Showing posts with label Marco Xavier. Show all posts
Showing posts with label Marco Xavier. Show all posts

Monday, September 29, 2025

The Vile Menagerie: MARCO XAVIER

Alter Ego: Marco Xavier
Occupation: Playboy; Sportsman; Crime Czar
Marital Status: Single
Known Relatives: None
Group Affiliation: Vulture
Base of Operations: The Mediterranean
First Appearance: House of Mystery #160 (July, 1966)
Height: Approx. 6"
Weight: Approx. 170 lbs.
Eyes: Dark
Hair: Black

History:
Little is know of the past life of the wealthy mystery man, Marco Xavier. Behind the high iron gates of his posh Mediterranean villa, he lived alone, with neither friend nor relative. Called by some a "very stubborn... lone wolfer," Xavier maintained his fortune by working with illicit operations, but never as a dedicated member. Still, his reputation of being reliable in performing "extra-legal chores" was "well known in underworld circles." The internationally famous playboy was eventually linked to such shady figures by a special security department, which in fact appeared to be their only lead in investigating the most sinister criminal organization on Earth, Vulture. Mr. Steele brought in J'onn J'onzz, the Manhunter from Mars, to pursue this lead. However, as soon as the Alien Ace began observing Xavier, he bore witness to a seemingly fatal car accident, as the playboy careened through guardrails on a winding mountain road and plunged to a fiery explosion below. Thinking quickly, the shapeshifting Martian assumed the guise of Marco Xavier, dangling from an outgrowth to be "saved" by local authorities.

Xavier appeared to have at least one named servant, a gentleman named Jeffers, who ushered in agents of Vulture to meet with "Xavier" the morning after the accident. Despite the assertions of Mr. Steele, Xavier had a highly desirable number of associates and friends, whom Xavier would be paid to spy upon or otherwise sabotage-- among them, notable magnates such as Apollo Magnus, Miklos Agar, Aldo Szuzi, and Pierre Carré. Marco Xavier appeared to have been quite the ladies man, often followed by a "bevy of beauties;" from doting socialites to dating secret agents, who he referred to frequently as "chicks." These assets seemed to help the faux Xavier maintain high value with the Faceless leader of Vulture, Mr. V.

After some time with J'onn J'onzz active under the guise of Marco Xavier, assisting Vulture in various plots, he received his final assignment. Manhunter/Xavier stole "the ultimate weapon" prototype pistol from The Carré Company, swapping it for a replica, but the deception was soon detected. Marco Xavier was finally wanted by the police for a specific crime, limiting his usefulness to Vulture, who still owed him a million dollars for the heist. After repeatedly evading authorities, Manhunter/Xavier was picked up by Vulture operatives, and taken to a tiny island on the opposite side of Mediterranean from his villa. This was a different location from where the pistol had been taken, and another high-tech underground Vulture base, which explained why the Manhunter had not detected it in prior surveys.

"Xavier" was led to Mr. V, who unmasked to reveal "Faceless" as Marco Xavier. Supposedly, one of Vulture's men had posed as the gendarme who had pronounced Xavier dead after the accident. It was declared that Vulture had been toying with the Manhunter from Mars the entire time, until they could deduce his secret weakness of fire. This Marco Xavier had continued the masquerade until he could lure Manhunter into "the perfect trap!" Rather than simply roast the Martian alive, and apparently "insane with power," this Xavier targeted Manhunter with the purloined prototype. It immediately exploded, wrecking the Vulture base, and presumably killing Marco Xavier before the Manhunter's eyes a second time.

Quote: "HA-HA! And now, while there still remains a breath of life in you, I shall test the ultimate weapon-- on my favorite target-- you!"

Created by Jack Miller & Joe Certa

Sunday, September 28, 2025

Ivor Sandez

The killer Ivor Sandez was the personal "hatchet man" of Mr. V, and believed to be the only person in Vulture who knew Faceless' true identity. He was spotted by the Manhunter from Mars along a road near the posh Mediterranean villa of Marco Xavier, briefly stranded with his chauffeur as they experienced car trouble. The Alien Ace trailed Sandez to one of Mr. V's main headquarters in the mountains, but a Martian meteorite caused a body swap between Manhunter and the hatchet man. Ivor Sandez then decided to use his newfound Martian might to take out his grievances with the world, especially a Mr. V who "treated me like a dog-- ordering me around!" Sandez trashed the Vulture base, and J'onn J'onzz in Sandez's human body was blamed for leading Manhunter to the lair. While Mr. V was presumed to have vacated the site, Ivor Sandez continued his hate-filled rampage across the Mediterranean, while Vulture agents were under orders to shoot the human "Ivor Sandez" on sight. The day was saved by Manhunter's visiting other-dimensional side-kick Zook, who used his freezing powers to quash the meteorite, which reverted the Martian and Sandez back to their normal bodies. The Manhunter then captured Ivor Sandez, which may have led to his final confrontation with Mr. V. Ivor Sandez appeared in House of Mystery #170 (February, 1968).

Saturday, September 27, 2025

Aldo Szuzi & Inspector Marchal

Aldo Szuzi is yet another obscenely wealthy old friend of Marco Xavier, but in this singular instance, he is also chummy with the Manhunter from Mars. While exhibiting ten million dollars worth of jewels at a fabulously posh resort of Deauville in France, "Senor" Szuzi had cause to expect theft. Despite detectives like Inspector Marchal being posted at every access point, Vulture brazenly stole the jewel case by air. A helicopter fitted with a crane had dome the deed, but Szuzi had also entrusted the Alien Ace with aerial assessment, who aced the whirlybird. Szuzi then announced a "big bonus for your favorite charity" and a ball the following week in the Manhunter's honor. The latter prompted Mr. V to entrust Marco Xavier with delivering a weapon into the ball for an assassin to use against the Martian Marvel. Aware of the plot via his dual Xavier/Manhunter identity, the Alien Atlas briefly shapeshifted into Aldo Szuzi to foil his own attempted murder, while allowing Szuzi to take all the credit for the feat of physical strength and prowess necessary to take out to murderous criminals.

Little else is known about Aldo Szuzi, but given that he was repeatedly referred to as "Senor" by his French associates, he is presumably of Hispanic persuasion. He is seen as gregarious and confident, has a robust figure, and usually smoking a cigar. Whatever their prior history, the Manhunter referred to "Aldo" informally in their sole published meeting in House of Mystery #164 (January, 1967).

Friday, September 26, 2025

Pierre

Pierre was a Vulture operative who worked out of a pastry shop front on the Rue Montville. Although his one story was initially set in Sweden, it seems more likely that it transitioned to France. Pierre even worked with a associate who superficially resembled Monsieur Ferreau. At minimum, Pierre was involved with the presentation of the robotic "Manhunter's Doom" to Marco Xavier, and had also paid the playboy a quarter of a million dollars in a briefcase for his role in determining the Manhunter's weakness to fire. Also, as with Monsieur Ferreau, we never saw this operative apprehended or his Vulture front shut down. Pierre appeared in House of Mystery #170 (October, 1967).

Monday, September 22, 2025

Monsieur Ferreau

Monsieur Ferreau operated out of the Lyons Branch of the international criminal syndicate Vulture, hidden behind a flower shop front, guarded by thugs. Under direction of the faceless chief of the sinister organization, Mr. V, Ferreau was tasked with briefing the international playboy Marco Xavier in a scheme against the Manhunter from Mars. Fearing Xavier's ties to multiple Vulture capers that were thwarted by the Martian Marvel might implicate him, and thus render him ineffective, Mr. V fed Xavier information to forward to the Manhunter on heists involving non-regular, expendable associates, in order to make Xavier appear to be on the side of angels. In this way, the Alien Atlas halted attempts to rob The Lyons Bank and The Montparnasse Museam, but soon realized that the easy busts were intended to distract the Sleuth from Outer Space while more consequential efforts were being executed elsewhere. With this realization, the Manhunter simply planned ahead and multi-tasked the downfall of both crimes. However, we do not see the Manhunter attempt to shut down the Lyons Branch or apprehend Monsieur Ferreau, so they presumably continued to operate beyond House of Mystery #167 (June, 1967).

