least one woman victim. Although held captive for a time, The Weird eventually freed himself, and at great personal distress, determined that the only way to stop The Jason was to snap his neck.

The Weird played hide & seek with Superman for fourteen continuous pages in one issue. The Justice League looked on throughout a couple of issues as The Weird had entanglements with other, more powerful beings. "Unbelievable! Not even J'Onn J'Onzz's incredible strength seems able to put a dent in that barrier." Nor Captain Atom's quantum energies, not Green Lantern Guy Gardner's power ring, nor Doctor Fate's mysticism, et cetera. Even after witnessing The Jason's execution, they mostly offer disapproving glares. Well-- that and an order from the Dark Knight to the green one. "It was just as you predicted, Batman. My powers of invisibility caught him completely by surprise." Unable to adapt in time, The Weird took two blows and a hard tumble. Unfortunately, two Macrolatts had escaped to possess Superman and... Nuklon? I guess for his variable density abilities, but yeah, not the guy you'd expect when you have all these powerhouses in Metropolis and Infinity Incorporated is all the way on the West Coast. Also, there was a whole bit about how The Weird had taken over a corpse rather than displace the life energy of a host, so by the rules laid out in the story, both these guys should have died.

"Questions" & "Confrontation" were by Jim Starlin, Berni Wrightson, & Dan Green. These single word narrative direction story titles speak to the reductive nature of the mini-series. Each issue has a few points to check off on a predictable agenda, and the rest is just vamping to fill out space. The art has its moments, but I think everyone involved would have benefited from the space being cut in half. It reminds me of when George Pérez quit Infinity Gauntlet midway through because he was sick of drawing fight scenes where a bunch of people gang up on Thanos and lose. So much of this series involves powerhouse DC heroes floating impotently outside energy fields or getting slapped around by what ultimately prove to be nothing characters, for clout more than narrative necessity. It's all so cheap, pointless, and passionless-- a purely commercial venture that nonetheless can't conceal its distaste toward its own existence. Anyway, I got through the second issue after coming home from HeroesCon, realized the Alien Atlas wasn't in that one, and decided we'd just double up on issues for the following week. This would keep, especially since I have to do my own scans on this thing.

The Weird #1 (April, 1988)

A fit blond white man with roughly half his physical form replaced by a jagged green crystalline substance sat cross-legged on the bathroom floor in his apartment and conjured an atomic energy form. This was an intended "bridge" for his "friends." A red gem of similar coarseness to his own body began to form in midair, but then an energy escaped it, leaving the gem to crumble away. The man, Jason Morgan, was shocked and dismayed.

The small energy ribbon hovered in the sky above Metropolis, and Superman investigated. The energy had no atomic structure-- no mass-- but when the Man of Steel passed his hand through it, he was knocked back three miles. By the time he flew back, J'Onn J'Onzz and Captain Atom had arrived to observe the energy. An hour later, there was a military cordon and a No Fly Zone, then the new Justice League were on the scene. Examinations through varied disciplines were attempted, including a science team on The Bug aircraft consisting of Blue Beetle, Batman, Black Canary, and more. When Doctor Fate's mystics were stymied, Green Lantern Guy Gardner attempted to probe deeper with his Oan Power Ring. An energy surged knocked out Gardner and blacked out the Bug and city as a whole.

Two probes were fired off by the energy ribbon in opposite directions. One was pursued by Superman, as it passed immaterially through a genetics lab's fluid beakers and into its complex computers. The other was followed by Manhunter to a funeral parlor, where the Martian met repeated resistance in contrast to the immediate aid and trust conferred upon the Kryptonian. The energy went into a service in progress, and caused the body of Walter Langley to vanish as mourners looked on in shock and horror. The probes reunited with the core energy, and the gathered heroes watched as the borrowed elements slowly coalesced into a new physical body of a lanky adult male in a queer red and black garb. Super senses detected that this being was not quite right, a sort of cosmic Frankenstein made up of misfit parts that were not quite human. The being collapsed into unconsciousness from the effort, and was taken to S.T.A.R. Labs for testing. Super senses determined that the Weird being, as dubbed by Blue Beetle, was molecularly unstable to a degree that its energies threatened a detonation that could destroy the Earth.

The Weird awakened and assisted upon attending to tasks that "he" refused to take the time to explain to the super-heroes, who attempted by failed to detain him/it by force. The Weird had its vibratory patterns thrown off by the proximity of the super-beings during its maturation period, which had altered the form in unexpected ways. This allowed The Weird to unintentionally push the Alien Atlas across a room, although the Manhunter fared better in a follow-up physical altercation than most of the rest of the League with their varied abilities. Regardless, the Weird at least briefly laid low everyone but Batman, while Superman had left prior to the fight to correct a compromised passenger jet's flight elsewhere.