Thursday, September 18, 2025

JLX #1 (April, 1996)

In my write-up for Amazon #1 (April, 1996), I went into a lot of detail about how the Amalgam Comics characters were not always, or even often, equally divided portions of two characters combined. Mister X is a perfect example of this, because he's almost wholly the Martian Manhunter, but combined with... stuff. The simplest equation is J'Onn J'Onzz + Professor X, which is truer of the sequel comic, 1997's JLX Unleashed #1, but still not. You see, Charles Xavier already had a much more important role in the Amalgam Comics scheme, Doctor StrangeFate. Marco Xavier is the X in Mr. X, and aside from shopping at The North Face over Turnbull & Asser, he was lifted whole from 1960s House of Mystery Manhunter strips. When the Amalgam story compels Mister X to reveal his true form, he's simply the Martian Manhunter with a big "M" stenciled over his right eye and down his face. That would indicate the X-Man Bishop, but he didn't turn up until a sequel mini-series where he was amalgamated with Superman. In several Marvel Comics parallel futures, mutants are branded in this same manner, although Mister X is explicitly not a mutant himself.

We have to look to the manufactured JLX letters column to get the real skinny. It notes, "When the rebel Skrull were driven from Mars by the Kree, one lone survivor fled to Earth. Any chance he could be the missing link to mutantkind's origin?" That doesn't entirely track with the narrative, but that skrull's role is confirmed by the book's editor. "And speaking of mysterious guys, what's the deal with this Mr. X? For years over in SLEUTH COMICS, he's been shown to be a ruthless power broker and master crook, but now he's the mutant's benefactor? Something weird has got to be up with that creep!" It doesn't sound like a villainous Mr. X would be starring in his own strip, so who exactly was he clashing with in the phony title? Was it like in House of Mystery where J'Onn J'Onzz and Marco Xavier turned out to be each other's own enemy, and if so, why wasn't that also referenced? Was Marco Xavier someone whose identity the alien replaced, or was it a construct that was always working toward the alien's interests. If this is all still mostly Manhunter from Mars myth, when does the Marvel come in?

Like Storm is Wonder Woman, there probably isn't a specific character that forms an amalgam with the Martian Marvel. Super-Skrull is the most well known member of the Marvel Comics shapeshifting alien race, but the only power that he possesses that the Alien Atlas doesn't is the ability to manifest and ensconce himself in fire. Now, most Skrulls just change their form, without the invisibility, elasticity, telekinesis, super-strength, or human torching. That last one is pretty key, and also, Mister X doesn't seem to have any of the personality or personal animosities of Super-Skrull. There are other Skrulls with exceptional powers, but are so obscure that they wouldn't rate an amalgamation with a Magnificent 7 member. Sadly, the Amalgam J'Onn J'Onzz is probably just Skymax, also known as the Skrullian Skymaster, who comes from the same parallel reality as the Squadron Supreme. Yes, Martian Manhunter rates so little consideration that they just made him the analogue of himself from the knock-off Justice League.

I've devoted so much space to the Mister X mystery (or lack thereof) because JLX #1 is mostly a plotless slugfest peppered with false continuity relations that I spelled out in JLX in The Amalgam Age of Comics: The DC Comics Collection (1996). The New Blood mutant members of the Amalgam JLA break their framed fellow Mariner out of jail, and the core Judgment League Avengers pursue them in the opening splash of the one-shot. It spoils the comic, frankly. Captain Marvel especially looks so good that I want to read the adventures of the JLA, not their genejoke off-shoot. As with Mister X, the JLX characters are largely bereft of any imagination or effort. Firebird and Mercury at least look like their DC counterparts, but everyone else appears (and more importantly acts) like the X-Men, in a story that reads like an X-Men comic. Mister X functions like Professor X, relying on his telepathy to communicate with and command his JLX. One nice swerve is that the combination of The Angel and Hawkman has been hiding his mutant status from the JLA, but Mr. X blackmails him into throwing a fight to give the JLX an advantage. They use the distraction to escape to Poseidonis in a leaky sub, where they are confronted by Will Magnus and his Sentinels. In that undersea battle, Rogue-but-brunette is nearly crushed to death, and Mister X has to assume his Skrull form to save her.

The alien has been revealed to friend and foe alike. He explains, "I am J'Onn J'Onzz. I am the last survivor of the Martian race known as... The Skrull. I have been hiding on your world for years with the aid of my shape-shifting powers. I know what it's like to be an outcast... alone. When I learned of mutants and their persecution, I saw a wrong that needed to be righted. And, too... I saw a community, one that might be mine... a place I might belong... at last." Not-Cyclops questioned why a non-mutant should lead the team, but Substitute-Mariner called out the bigotry and welcomed the help. Mister X's commitment to finding the lost birthplace of mutants probably didn't hurt. "Somewhere in this city there must rest the secrets of why the Atlanteans departed... and where they've gone. Follow me, and I will do all I can to help you find them."

"A League of Their Own" was written by Gerard Jones and Mark Waid, drawn by Howard Porter and John Dell. The disgraced Martian Manhunter: American Secrets was less than half a year away from getting the 1987 volume of Justice League America cancelled. He actually wrote several Amalgam Comics, despite being very near the end of his mainstream comics career, and having had the entire Green Lantern line taken from him. It really makes you question how much the Big Two were invested in the Amalgam books. Mark Waid helped Jones on most of his books, and was five months out from co-writing Justice League: A Midsummer's Nightmare, the book that made me build this blog. He would also often fill in for Grant Morrison on the relaunched JLA, and Waid eventually succeeded him on that title. Porter & Dell were the artists on that blockbuster success, which takes me back to that JLA splash page. JLX was one of the more popular and better selling Amalgam Comics, on the same glossy stock with similar coloring as JLA. Whether this was a trial run on what DC was planning for the future, or the template upon which it was built, it seems to me JLX was a harbinger in ways (even the abbreviated title) no one could have expected (and few seem to recognize today.) This is a literal pivot point from the creators and characters that were failing the franchise to those that would define it as a powerhouse property for the world in the coming months. That splash represented the book that I wanted to read, and would get to in 1997.

Wednesday, September 17, 2025

Spiros Lasser

Spiros Lasser was yet another millionaire that Marco Xavier was friendly with and profited from. While the Manhunter from Mars was operating under the identity of the seemingly deceased Xavier, he used that preexisting connection to Lasser as bait to trap the wily Professor Arnold Hugo when he briefly escaped imprisonment. Hugo was working an extortion scheme where he would irradiate the wealthy to a potentially fatal degree, then demand a ransom to decontaminate them before they succumbed. The Marco Xavier impersonator set up the scheme on Lasser's yacht, but then shapeshifted into Lasser to become irradiated. The false Lasser then followed Hugo's instructions, paid the ransom, was decontaminated, and then captured Hugo and his gang as the Manhunter. Spiros Lasser appeared in House of Mystery #165 (March, 1967)

Thursday, September 11, 2025

JLX in The Amalgam Age of Comics: The DC Comics Collection (1996)

The plan for yesterday was to draft a larger post on the background of the Amalgam Comics stunt, halve that as appropriate, and then spin off narratives for the Wonder Woman titles and Martian Manhunter in JLX. What I hadn't considered was that Wonder Woman was far more central to the Marvel Versus DC event, and had more expansive lore within the Amalgam Comics pseudo-verse, meaning her side of the story dominated so fully that I simply ran out of time and energy to give a Martian perspective. There's an additional, anniversary-appropriate irony... I apparently never covered DC Versus Marvel on this Blogspot/Blogger/Google incarnation, only my oft-referenced-during-anniversaries WebTV incarnation from the late '90s / early '00s. What a reminder that I've been doing this too long, that I assume the presence of my DC Message Boards-era, 20th Century content here. One of the running jokes was that I was supposed to migrate all that WebTV content here and save myself work, instead of re-doing... well... clearly not everything. I wonder if I can even still run the CD a buddy burned to back the site up using a web crawler in 2000? Anyway, I'm not inclined to repeat myself, so if you want background, read it at Diana Prince as the New Wonder Woman.