The Weird sought out "The Jason," the half-crystal man that had been conjuring earlier, but found only his empty apartment. It/he declared the Jason to have a "dark and twisted nature" that would see him pursue world domination. However, a misalignment of the harmonic vibrations in the apartment would prevent Jason Morgan from attempting another inter-dimensional bridge for 18 hours, so the former Walt Langley had some time to kill, The Weird retained some of Langley's memories and motivations, causing him to visit Walt's former home. His widow, Eva, bemoaned his fatal mugging and the scene at the funeral parlor. "I don't care what the police say, I'm sure it's all the doing of that terrible green man." Meanwhile, in the back yard, young Billy Langley recognized his visiting father, even in this altered form...

"Conception" was by Jim Starlin, Berni Wrightson, & Dan Green. Following by introduction to Justice League International with their eighth issue, my reintroduction to the Man of Tomorrow via John Byrne, and a broader exploration of the Post-Crisis landscape moving out from the Millennium event series, I was a target audience member for The Weird house ads. However, I don't know when I had access to individual issues, and do know that I only read the first issue at some point after the final one. Neither experience was satisfying, and I won't know if I ever bothered with the meat of that story sandwich until I move on to covering the second installment. One quarter of "The Studio" and the crown prince of cosmic comics were long time friends who would prove a formidable pairing... on Batman: The Cult. This excessively long warm-up session noodles for 38 pages of heroes impotently watching stuff, then getting trashed by the second in a series of very powerful but rather boring sci-fi/magical Mister Spocks based on the visual template of Syzygy Darklock. I do like though that both Starlin and Wrightson are clearly a more comfortable fit on the Sleuth from Outer Space over Superman. Wrightson seems to relish his dark, exaggerated features over an off-model Man of Steel, with a broad flat nose and thick lips suggesting a less Caucasoid interpretation of the Manhunter, with the strongly implied prejudice that goes with it. I do wonder if Grant Morrison was influenced in his views of J'Onn J'Onzz here (and I think that's the only name he's been referred to in the issue.) Also, Wrightson's horror background gives the takedown of the heroes a more ominous quality than the story would seem to dictate, a sort of accidental element of interest in what otherwise feels more akin to a Radio Shack rudimentary science edutainment giveaway. The issue is way too long to accomplish so little, and I do wonder if this was initiated as a prestige squarebound mini-series for more niche audiences that was either determined not to rate the expensive ask, or was diverted to take advantage of the JLI's building heat on the newsstand.

Lovens Vogtere Nr. 4 / Med Super-Klubben Nr. 32 (1988)

"But you know what the funniest thing about Europe is? It's the little differences. I mean, they got the same stuff over there they got here, but, it's just, just, there it's a little different. You know what they call a Justice League in Copenhagen? Lovens Vogtere." I may be paraphrasing. Run through Google Translate, that yields "Guardians of the Law," which I guess is in the ballpark? Based on my experience while visiting comic shops, the League didn't quite catch on in Denmark like it did here. As best as I can tell from internet searches and observed back issues, the League only ever received a couple of very brief runs under the publisher Interpresse: five issues in 1968 (sharing space with Supergirl & Grønne Lygte Hal Jordan,) and four issues in 1988 that collected more or less the contents of Justice League: A New Beginning (JL International #1-8.)

Faraos Cigarer was easily the friendliest, most elaborate and well stocked comic shop that I visited in Copenhagen, and they had much of the first run. Had I known that there were only five total, I may have considered springing 1500DKK ($224.27) for Nr. 1 when I saw it locked in a glass case behind the front door. I did get the Ill Mac the Kr. 60.00 Super-Helte Alliancen Klassiker Nr. 4 / Med Marvel-Klubben Nr. 51 (1984) with the black & white reprint of Avengers #100 and Thanos' debut in Iron Man #55 (don't tell Mr. Fixit!) If you can believe it, Avengers comics were even less in demand than Justice League ones, and I only found two total, one existing only because it reprinted a two-part Spider-Man guest appearance.

Both the DC and Marvel comics were published by Interpresse, at least until about 1990. That's where the Super-Klubben / Marvel-Klubben comes in, because most any DC reprint had a Superman shield on it, and the Marvel ones had a Spider-Man web. While the indicia indicates Lovens Vogtere as the title, a second title/number on the cover seems to indicate that a lot of these series were like Dell Four-Color, essentially a revolving reprint anthology with its own overarching numbering system. The four "Lovens Vogtere" issues weren't even consecutive, cover-noted as Med Super-Klubben Nr. 20, 24, 28, & 32. I'm guessing it was a weekly release that made the Lovens Vogtere installments a de facto monthly. Based on my research, these four issues (or 7 U.S. comics) may be the only Danish-language versions of this series.