While there are some notable characters dating back to the (falsified) Golden Age of Comics like Super-Soldier and Diana Prince, Amalgam Comics seems largely built on a (retconned) Silver Age. Super-Soldier (human Clark Kent given powers from materials found by scientists in a Kryptonian rocket) was put on ice until modern times, awakening to find his powers diminished by lingering radiation from Lex Luthor's K-bombs. In order to combat superhuman menaces, Kent put together a team that would counter them "without alliances to a particular country or political group." This team would be the Judgment League Avengers, or "JLA" for short. They consisted of Dark Claw, Captain Marvel, Angelhawk, Canary, Goliath, and Hawkeye. Their sometimes ally was Mariner, a combination of Namor and Aquaman who lived in the undersea city of Poseidonis with his wife and child. Poseidonis was mysteriously destroyed, taking everyone by Mariner in a cataclysm. The mourning Mariner launched two mission: to combat pollution to his water by the surface world, and to find the lost city of Homo Superior, Atlantis.

Mutants are present in Amalgam Comics, but seem to be more marginalized there than at Marvel. Even the JLA are somewhat discriminatory towards them, with members hiding their mutant genes from fellow heroes. However, the JLA also battle anti-mutant bigots like Will Magnus, who used his technological genius to build mutant-hunting robots called Sentinels. Will Magnus was motivated by his hatred of his brother Erik, who in the guise of Magneto formed The Brotherhood of Mutants. Will Magnus also created more humanoid automatons, like the Setinel Jocasta, who he tested by having her infiltrate the modeling industry under the name Millie. At one point, Will Magnus tried to infiltrate the JLA with a synthezoid spy called Crimson Whirlwind, but creation was turned against creator. Another mutant group was X-Patrol, led by a time-traveler from an apocalyptic future named Niles Cable. They are attempting to improve the fate of their kind, with each successful mission changing the history of Cable.

In the series JLA: The New Blood, the Avengers started to address the rising visibility of mutants by adopting more out members to the team. Among the earliest mentees were Firebird (The Green Flame + Phoenix,) Apollo (The Ray + Cyclops,) and Wraith (Obsidian + Gambit.) They were soon joined by Mercury (Impulse + Quicksilver,) Runaway (Gypsy + Rogue,) and Nightcreeper (The Creeper + Nightcrawler.) Among their enemies and frienemies were Lord Nimrod and his X-tremists, Ms. Tique's Brotherhood of Injustice, Sunstorm, and Metamimic, while a rival JLA spin-off group was Extreme Works. I'm not clear on their relationship to The Brotherhood of Mutants, but that team was murdered by Sentinels. Recently, the members were reborn in robot form as Magneto and the Magnetic Men.

Most recently, Mariner was framed for a mass murder, and the U.S. Government ordered his capture and imprisonment without trial. This created a rift between the Judgment League Avengers and their mutant new blood, who under the guidance of the notorious criminal mastermind Mr. X, orchestrated a jailbreak for Mariner with the renegade "JLX."

Wednesday, September 3, 2025

Miklos Agar

Potentate Miklos Agar had a priceless statue stolen by the international crime syndicate Vulture, which held it for a $250,000.00 ransom. Rather than risk one of their own men to make the exchange, Mr. V enlisted their freelance agent Marco Xavier, who was "palsy-walsy with Agar" and already visiting the Greek port of Athens. For his standard 10% fee, this time totaling twenty-five grand, Xavier made the exchange at the Athenian mansion of Agar, who confessed that he would be willing to have paid twice the asking price for the return of his lovely statuette. Their only appearance to date was in House of Mystery #162 (October, 1966)

Tuesday, August 26, 2025

2014 Houston Comicpalooza Marco Xavier Vulture Jam Sketch Detail by Brian Denham

I've had a busy day posting art across my blogs, so before we get started, you might like to take a look at these...



Brian Denham was one of the very first artists that I ever commissioned, and the first take home piece, too. I love his work, and wish there was more of it. He used to be a regular at Houston shows, and I think he was living elsewhere in Texas, so I took his presence for granted a little bit. I've been sitting on this piece for eleven years, and I'm not sure if Denham has been back to town since. The previous portions of this jam had all been stacked up more or less vertically on one half of the pages, with the common theme of the subjects having appeared in Vulture tales from House of Mystery. This international criminal organization was routinely undermined by the Manhunter from Mars in his then-new public identity of Marco Xavier. J'onn J'onzz had stolen the identity from a wealthy playboy with ties to Vulture, and as the story progressed, it became clear that Xavier was a much bigger part of the outfit than originally thought. I'd hoped to have a Marco Xavier biographical profile up by now, and hope to work on that throughout September, while tossing off shorter pieces from that period. If all goes according to plan, I'll also have the finished jam up by October. But I've promised less and failed to deliver, so we'll see. I can't say the same for Denham though, as his take on Marco Xavier is the centerpiece of the jam. This is from a color photocopy from before additional contribution were made on top of it, so the colors are a little off, but hopefully they'll be better represented in the final scan. There's a sense of finality that comes from finally releasing these aging pieces and collecting them with others that are over a decade old. I wish that were not the case, but again, we'll see what the future holds...

Brian Denham

Tuesday, June 10, 2025

Apollo Magnus


Apollo Magnus is a wealthy shipping magnate who was associated with international playboy Marco Xavier. During a formal party at Magnus' palatial Mediterranean estate, Xavier was able to deduce from Magnus that he would be using his personal yacht to secretly transport a large gold shipment, which had been targeted by the criminal organization Vulture. While Xavier had been paid to provide them with this information, what Vulture did not know was that Xavier had secretly been replaced by the heroic Manhunter from Mars, who proceeded to thwart a heist attempt by Senor Mendez & Section T2.

First Appearance: House of Mystery #160 (July, 1966)

Tuesday, June 3, 2025

The Vile Menagerie: SULKAR



Alter Ego: Abba Sulkar
Occupation: Spy
Group Affiliation: Vulture
Base of Operations: Taurus Mountains, Turkey
First Appearance: House of Mystery #161 (September, 1966)
Height: Approx. 5'8"
Eyes: Light
Hair: Brown

History:
Abba Sulkar was the leader of a Vulture base in Turkey. Among his operatives were the towering brutes Shtarker and Grosse, as well as the lovely double agent Marie Fouchere. Sulkar was tasked with kidnapping a pair of scientists to drain their brains for evil purposes. Without clear motivation, Sulkar had Fouchere use her past romantic history with international playboy Marco Xavier to lure him to Sulkar for the same treatment. Successful, Sulkar explained his actions to Vulture's leader, and despite being ordered by Mr. V to set the tape of Xavier's stolen memories aside for his personal viewing, Sulkar wanted any secrets Xavier held for himself. Discovering Xavier was secretly Vulture's great enemy, the super-heroic Manhunter from Mars, Sulkar set about killing the mindless "Marco Xavier" while he was vulnerable in human form. However, Marie Fouchere double-crossed Sulkar to free the Manhunter, and Sulkar was killed in the resulting confrontation.

Weapons:
Aside from his advanced hidden mountain base, Sulkar utilized a pair of novel weapons. He possessed a large computerized device that could project a ray capable of extracting all memories from a victim. Aside from basic motor skills and autonomic nervous function, the victims did not appear to possess any meaningful thought processes or capabilities. The stolen memories would then be recorded onto some form of magnetic tape before being processed for permanent record storage and retrieval. The memories could then be restored to the victim, if so desired. Next, stolen memories could be reviewed on a monitor screen to exploit the subject's knowledge. The Disintegrator Weapon was Sulkar's other key asset, capable of nigh-instantaneously rendering a human being into a small pile of ash. The weapon came in the form of a handheld pistol, bulky but still operable with one hand. While the weapon was utterly ineffective against the Manhunter from Mars, it made short work of Sulkar, when he accidentally fired upon his own person.

Quote: "Sorry Mr. V-- but this is my show-- and I shall play it my way!"

Created by Jack Miller and Joe Certa

Monday, March 10, 2025

2014 Houston Comicpalooza Crime Goliath Monster-Man Vulture Jam Sketch Detail by Johnny J. Segura III

I'd hoped to do a story post of some kind tonight, but I'm still juggling super-involved projects at work and in podcasting, so we'll fall back on another belated art post. I don't feel quite as bad about this one, because Johnny's one of my favorite and most frequested artists to commission, and I have gotten stuff from him since this decade-plus-old detail. Except now that I think about it, I don't think any of that material has been posted by me either, so hopefully he snapped a pic and put it in Snapchat or something. Is Snapchat still a thing? Was it in 2014, even? Speaking of oldies, here's a Monster-Man from a 1967 story that I brought up last week.

Johnny Segura 3rd

Monday, March 3, 2025

The Vile Menagerie: MONSTER-MAN



Alter Ego: Joe
Occupation: Henchman
Marital Status: Unknown
Known Relatives: Unknown
Group Affiliation: Vulture
Base of Operations: United States
First Appearance: House of Mystery #166 (April, 1967)
Height: Approx. 9'-10'
Eyes: Dark
Hair: Dirty Blond

History:
Once, Vulture developed a molecular-ray that could temporarily transform normal men into hulking man-monsters. The most highly visible subject was an agent simply called Joe, who used his new power to rip open an armored car with his bare hands. Mr. V sought to make the process permanent, and scientists at one of his international labs developed a cylinder that could potentially do the job. However, authorities were aware of the Monster-Man's crime spree and Vulture's plot, so they were on high alert to intercept the cylinder when it entered the United States. Mr. V paid the globe-trotting playboy Marco Xavier for the task, as he would be above suspicion. However, the real Marco Xavier was presumed deceased, and his identity assumed in recent months by the Manhunter from Mars.

The Sleuth from Outer Space raided the hideout where "Xavier" had taken the cylinder, but soon determined that this was but one safehouse, not the location where Vulture was keeping the ray. The Alien Atlas traded blows with Monster-Man for a bit, then feigned defeat in a bid to follow the Vulture agents back to their true headquarters. The plan was wrecked when the Manhunter's former partner Zook crashed the scene, and when his own powers faltered before Monster-Man, the Manhunter blew his ruse to save his other-dimensional pet. Just then the ray wore off, leaving Joe just another Vulture bum taking a concussion nap until the police arrived. Manhunter did eventually find the base, and destroyed the molecular-ray before any more Monster-Men could be produced.

Powers:
Monster-Man displayed incredible strength and durability, especially to Zook's deep freeze power. Yet, it wasn't seemingly in the same class as the Alien Atlas, who easily overcame Monster-Man when so inclined.

Weaknesses:
The Monster-Man is a limited time offer of undefined length, and will swiftly and spontaneously fade once its charge dissipates.

Quote: "I'll take care of this little monkey!"

Created by Jack Miller and Joe Certa

Monday, July 11, 2022

Action Comics #1042 (June, 2022)


At the abandoned Casino Riviera, the new Faceless asked an oozing green mass on the floor, "Who the hell is J'Onn J'Onzz? Or is it Rita Gonzales today? Or perhaps Albert Schmidt? Who is it you see when you look in the mirror? What is left when your body can hold no form? Do you know? Does anyone?" Most of the story is devoted to J'Onn's absence of self, a partial refutation of the Ostrander series where the multitudes of assumed identities and dutiful time spent with the League are a distraction from the Martian's inability to move past the death of Mars and fully manifest a true, evolving self while living on Earth. Meaning he's been spinning his wheels since at least the end of the Giffen DeMatteis JLI in 1992.

Faceless sent Professor Hugo to fetch the "naplam blood," but the Alien Atlas nigh-instantaneously pulled himself back together, turned invisible and intangible, flew across the room, then stood in place in solid form so that Arnold could bump into him. Just so's you know that none of the villains ever stood a sliver of a chance. The Manhunter then orders the fledgling Vulture chicks to run in their highly reflective featureless golden masks that couldn't ever be confused with the Helm of Nabu. While bashing the adult Vulture committee and Faceless, the Sleuth from Outer Space noted that he'd bested the neuron scrambler by moving his brain to his tongue, biting it off, and reforming. I wasn't on Twitter (more later,) but if the message boards were still up, I could have audibly heard the cries of "overpowered."

After the initial defeat of Vulture, they spent years rebuilding, watching Manhunter from the shadows to eventually exploit some weakness. Because J'Onn only ever lived a ghost of a life, he supposedly had no loved ones to imperil, so that his only vulnerability was his amassing of foes in the years since. So Vulture exploited that by enlisting... only the ones from the old Showcase Presents economical black & white reprints... and Dr. Trap, I guess. Oh, and Faceless is just some guy, I think? A lot of the male characters from this strip look enough alike that it could maybe be that researcher guy at the police station from an earlier chapter, but they make a point of his being "no one," so probably not. I don't care enough to check anyway.

Cops busted in to bag the perps, but the Manhunter bolts to spend the day hanging out with... Zook and Gwen from the museum? J'Onn commits to spending more time being himself with his... friends... like the little girl fan he just met and the random lady that escorted him to a crime scene? Like Harry Callahan at the end of the first of five movies spanning 17 years, J'Onn disposes of his police badge. Did we ever figure out which cop he was in the first place? And his throwing it in the garbage could have been a meaningful critique on police violence, which isn't a topic in this story, so treating it like refuse was merely circumstantial?

"A Face in the Crowd: Part Six" was by Shawn Aldridge and Adriana Melo. I had the option of covering the penultimate and final chapters of the Martian Manhunter serial more or less back-to-back, but wanted to give each installment room to "breathe." Then I got into a fight with a bot on Twitter, who then locked my account, and I refused to budge on anything related to the matter for two months. I was so sick of everything that I was thinking of scrubbing the entire Diabolu Frank identity and moving on with my life. I'm still probably going to delete the Twitter account and just fold any further promotion of this blog into the Rolled Spine Podcasts account, but one of the things I wanted to do first was completing the coverage of this serial.

The other reason I held out was because this story wasn't very good. As fan service, it made me very happy to see so many moribund concepts foundational to J'Onn J'onzz's original solo strip finally recognized and deployed in modern continuity. I believe that I already referred to this story as the Alien Atlas' "Hush," which sucked as a narrative but sang as a showcase for Jim Lee to draw Batman characters. Except Melo isn't Jim Lee, and the art takes a tumble in quality on the final entry. By burning through the old rogues in rapid succession without offering much in the way of revitalization, it simply reinforces the notion that they are disposable and unworthy of further consideration. Any future writer is robbed of the opportunity to shock an audience that "X" has returned after half a century-plus, deadlier than ever. "X" already came back in that Action Comics serial, and they accomplished squat.

Also, like Ostrander, the writer calls something a Zook that has no real similarity to the Silver Age character named Zook. To continue an analogy, that's like introducing Stephanie Brown as the new Bat-Mite. One is a human girl and one is a super-powered otherdimensional imp. There's not a parity there, just mutual diminishment. The little girl by definition can't be the thing she's named for, and the thing that still isn't getting screen time is at best suffering a trademark infringement besides. You can't announce that we're getting a sundae and hand us yogurt. That's just not even what you said you were going to do. Yogurt isn't ice cream drizzled with hot fudge and sprinkled with chopped nuts... maybe some whipped cream and a cherry? Even if there's a little cherry at the bottom of the yogurt, who do you think you're fooling?

I'm used to being disappointed by Martian Manhunter stories, robbing me year after year of motivation to continue blogging and otherwise championing the intellectual property of a soulless, clueless corporation for no reward whatsoever. It was nice to see the familiar faces and names dropped. Wasn't much else to it, however. Also, the part where he forms a fist in the middle of his chest to throw a punch? Blech.

Monday, April 11, 2022

Action Comics #1041 (May, 2022)


At the abandoned Casino Riviera, J'Onn J'Onzz confronted his past with the once thought "extinct" Vulture cartel. Inside, plainclothes officers Fox and Certa were led at gunpoint by masked men, until their heads were banged together by "The Alien Atlas!" The Manhunter was surprised someone as young as Fox knew that nickname. "My granddad told me about it." When the Martian Marvel told the cops to clear out for their own safety, the veteran Detective Certa knew enough about supers to believe him.

The Sleuth from Outer Space cemented the basic set-up of his late House of Mystery stories as modern canon: French Riviera, retirement of John Jones, Marco Xavier, et cetera. The one major new wrinkle was that he also meant to "Determine what, if any, connection they may have to Gotham's Court of Owls. The iconography is too close to be a coincidence."