Clearly, the final cover of the single issue I found was derived from the comedy classic "Moving Day," though the colors are much less vibrant and more peachy. Justice League International #7 was an extra-length 38 page story, involving an 8-page coda to the Gray Man story arc. That part is not included here, picking up with page 9 and titling the rest "Forberedelser" with new Lappan-esque lettering credited to John Lysmand.

There are no ads anywhere inside the comic, but at the center-spread the story pauses briefly for a Captain Atom Who's Who entry, and then a blurry, slightly-overblown reprint of the U.S. cover to that issue. After the final five pages of the first tale, "Flyttedag" begins at the turn of the page. Both of the inside covers offer black & white letters columns punctuated by S-Shields and a tiny Byrne Superman. The only advertisement is on the back cover, a monochromatic orange Modesty Blaise ad with red lettering on the logo.

I've still got about a foot tall stack of these comics, many bought as gifts that I haven't had the chance to give yet, and a few as "investments" that I couldn't resist (more because it would bug me to leave them behind and less any actual intent to sell.) There will be a few more Martian Manhunter specific ones when we get to the 60th anniversary, but I've been so lousy about posting lately, I wanted to give ya'll something a little special this time. While not the biggest Alien Atlas adventures, this edition does contain "Moving Day," probably the first comic story I read where J'Onn J'Onzz stood out as a character to watch (and laugh with.) An early favorite!

Podcast- War of the Worlds, 1984

Episode #37

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Martian Manhunter in...

• Justice League of America #228 (July, 1984)
• Justice League of America #229 (August, 1984)
• Justice League of America #230 (September, 1984)

We enjoy dialogue on the red planet, so here are our non-telepathic contact options:

• Tweet host Diabolu Frank directly, or probe @rolledspine as a group.
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Justice League of America #230 (September, 1984)

The breathable air was sucked out of the environment within the JLA Satellite. Bel Juz convinced The Marshal to have his warships destroy the space vessel that caused the explosive decompression aboard the satellite before it could get too close... and Martian Manhunter could be positively identified, to prevent his potential martyrdom. Hunter Commander J'en overheard their conversation while eavesdropping aboard the command ship "The Vengeance," but could only look on in horror as her former lover seemingly died a second time before her eyes. The Hawks' Thanagarian Star Cruiser had been completely obliterated by laser fire, leaving no trace. The Chairman of the Presidium of the Supreme Soviet, Konstantin Chernenko, swayed President of the United States Ronald Reagan to deploy their combined nuclear capabilities against the Martian armada. Nine key international military bases had already been leveled by the invaders. All was lost.

Well, about that. As demonstrated by J'onn J'onzz before his departure, the League had specialized space suits aboard the satellite that allowed the heroes to use their powers while protected from the ravages of space. The League ambushed Martian troops that explored the disabled satellite. Hawkgirl and Hawkman had maneuvered their ships' warp drive to evade fire and retaliate. J'en wielded her credentials and the stun setting on her pistol to take out three members of the Soldiers of the Red Brotherhood. Stealing a scout craft, she found that J'onn J'onzz had once again been miraculously thrown clear of his ship before its destruction.

When roused, the Sleuth from Outer Space was relieved to learn that the full attack upon Earth had not yet begun, and that there was yet time to stop The Marshal. J'en still believed in her leader and their mission, drawing her pistol on J'onn, who despite no outward resistance insisted that she would have to kill him. Tearfully, J'en let go of her quest for Martian glory, as well as the grip on her laser. Just as the Hawks prepared for their final stand, The Marshal placed his order. "This day, we will write in fire on the pages of Martian history. Technician, open a channel to the entire fleet-- I wish to speak to all my warriors."

This was the moment the Manhunter from Mars, having made his way aboard The Vengeance, had been waiting for. The challenge of a duel, before the entire Martian force, who could already plainly see that J'onn J'onzz had not fled like a coward, as their commander had claimed. Bel whispered, "The eyes of the fleet are upon you, my leader! Kill him now, prove him a weakling, and you are untouchable!" The Marshal literally ripped off his shirt and assailed the man he'd framed as a traitor. Despite his genetic enhancements, the Marshal struggled against his foe, and used an invisibility technique outlawed for a millennium in duels of honor. Bel insisted, "What matter? The Marshal is above the law!" After more blows were traded, the Marshal tried to two-handed choke J'onzz to death, but the Alien Atlas picked him up by the midsection and smashed the militant head-first into equipment, leaving the Marshal out cold. Bel Juz defied this result, grabbing a pistol from a soldier with the intent to kill J'onzz herself. However, Firestorm had recovered from his last brush with Martian muscle and pursued the Manhunter, only to use his powers to save J'onn from Bel's blast.