Fighting his way to the casino floor, the Manhunter was reintroduced to Professor Hugo, Faceless, and a bunch of kids in Vulture masks called "The Wake." Hugo had devised a "neuro-scrambler" that can fry the brain of a Martian and cause him to cycle through his identities (like Bloodwynd) uncontrollably. The villains were all furious with Manhunter for having discarded them as "insignificant details. Easy to toss away, to forget when we no longer fit the story you wanted to tell. The life you wanted to live." Meta.

"A Face in the Crowd: Part Five" was by Shawn Aldridge and Adriana Melo. No story has ever done more to honor the entire history of the Martian Manhunter, especially the Silver Age material, as this serial. Including the quality of Jack Miller's plotting that felt like it was written on a napkin during a liquid lunch. It was practically written specifically for me, and being me, I still have to poke it in the eye with a stick. It's my nature.

Monday, March 28, 2022

Action Comics #1040 (April, 2022)


Lurking outside the first floor Middletown Apartment of J'Onn J'Onzz was Doctor Trap. I feel seen. After nearly a full page of social media baiting cat petting while explicitly referencing Marco Xavier in 1960s Silver Age stories, the trap was sprung. Double Stuff evaded the thermal that detonated when J'Onn reached for their kitty food in the cupboard. J'Onn began melting like he'd been eating The Stuff before the story started while Trapp kicked down the door declaring a "House call." In a tell that makes me think a pass wasn't made at reading the original stories, the two characters exposit Who's Who bulletpoints while Trapp's voice sounds off for the character. Hired to capture the Manhunter, Dr. Trap decided he just had to kill the former Bronze Wraith, just about the time the cat attacks him. Yes, the big fat orange cat bought J'Onn the time to recover, then was safely "caged" in his abdomen.

The point is made between punches that our boy self-identifies as the Martian Manhunter, not Bronze Wraith, Marco Xavier, or even John Jones. Besides being arch and not exactly relevant, I think the one direct punch connecting would have done Doctor Trap in. I'm glad we moved past the untrained stand-ins for classic rogues to the non-powered real deals as an escalation, but like, what exactly was he going to do with that leg trap he kept swinging? His mind can't be read because of an implant by a guy named "Hugo. Funny looking dude. Head four times too big for his body." Trapp had been sent to give J'Onn a message. "If you want this to end, find them at the place you first met." The implant was in Dr. Ttap's jaw, which J'Onn shattered, then telepathically shut him down.

The next day, Certa and Peters investigated a dilapidated mansion property bought eight months prior by the presumed deceased Marco Xavier. Apparently, Ostrander was under concussion protocols from... um... I don't know? There wasn't a car crash last issue. Anyway, they got shot in their necks with tranquilizer darts. Is this comic a 1970s' TV show? Weird installment.

"A Face in the Crowd: Part Four" was by Shawn Aldridge and Adriana Melo. I know that it's a relatively small thing, given that these are only eight page monthly installments, but I'm really glad the creative team on this strip has been consistent. I liked Melo's work on Female Furies, and her mix of quirk and menace has really defined this story for me. I'll be so disappointed and have to track her down at a con for a commission if we don't get to see her Arnold Hugo in this arc. I've timidly dipped my toe into the waters of Shawn Aldridge coverage because, put indelicately, past interviews with previous Manhunter writers have led me to the conclusion that they're a bunch of f***bois. Honeyed words, crappy intentions. I mean, Aldridge even kind of looks like the new Getaway King. But he seemed like a good guy in the podcasts I've heard him on, and he's clearly done the work here. He's not just slapping legacy names on his own creations (well... Zoey...) but clearly knows who all these characters were and could be again to our Martian Marvel.

This really is the closest we'll ever get to a Batman: Hush or a Who is Wonder Woman? where the entire rogues gallery Vile Menagerie turn up in one Batman: The Movie style romp. The Diabolu Idol-Head, Human Flame, Monty Moran, Vulture, Mr. V... I'm not arrogant and I try not to be excessively paranoid, but it definitely feels like somebody's been reading this blog. Or the reference sites that borrowed heavily from here. There's a vague semblance of payoff for all these years of largely thankless effort. But also a bit of wistfulness, as there was always that not-so-secret hope that I'd get to do something like this someday, mixed with gratitude that somebody with actual motivation and any accomplishment within the industry actually did.

Tuesday, February 18, 2014

2014 "Fan-Casting DC's MARTIAN MANHUNTER" by Ryan Daly



You may recall that Ryan "Count Drunkula" Daly of the Black Canary blog Flowers & Fishnets already cast his own "Justice League movie" heavy with Martian representation here, but he also took the time to expand that into a full solo Sleuth from Outer Space feature film. Besides Dolph Lundgren as Mongul and Sam Neill as Gorilla Grodd (which I can roll with, as seen in his Superman & Flash movie castings,) Daly has also given us some b-side album cuts from the Alien Atlas archives!

I thought Daly had picked Michael O’Neill for Captain Harding because of his similar role on Monk, only to find out that was actually Ted Levine. How good of a detective could Adrian Monk be when Buffalo Bill was right under his nose the whole time? Daly originally offered Battlestar Galactica alums Katee Sackhoff and Tricia Helfer as Diane Meade and Cameron Chase, but then flipped them on account of my whining. I approve of Daly's inclination to cast people of color as characters of non-terrestrial color, but Freida Pinto seems kind of Mrs. for the more girlish Miss Martian, plus M'gann's affecting classic traits of earthly redheads skews her that much further away. Back before Don Cheadle blew up, I listed him for DEO Director Bones. Jeffrey Wright would certainly be a swell replacement, unless that Hunger Games bread goes to his head. Nina Dobrev's Gypsy is also in the mix somewhere.

William H. Macy is certainly an inspired Professor Arnold Hugo, and I really ought to get my own options down around here. I had Anthony Perkins for the fake 1966 movie write-up that I never completed, someone else in mind for the ersatz Smallville spin-off "Middletown" that I stalled out on, and a third possibility for a major motion picture. Blast my backburner! Tom Sizemore is a big ball of blue collar crazy, so he could certainly pull off the Human Flame. Franco Nero might just euro-up Dr. V to the correct degree. I'd have never thought of David Morse for Doctor Trap, but he's perfect, isn't he? Michael Wincott is a go-to evil dude in movies, and he offers an extremely nasty, distinctive voice that, praise be, isn't Keith David's. It occurs to me that most of these actors are TV heavy on IMDb. Wouldn't this make a snazzy show? AMC? HBO? Anybody? Check out the Comrades of Mars and Vile Menagerie casting sheets for more!

Count Drunkula Casting Department

Sunday, October 31, 2010

Commander Blanx: The Most Important Martian Manhunter Adversary



Forensic Psychiatrist Dr. Michael Stone's Scale of Evil Rank
19) Psychopaths driven to terrorism, subjugation, intimidation and rape, but short of murder.

Why Commander Blanx has been selected for 1st Place:
  • Commander Blanx was the Martian Manhunter’s first enemy… sort of.
Super-hero fans place a lot of stock in “ages,” or rather periods of time usually running a decade & a half reflecting prevalent trends in the genre. There’s usually some gray area around when an age begins or ends. The Silver Age wrapped sometime between the late ‘60s and early ‘70s, which would make Commander Blanx the Martian Manhunter’s last foe before the close of the era that birthed him. However, Blanx was decidedly darker than the Silver Age model thief/thug, and was created by one of the defining writers of the ’70s, Denny O’Neil. Therefore, I’m inclined to consider Blanx the first of the Bronze Age. However, Blanx directly if retroactively ties into the Martian Manhunter’s earliest stories, including an animosity that dates back to before the first J’onn J’onzz tale. Most importantly, Commander Blanx was the first Martian Manhunter villain to lay claim to that distinction, uncontested for thirty years. Plus, if anybody brought an end to J’onn J’onzz’s Silver Age, it was Blanx.

  • Commander Blanx was the Martian Manhunter’s opposite number in his life on Mars
Before coming to Earth, J’onn J’onzz was a science leader for the green Desert Dwellers who fought a civil war against the leader of the Pale Martian Pole Dwellers, Commander Blanx, over an energy resource. Besides having similar powers and appearance, the characters also paralleled in their prominent leadership roles amongst their people.

  • Commander Blanx was partially responsible for J’onn J’onzz’s exile to Earth.
Through treachery, Blanx defeated J’onn J’onzz, tried him in a kangaroo court, and sentenced him to thirteen years of exile to the wastelands of Mars. It was from this isolated location that J’onn was unintentionally teleported to Erdel’s lab. It makes a lot more sense for J’onzz to be singled out if Erdel’s robot brain were, say, teleporting any sentient life within a five mile area, rather than being one Martian amongst a throng. Also, Blanx provided J’onzz a reason to stay on Earth, even after he had multiple opportunities to return home. Surely J’onn longed for Mars, but better to remain on Earth than to wander alone outside society. Without Commander Blanx, we may have never benefited from a Manhunter from Mars.

  • Commander Blanx was the first Martian to come to Earth gunning for J’onn J’onzz.
Quite a few Martians found their way to Earth in the Silver Age, and as soon as they came up on J’onn’s radar, he worked to send them packing (even his own brother.) They were usually on Earth by accident, and some were more aggressive about trying to stick around than others. Only Commander Blanx intentionally made a trip to Earth for the specific purpose of attacking him nemesis, the Manhunter, and then leaving. It didn’t work out as planned, but at least he didn’t try to conquer the planet or anything similarly cliché.

  • Commander Blanx introduced retroactive continuity as a regular component of Manhunter’s story.
J’onn J’onzz hit the ground running in 1955, occasionally noting elements of Martian history and culture, but really living in the now. His strip wasn’t big on flashbacks, and every villain that showed up was meeting the Alien Atlas for the first time. The arrival of Commander Blanx changed everything, adding a sprawling new backstory for the character before he was known as the Martian Manhunter, and then reinventing the creation of the Justice League in his second appearance. Ever since, the Manhunter’s continuity has been especially fluid, and in fact even nostalgists like Alex Ross consistently ignore his Pre-Crisis solo history. Truly, the popular conception of the Martian Manhunter is better defined by retroactive continuity than anything laid down in his solo strip.



  • Commander Blanx is one of the few ties between the Silver and Bronze Age Manhunter stories, enforcing the former’s relevance in Pre-Crisis continuity.
No one, not even the Manhunter from Mars creative team, cared about J’onn J’onzz solo stories. Elements in the feature contradicted each other, and little things like the name of John Jones’ town went unanswered for years. A couple of his strip’s villains turned up in early issues of Justice League of America, but with one exception, that book simply assigned the Alien Atlas unaffiliated villains after that. At least there was a JLofA issue after J’onn had unofficially left the team that referenced his battles with Vulture in his own strip, but otherwise the Manhunter’s solo series had no bearing outside his own fan following.

As a novel exercise, scripter Steve Englehart set a flashback issue of JLofA during a specific publishing month early in the Silver Age. It was fun to learn that Green Arrow wasn’t present because he was trapped on an island that month, or that Hal Jordan appeared sans power ring because he hadn’t met Abin Sur yet. However, the story pivoted on a random Manhunter from Mars strip centering on weapons teleporting from Mars into the hands of gangsters. As it turned out, this was a trial run for Commander Blanx and his men to come to Earth in pursuit of J’onn J’onzz, drawing them into conflict with other contemporary heroes. Until Grant Morrison brought back the Human Flame for Final Crisis, the rest of the DC Universe could disregard everything from the Manhunter from Mars strip except his origin and Blanx’s tie-in story, affording those surrounding stories greater validity. Compare that to Aquaman, Green Lantern, Wonder Woman, and the Flash, whose statuses were constantly updated and referenced based on the going on in their solo series. The Martian Manhunter’s solo happenings usually only related to his absence from activity, but here was a key story that pivoted on his life.

  • Commander Blanx “introduced” J’onn J’onzz to the world’s greatest super-heroes.
The Martian Manhunter had been active in comics for several years before turning up as a founding member of the Justice League. Prior to that team’s first appearance, the Alien Atlas hadn’t joined any other heroes for an adventure, and even their later origin hadn’t revealed the specifics of how J’onn had become acquainted with his future teammates. Part of Blanx’s plan to draw J’onzz out in the open was to reveal the existence of Martians on Earth, which also attracted the attention of Earth’s heroes. Through Blanx’s scheme, J’onzz met the Flash, Batman, Robin, Superman, Wonder Woman, Aquaman and Hal Jordan, who all agreed to keep the existence of the Martian Manhunter a secret until he was “outed” by B’rett a year later. Prior introductions have since been retconned, but this was the first attempt at connecting J’onn J’onzz to his fellows prior to forming a super-team.

  • Commander Blanx also better associated America’s heroes with one another.
For the most part, DC properties existed in their own separate continuities that only overlapped on occasion through the Silver Age. Superman, Batman and Robin comprised the “World’s Finest” in their own magazine, and there were the Justice Society of America cases, but their interaction died out with the Golden Age. Through Blanx’s scheme, the Flash and the future Green Lantern retroactively met other heroes not sharing their name for the first time. I’m not sure whom Wonder Woman had met by that point, and I doubt Aquaman knew anyone outside of maybe Superman. Plus, the event gathered a mob of heroes for the first (and in some cases only) time ever, like the Challengers of the Unknown, Robotman, Vigilante, Adam Strange, and many more. Heck, I think this was even Plastic Man’s first DC-centric adventure after some ill-fated post-Quality Comics revival attempts. Relative to the 1950s, Commander Blanx essentially rebuilt the DC family of properties as an in-continuity collective.

  • Commander Blanx was the catalyst for the formation of the Justice League of America.
The JLofA fought Starro the Conqueror in their debut story, but the circumstances of their official formation were not revealed until several years later, when they were shown to combine forces against an Appellaxian invasion. However, a further wrinkle was introduced in the 1970s. While the short-lived “Martian Invasion” brought out a host of period heroes, only Superman, Batman, Wonder Woman, the Flash and Aquaman were at the right place and time to decide to form a new super-team for the Silver Age. However, they wanted to include the Martian Manhunter, and felt the general public needed time to forget their concerns about Martians and accept J’onn J’onzz as a fellow hero. To that end, they decided to wait a year before officially announcing themselves as a collective. By that point, the also present Hal Jordan had become Green Lantern, and the absent Green Arrow would join up a few months later (although he would remain unaware of their true origin for years.) So basically, that makes Commander Blanx one of the most important villains in DC Comics’ history.



  • Commander Blanx helped turn the Martian Manhunter into a period hero.
The story that reintroduced Commander Blanx was set in a specific month in 1959, referencing the events in the various titles of the story’s major players published that month. That wasn’t as big of a deal less than twenty years later, when the retcon saw print. However, you know DC wasn’t going to allow their name brands to be moored to that one year permanently, instead sliding the timeline as the years passed. Yet, the tale belonged to J’onn J’onzz, it was an essential part of his pre-Crisis backstory, and it wouldn’t work outside its period setting. Thankfully, as an alien, J’onzz could age differently than humans, and remain a McCarthy era hero while his contemporaries became comparative rookies. This move has helped set J’onn J’onzz apart from both standard super-heroes and fellow aliens by giving him a more fleshed out backdrop than “visiting alien,” which baby boomer writers have made fine use of.

  • The New Frontier, America Secrets and other great comics exist in part because of Commander Blanx
Again, Steve Englehart’s Blanx story was highly influential, retroactively establishing a shared universe amongst virtually all of DC’s Silver Age properties, and clearly seeding Darwyn Cooke’s magnum opus. Also, without J’onn J’onzz being established as a period character through that story, high water marks like Mark Verheiden’s Secret Origin and McGreal & Rawson’s “Heat Wave” wouldn’t have come into being. Not only would Martian Manhunter’s catalog be far poorer without Englehart’s seminal script, but DC’s collected editions department as well.

  • Commander Blanx turned the Martian Manhunter into a nearly peerless veteran hero.
J’onn J’onzz missed the Golden Age, when most of the iconic DC brands were established. Superman, Batman, Wonder Woman, the Flash, Aquaman, Green Arrow, Hawkman, the Atom, Black Canary—all of DC’s biggest guns’ legacies had a decade or better on the Manhunter from Mars, and even their Silver Age counterparts were nipping at J’onn’s feet. It’s safe to say the Sleuth from Outer Space wasn’t remarkable enough on his own to warrant more than the historical footnote status Captain Comet enjoys. However, he will always be remembered as a founding member of the Justice League, and thanks to his being a period character and his contemporaries being eternally twenty-eight, the Martian Manhunter is now treated as a veteran super-hero with decades of experience over DC’s Trinity, and essentially the only major hero active between the end of the Golden Age and the ever later dawn of the Modern Heroic Age. Blanx delivered decades of uniqueness, story potential, and relevance to what was once an also-ran hero.