J'onzz ordered the armada back to Mars II. The Soviets and the U.S. stepped back from probable nuclear winter. All seemed to be right, except the fleet would be leaving short one Martian Marvel. As Aquaman observed, "His people don't want him... His presence would be a constant reminder of their humiliation... J'onzz showed them that they'd sold their hearts to a madman and coward. The Marshal betrayed their faith in him... but J'onn J'onzz forced them to face reality... and that's something a nation can never forgive...

"The Concluding Chapter: War of the Worlds 1984: Part Three: Blessed Is the Peacemaker" was by Gerry Conway & Alan Kupperberg. While not as embarrassing as to be defeated by the slighest hint of a flamable, the Martians regardless proved pushovers when faced with non-powered heroines in fetish gear kicking them really hard in weightless space. I still like this story, and love the Patton/Giordano covers, but the illogic and mere lip service paid to stakes make it fold before the slightest critical analysis. None of this material makes it into Post-Crisis continuity, so my buzz over the observance for Bronze Age Martian continuity is further harshed by none of this having "happened" in canon going further than a year out.

Justice League of America #229 (August, 1984)

Probably more sore about being manhandled on the Martian Marvel's previous visit to Earth during his JLofA tenure than because of legitimate concerns, Firestorm let J'onn J'onzz know he would be keeping an eye on him in the event of a double-cross. "If you believe that, we have nothing more to say." The Martian invaders had destroyed most of a space shuttle orbiting the planet, and the pair of heroes were dispatch to address the remains. Too weak to control the nose cone where three surviving astronauts hid, the Nuclear Man cursed the Martian for imperiling them, but managed to salvage the attempt with his matter restructuring abilities. Upon return, Firestorm was still finger-pointing, and Zatanna chastised him for it. The Thanagarians vowed to stand by Earth until the end, and when military police showed up to round up all "ETTIES," Firestorm's defense showed that his prejudice didn't extend past J'onzz.

Then-President Ronald Reagan apologized to Aquaman for the incident, and explained that world leaders were intent on pushing back against the Martians. Both men bemoaned the unexplained absence of Green Lantern, The Flash, Wonder Woman, and Superman, a too-common recent trend. Elongated Man reported that one silver lining was that he was seeing people around the world unite as one against the extra-terrestrial threat.

Aboard his warship, The Marshal expressed his confidence to his lover and confidant, Bel Juz, in her first appearance in a dozen years (and second overall.) She expressed doubts... that the Marshal should have slain J'onzz already, and whether his bravado masked insecurity. When the U.N. Secretary* announced the world's rejection of the Marshal's terms of surrender via satellite television broadcast, the furious fascist admitted as much. The overall resistance was not a concern so much as the rival in their midst. "I had to send my personal guard after him... because too many of our warriors are still loyal to the J'onzz mystique... You know the man, Bel Juz. You recognize his charisma." Indeed, she feared her own betrayal of the Martian people would eventually be uncovered by the Sleuth from Outer Space, taking on the Marshal and encouraging his coup as a means of protecting herself... even if it meant worlds at war.

The Martian strike was swift and unprecedented. They had somehow managed to accumulate hundreds if not thousands of interstellar attack craft with invisibility, allowing them to ambush the Hawks' Thanagarian Star Cruiser, the JLA Satellite, and numerous key cities around the world simultaneously. Terrestrial weapons were useless, and the League's base was left shattered. Challenger, in golden battle gear, boarded the remains in search of survivors. There were in fact no casualties, and though the robotic Challenger battered Aquaman, its was taken out by a single "wall-smasher arrow." Firestorm still distrusted the Manhunter, and took out a trio of actual Martian invaders while searching for him. Finding J'onzz donning a spacesuit, the Nuclear Man assumed the Alien Atlas was abandoning his allies. Silently swatting the nuisance aside, the Manhunter climbed into a League spacecraft, fired upon an exterior wall, and flew off. Firestorm was left to fend for himself in the ensuing explosive decompression.

"War of the Worlds, 1984: Part Two: Bitter Ashes" was by Gerry Conway, Alan Kupperberg, & Pablo Marcos. Going back to his underappreciated Blue Devil run, Alan's been my favorite Kupp-brother, and a welcome relief from Tuska. It's still jarring how completely Challenger was redesigned from one issue to the next, but I'd assume the second pass was closer to the desired vision. Maybe The Marshal had a point about needing to take over, since the last time we were on Mars II, his people were still living in tents waving swords, and now they have an entire armada? As for J'onn's pronounced charisma... I wish that had been present enough in any of his solo series to have kept any of them going for longer than a few years. I do like this story, especially its rare care for Mars II continuity, but it needed more room to actually demonstrate the Martians as the threat they're spoken as. Plus, all those Marshal monologues undermine the attempt to create any doubt in the reader's mind about the Manhunter's loyalties.

* Technically it should be the Secretary-General, who in 1984 was Javier Pérez de Cuéllar, although perhaps they got confused and thought it was his eventual successor, Kofi Annan?