  • Commander Blanx popularized xenophobia as a major theme in Manhunter stories.
After Professor Erdel stroked out on him, J’onn J’onzz was rightly concerned about the negative impact his presence on Earth could cause. J’onzz was our secret benefactor for years, until B’rett forced the revelation of a Manhunter from Mars in our midst. Contrary to his fears, the Alien Atlas was immediately embraced as a hero, allowed to join the Justice League of America, serve as protector of Middletown, and even worked for government agencies as a crimebuster. Once again, Commander Blanx ruined everything. The retroactive community that always followed him forced the JLofA to delay their debut because of the filthy Martian among their ranks, and the primary explanation for J’Onzz not being well known between 1955 and the Modern Heroic Age was his status as an alienated alien watching over a fearful humanity. Humans distrusted J’Onzz, and so did his teammates, very nearly costing lives. That just was not an issue before 1977, and it was created by the arrival of Blanx.

  • Commander Blanx was the first Pale Martian, and introduced racism as a dominant theme in Manhunter comics.
B’rett may have been the first “off-color” Martian, but his yellow skin was a subtext at best. The Martian Civil War divided the planet by race, with J’onn J’onzz commanding the greens and Blanx commanding the whites. You knew the Desert Dwellers were the good guys, because they wanted to use the Blue Flame of Mars for space travel, just like the Kennedys. You knew the pallid Pole Dwellers were evil, because their liberal creator suffered from an history case of white guilt, and because they wanted the Blue Flame for vague military purposes that ended in genocide. Further, the descendant White Martians used by Grant Morrison were even more hostile, alien and evil, forcing the peaceful, darker-skinned minority greens to heroically save the day. The Whites even managed to come up with Red Martians, a.k.a. Saturnians, to enslave. Racial politics now define the Martian race at DC Comics, and Blanx was at the forefront of that development.

  • Commander Blanx turned the Martian people into aggressive militaristic invaders.
There have always been criminal Martians, and when they reach Earth, they just love rioting and stealing in a spree. However, these were a few bad apples that needed to be wrangled by the Martian Manhunter, not a representation of the gentle, futuristic race as a whole. That is, until Commander Blanx’s onslaught destroyed Martian society forever. Virtually every other Martian that has turned up since has tried to conquer or destroy our planet, or at least torture/mutate/kill as many puny humans as they can get their shape-shifting appendages around. Blanx gave the Martian race a bad name they have yet to live down forty years later.

  • Commander Blanx was the first Martian to kill just about every other Martian.
You know, the Phantom Zone criminals got up to some really abhorrent doings, but none of them successfully killed 99% of all Kryptonians. I don’t even think any tried. That scale of genocide is so horrific and ultimately pointless, few super-villains are so hollow as to go that route. Commander Blanx was such a creature, annihilating his own race for personal gain, and standing as the butcher of Martian life for twenty years. Although it was never explicitly stated, J’onn’s parents and brother must have burned to death in the flames, since they were never spoken of again. For another ten years, the death of Martian society was assigned to a plague, until Malefic was created to claim credit for its creation. Regardless, Blanx got their first.

  • Commander Blanx killed the planet Mars.
Besides riding on Blanx’s coattails, Malefic came up a bit short on impact. When Commander Blanx let loose the Blue Flame of Mars, he destroyed a society established and maintained over the previous thirteen years of comics publishing. Further, where H’ronmeer’s Curse simply wiped out the Green Martians, the Blue Flame rendered the entire planet Mars completely uninhabitable. From 1969-1988, nothing lived there, no structures stood, hardly anyone visited—it was entirely desolate. After 1988, J’Onn J’Onzz made irregular pilgrimages to his home world, and the 1998 series features all sorts of buildings/vegetation/life forms remaining on Ma’aleca’andra. Most importantly, whether you believe DeMatteis or Ostrander’s take on a Mars, it had been a wasteland for decades prior to their involvement. Commander Blanx left Mars deader than anyone, and authored the very premise, which despite its variations has been set in place ever since.

  • Commander Blanx redefined the Martian Manhunter as a tragic character.
The cheerful Alien Atlas from Detective Comics and most of the House of Mystery run is almost unidentifiable to a latter day fan. Captain Harding who? The Idol-Head of what now? And he had a baby-talking pet? The Martian Manhunter’s powers and much of his general appearance were quite dissimilar from the modern day as well. That change began with Commander Blanx, who wiped out J’onn’s family, his people, his past life—everything the Martian Manhunter had been was burned away. The debut of “our” Martian Manhunter was not 1955, but 1969, as a crumple figure devastated by all the death he failed to prevent. At first, this made J’onn J’onzz even more of a Superman knock-off. However, much of the science fiction and melodramatic elements of Superman comics had been shed by the 1970s, and were almost wholly abandoned by the mid-80s, so that the spirit of Mort Weisinger’s Silver Age Superman is now embodied by the Martian Manhunter.

  • Commander Blanx defined every Bronze Age Martian Manhunter story, helped differentiate the Alien Atlas from the Man of Steel, and was “the” villain of note for decades.
Mars was about as dead as Krypton, the home world Superman was always travelling through time to never quite save in the Silver Age. That didn’t get in the way of the Man of Tomorrow’s contemporary adventures with the World’s Finest or JLofA, though. Martian Manhunter, on the other hand, made it back to Mars just in time to create a space ark using techniques he had learned on Earth to save every Martian still living through 1988. J’onn J’onzz also dropped everything to find the people who left Mars without him, and upon doing so, acted as their leader through over a decade of hardship trying to eke out an existence on harsh alien worlds. Unlike Superman, the Manhunter saved and supervised what was left of his people, rather than continue adventuring with his super friends. This responsibility was the basis for every Manhunter story through 1984, and almost every adversary he faced over those years (Bel Juz, N’or Cott, Re’s Eda, the Marshal) was a comparatively tepid variation on Commander Blanx. In fact, until the animosity between Martian Manhunter and Despero hit a fever pitch in the early ‘90s, there were no other truly compelling villains up for consideration as J’Onn’s nemesis outside Blanx.



  • Commander Blanx was a Justice League of America caliber threat.
Every other month in a Superman comic, the entire Justice League is beaten by some piker, jobbed to make the Man of Steel look more endowed in his little red trunks. Green Lantern, the Flash, and Wonder Woman get a little of that kind of service now and again. Aquaman has only gotten to play that card once or twice, and the Martian Manhunter had to team up with his, Malefic, to halfway do the job. Batman of course is such a pro-fic favorite he gets to do it regularly in the actual League title, which is the way to get fans’ attention. It’s great that Malefic could deal damage in the Martian Manhunter series, but he’ll never get the visibility of Darkseid or Despero in that ghetto title.

Commander Blanx was the first villain specifically created to battle the Martian Manhunter and the Justice League, on the group’s turf. Commander Blanx and his men beat J’onn J’onzz in 1959, and it took most of the heroes who would form the Justice League to save him. In 1969, Commander Blanx successfully destroyed Mars, and all the League could do was bring him to justice over the crime, a literally pyrrhic victory. The simple fact that Blanx is a Manhunter villain who faced the League twice in a decade is enough to crow about, but to have distributed such widespread destruction under their watch is especially memorable. You may recall that Malefic had already been captured by Manhunter, released, plagued Mars, and thought dead before Batman was even born. Blanx did his dirty business right under the Dark Knight’s nose.

  • Commander Blanx was the Martian Manhunter’s first apparent kill.
J’onn J’onzz had varying degrees of responsibility in a number of criminal deaths in his presence during the waning days of his House of Mystery run, but there isn’t a lot of blood directly on his hands. He made a point of saying he was going to kill Malefic, and then doing so, but the only other seemingly calculated execution was Blanx’s. After the destruction of Mars, the Commander and the Manhunter engaged in armed combat until J’onzz smashed Blanx with a globe, proceeded by a seemingly lethal fall. No body was buried on-panel, and the death was never confirmed in dialogue, but it was certainly insinuated. To date, Commander Blanx has made no return to life, so for now, murder was the case.

  • Commander Blanx was in the Super Powers Collection-- sorta.
Blanx was one of the two enemies listed in the Martian Manhunter biography on the back of his Super Powers Collection action figure packaging card.

  • Commander Blanx was not a carbon copy of the Martian Manhunter, and was his first archetypal super-villain.
As has been repeatedly noted in the past, the Manhunter from Mars strip wasn’t exactly a breeding ground for unique, sustainable villains. There were a whole lot of gangsters, oodles of mad scientists, some ridiculous themed thieves, and when things got semi-serious, a bad Martian. Typically, the latter were virtual duplicates of J’onn J’onzz, with either mild color or costume variations. There were exceptions, like the Martian Mandrills, Tor and Vulkor, just as Prof. Hugo and Mr. V were a cut above the other human enemies. Still, no one screamed “super-villainous archrival” before Commander Blanx. More than just the evil duplicate of our hero, Blanx was able to appear as the same species as J’onzz, but clearly from a different race, culture, and moral code. Blanx had enough in common with J’onzz to be a roughly equal adversary, while still function in a vastly different manner. Blanx had underlings and schemes and motivations perfectly in line with classic bad guys which also served to contrast him against his enemy without simply being a clear cut diametric opposite. This made Blanx feel less contrived than a B’enn B’urnzz or a Malefic, while still serving much the same function.

  • Commander Blanx is the ultimate embodiment of the betrayal of Martian principles.
Malefic may have had an aberrant personality, but there was a disconcerting intimacy between him and his victims that seemed a twisted reflection of Martians’ telepathic bonds. He may have mind raped his own mother and sister-in-law, but there was still that sickening closeness to consider. Like his brother, Ma’alefa’ak clearly had an interest in philosophy, and was a devout theologian who simply worshipped different gods than H’ronmeer. Malefic was J’onn J’onzz’s twin brother, growing up in the same household and culture, more often than not going through the motions of being a proper Martian. For whatever reason, Malefic couldn’t stand society, but he cared enough about it to make its destruction his life’s greatest work.

Commander Blanx cared about absolutely nothing but himself. He cast aside a millennium of peace on Mars to wage a civil/racial war. In man-to-man combat with J’onn J’onzz, he brought in another man to sucker punch his foe. Blanx insinuated himself deeply into the Martian hierarchy solely to satisfy his personal ambition. Finally, he destroyed all of Mars, not because of emotional problems or divine direction, but simply to satisfy his own greed and disdain for the “weakness” of his people. Malefic may have been the nastiest Martian around, but Blanx was the antithesis of Martian ideals, so completely soulless as to be exempted from any connection to his people.



The Counter Argument:
  • Commander Blanx appeared in two comics book nearly thirty-five years ago, and he doesn’t even have his own Wikipedia page.
  • Blanx was never a physical challenge for the Martian Manhunter, always falling back on weapons and underhanded plays. He even died like a sissy, screaming as he fell off a friggin’ staircase to his death-by-globe.
  • That plunging neckline from his first appearance is reason enough to blackball him, but coupled with the hideous color scheme, the man’s an eyesore.

What Commander Blanx Represents:
J’onn J’onzz has a simple name and garb. His green skin represents life and vitality, and its lack of covering honesty. What clothes J’onn wears are a noble blue. He has a loving family, and his people embrace peace. When presented with a power source, he wishes to use it for exploration and advancement. When trapped on an alien world against his will, he chooses to secretly act as its benefactor. J’onzz joins a cooperative of good Samaritans in this endeavor. J’onzz is the favorite son of Mars, and an ambassador of goodwill to other worlds.

Blanx has no first name, only a title. His skin is absent of color, cold and pale as a corpse, and almost entirely concealed in regal garb. Their sickly orange and green color scheme highlights his otherness from humanity, and Blanx was never without a lethal weapon of some kind. Blanx has no significant others to speak of, only nameless minions serving as his hostile army. When presented with a power source, he uses it to kill as many people and destroy as much property as possible. Even conquering his own world isn’t enough to satisfy Blanx, so he sells out all other Martian life to the highest bidder. Blanx is a commander, seeking to subjugate and dispose of lackeys at will. Blanx was the antichrist of Mars, and a criminal everyplace else.

As J’onn J’onzz put it, "We were so close! After untold hundreds of centuries, we were about to find maturity... outgrow senseless strife... become all we might have been! And one individual, sick with the need for violence, deprived us of our destiny! And so my world ends!"

Analogies:
  • Commander Blanx is to the Martian Manhunter as…
    Ra’s al Ghul is to the Batman
    Ares/Mars is to Wonder Woman
    The Mandarin is to Iron Man
    The Leader is to the Hulk
    Moses Magnum is to Luke Cage
You have a hero with fairly specific territory of small-to-medium scale, be it a neighborhood, a city, a region or what have you. Their villains are going to tend to work within those boundaries, or else the hero’s milieu changes. However, a great hero will often have a magnificent villain that transcends those limits, showing that even if the protagonist’s scope isn’t usually global, they have the ability to step up to a world class menace.

  • Commander Blanx is to the Martian Manhunter as…
    General Zod is to Superman
    Sinestro is to Green Lantern
    Venom is to Spider-Man
Take an antagonist who was once a respected figure in the hero’s circles/society/etc. However, their extreme methods or other indiscretions cause them to fall into disrepute. In their minds, they still are righteous and possessed of the necessary authority to carry on with their personal missions, while the heroes are the ones who are weak/misguided/wrong.

  • Commander Blanx is to the Martian Manhunter as…
    Black Manta is to Aquaman
    Red Skull is to Captain America
    Doctor Doom is to Iron Man
Here we have a villain who is in many ways similar to the hero in terms of powers/appearance/drives, but is in fact their antithesis in action. Usually, they are deeply self-possessed and obsessed with the schemes they conceive, often knowingly outright evil, and thrive on their opposition to what the hero represents.



Who isn't ranked because of Commander Blanx:
    No one. There were nine ranks of important Martian Manhunter villains to filter out the riff raff beneath Commander Blanx. His only concern was insuring that none of those nine usurped him as master of the Vile Menagerie. 
      Darkseid is too much of a broader DC Universe villain to ever belong to the Manhunter franchise, was associated with J’Onn J’Onzz decades after his establishment, and frankly wasn’t all that interesting in the Manhunter stories he appeared in. 
        Professor Arnold Hugo is too inherently silly and unthreatening to work as a serious adversary, and started out as Batman & Robin’s one-time foe. Plus. He hasn’t appeared in a Martian Manhunter story in over four decades, or much else anywhere.  
        B’rett appeared one time over half a century ago, and he was defeated by burning leaves. Also, he’s just a yellow Martian Manhunter with a ray gun. 
        The Human Flame has to date been defined by his comedic lameness, and has only fought the Martian Manhunter one time.  
        Despero will always first and foremost be a Justice League villain, and that role is the only real reason he regularly fights J’Onn J’Onzz. The Martian Manhunter hasn’t fought Despero since he left the team, and they’ve never had a solo throwdown. Despero didn’t even schedule a single appearance in the three years the Manhunter solo series ran.  
        Mr. V is a fat European mobster in one of the weakest get-ups ever, and he seems to have died decades back. Also, Faceless never provided a real non-flammable threat in his years as the Manhunter’s main villain.  
        Bel Juz, if anything, makes the Martian Manhunter look bad by her appearance. She royally chumped J’Onn J’Onzz, despite displaying hardly any powers and manipulating others to do most of her dirty work.  
        Malefic is just a Commander Blanx wannabe. He didn’t do anything Blanx hadn’t done decades earlier. He only ran repeats with the necessary jacked-up extra details of the Modern Age.

      In Closing:
      Decades after Commander Blanx’s last appearance, no villain has yet to prove as accomplished an adversary, and those who have come the closest simply follow in Blanx’s footsteps. How do you top setting up your hero’s origin, demonizing him on his adoptive world, inspiring the formation of the Justice League, destroying your rival’s home planet, killing almost everyone he knew, and forever altering how the character works and relates to audiences?